Historical Dress: Books - 19th Century

Volume 5: The Age of Empire (1800-1920) A cultural history of dress and fashion' presents an authoritative survey from ancient times to the present. This set of six volumes covers over 2,500 years of dress and fashion.

This volume celebrates 19th-century fashion in illustrated detail. From the delicate embroidery on ballgowns to the vibrant synthetic colors of crinolines, the major themes of 19th-century fashion are explored as never before in this book.

This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day.

A noted photohistorian documents bonnets, capes, frock coats, caps, shawls, bodices, and crinolines as people actually wore them from 1840 through 1914. More than 200 photos depict aristocrats and the middle class.

Crossings in Text and Textile explores the diverse range of transatlantic representations of clothing in nineteenth- and early twentieth-century literature. This collection of essays demonstrates that fashion history and literary history, when examined together, prompt fresh understandings of the complexities of race, class, and sexual identity.

Victorian Fashion Accessories takes the reader on a fascinating tour of the world of women's accessories and, in doing so, gives a sweeping view of nineteenth-century British cultural history.

Providing detailed discussion of 232 painters, this text stresses the interconnections of painting and sculpture with the other arts, and to social and political conditions. The book reflects the revisionist interpretation of 19th-century art.

With more than a dozen new images, this rich and diverse volume will interest students, specialists, and anyone fascinated by this dynamic period

In the London circles of Dante Gabriel Rossetti and Frederic Leighton, the notion of "art for art's sake" became a shared concern: if art is not created for the sake of preaching a moral lesson, or supporting a political cause, or making a fortune, or any other objective, what might art be?

This collection masters of nineteenth-century French painting tells the story of the beloved Impressionist movement, focusing on the tumultuous period of the 1860s and 1870s and the emergence of the New Painting out of the Paris Salon.

Post-Impressionism is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism

Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.”

Relevant chapters: Continental European theatre in the early nineteenth century -- English-language theatre in the early nineteenth century -- English-language theatre in the late nineteenth century -- Continental European and Latin American theatre in the late nineteenth century

268 costumes, settings, groupings, and entire scenes.

The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years.

This work chronicles every Broadway comedy and drama from 1869-1914 offering a plot synopsis,principal players, and important statistics.

John McCormick focuses on the marionette world of Victorian Britain between its heyday after 1860 and its waning years from 1895 to 1914.