Also look on the "Children's Books" and "Artists' Books" pages for alphabet books
ABC3D by
Prepare to be amazed. From the lenticular cover that changes with the angle of your hands all the way to the Z, ABC3D is as much a work of art as it is a pop-up book. Each of the 26 three-dimensional letters move and change before your eyes.
ABC of 20th-Century Graphics by
This is the inaugural volume in Electa's latest series on design and graphics, and presents an annotated selection of the many texts written by the distinguished Italian architecture and design historian Sergio Polano over the last ten years. Some of the essays - of both historical and popular nature - are well known, having been published several times, while others were delivered as lectures and still others are previously unpublished. In the first part the author summarizes the main problems faced by a designer working in the field of graphics. This is followed by a series of clear and concise chapters examining the work of the principal graphic designers of the twentieth century, from Peter Behrens to Tibor Kalman, from El Lissitzky to Maz Huber, and from Alexander Rodchenko to Ed Fella. The images and apparatus criticusselected and compiled by Pierpaolo Vetta supplement and illustrate the subjects covered by the texts.
The 26 Letters by
Originally published in 1948, this classic study, including a dictionary-index, traced the complete and fascinating history of the alphabet up to that time. Now, more than two decades later, an entire chapter has been added that covers new methods of printing and all of the new designs and techniques involved in modern typography: photographic and computer type as well as electronic typesetting.
ABCrossett: a Bennington College Alphabet by
An alphabet from book covers and images in Crossett Library, Bennington College
How to Spell the Alphabet by
How arbitrary are the marks, analog and digital, used to express language, and where do they begin to muck it all up? They offer an excellent if roundabout answer: while letters are largely arbitrary, they are rich with abstract beauty and conceptual depth. In razor-sharp execution--which reveals her training as a sign painter--Auerbach's works on panel and paper update the abstract conceptual tradition, while retaining its intellectual rigor.
The Alphabet by
The Alphabet is a remarkable and notorious literary achievement, decades in the making, one continually debated, discussed, and imitated since fragments first appeared in the 1970s. Consisting of twenty-six smaller books, one for each letter of the alphabet, it employs language in ways that are startling and innovative. Over the course of the three decades during which it has appeared--in journals, magazines, and as stand-alone volumes--its influence has been wide-ranging, both on practicing poets and on critics who have had to contend with the way it has changed the direction of American poetry. nbsp; Ron Silliman, a founder of thenbsp; languagenbsp; poetry movement in the 1960s and one of its most dedicated and acclaimed practitioners, has deployed in The Alphabet the full range of formal and linguistic experiments for which he is known. nbsp; The Alphabet is a work of American ethnography, a cultural collage of artifacts, moments, episodes, and voices--historical and private--that capture the dizzying evolution of America’s social, cultural, and literary consciousness.
A French Alphabet Book of 1814: For Alfred Bourdier De Beauregard, Created by his uncle Arnaud at the Chateau DeBeaumoont De Beauregard by
This charming primer on the alphabet captures the essence of everyday life among the French aristocracy in 1814 in a uniquely detailed series of watercolor drawings made as an alphabet book for a young French aristocrat by his uncle. The drawings give fascinating views of the family chateau and its grounds, its elegantly appointed interiors, the private chapel, as well as the kitchen, workshops, and stables. The boy's clothing and pastimes are all minutely illustrated as are his instruction in polite manners, music, and the arts. The pages are full of amusing puns and now obscured meanings-the French captions translated into the English of the period-preserving a life of enchantment and privilege which has long since vanished.
An Abecedarium: Illuminated Alphabets from the Court of Emperor Rudolf II by
Included in the magnificent pages of the Mira calligraphiae monumenta are two alphabets. Executed by an unknown hand, the first consists of Roman capital letters; the other is Gothic lower-case letters. As with the calligraphy of Bocskay described above, these alphabets were embellished by Joris Hoefnagel, a painter at the court of Rudolf II. In embellishing the alphabets, Hoefnagel employed symbols and heraldic objects--masks, animals, plants, obelisks--to convey the power and greatness of the emperor. An Abecedarium contains the thirty-eight pages from the Mira codex that display Hoefnagel's virtuosity in decorating the alphabets. Calligraphers, graphic artists, and all lovers of beautiful books will delight in Hoefnagel's artistry.
Art, Word and Image: 2,000 Years of Visual/Textual Interaction by
What does it mean to say that a painting has been "invaded" by language? Art, Word and Image answers this question by exploring how visual images and writing can work in dialogue in an artwork. Whether the picture frame is encroached upon by doodlings, as with Adolf Wolfli's seemingly irrational scribbles, or a plea to spirituality is blazoned across a vast canvas, as in the moving images of Colin McCahon, we can be sure that words here have a special meaning,
Word As Image: American Art 1960-1990 by
Words from the environment / Gerry Biller -- Words as sign and structure / Russell Bowman -- Words as juxtaposition and association / Russell Bowman -- Words as narrative / Dean Sobel -- Words as socio-political commentary / Dean Sobel.
Eloquent Images: Word and IMage in the Age of New Media by
The emergence of New Media has stimulated debate about the power of the visual to dethrone the cultural prominence of textuality and print.
Writing on the Wall: Word and Image in Modern Art by
From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art.
Words to Be Looked At: Language in 1960s Art by
Language has been a primary element in visual art since the 1960s -- in the form of printed texts, painted signs, words on the wall, recorded speech, and more. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968.
LetterScapes: A Global Survey of Typographic Installations by
We are bombarded with words today. Public spaces are saturated with a discordant mix of messages, but sometimes a sentence, a word, or even an individual letter stops us in our tracks. LetterScapes features thirty-seven typographic installations in public spaces that demand attention with their graphic impact and communicative power.
Artistype by
The use of typography in art can convey an unmistakable presence that visually communicates a desired idea or attitude. But besides being a carrier of information or visual expression, it can also serve as a decorative element. For the fourteen artists in this book, including Ed Ruscha, Fiona Banner, Shannon Ebner, Liam Gillick, Tsang Kin-Wah, and Rose Nolan, it is a fundamental tool. Intentionally or not, this leads to the emergence of an individual handwriting in their work.
Design and Art by
This reader in Whitechapel's Documents of Contemporary Art series investigates the interchange between art and design. Since the the Pop and Minimalist eras -- as the work of artists ranging from Andy Warhol to Dan Graham demonstrates -- the traditional boundaries between art and architectural, graphic, and product design have dissolved in critically significant ways. Design and Art traces the rise of the "design-art" phenomenon through the writings of critics and practitioners active in both fields.The texts include writings by Paul Rand, Hal Foster, Miwon Kwon, and others that set the parameters of the debate; utopian visions, including those of architect Peter Cook and writer Douglas Coupland; project descriptions by artists (among them Tobias Rehberger and Jorge Pardo) juxtaposed with theoretical writings; surveys of group practices by such collectives as N55 and Superflex; and views of the artist as mediator -- a role assumed in the past to be the province of the designer -- as seen in work by Frederick Kiesler, Ed Ruscha, and others. Finally, a book that doesn't privilege either the art world or the design world but puts them in dialogue with each other. ContributorsDavid Bourdon, Peter Cook/Archigram, Douglas Coupland, Kees Dorst, Charles Eames, Experimental Jetset, Vil#65533;m Flusser, Hal Foster, Liam Gillick, Dan Graham, Clement Greenberg, Richard Hamilton, Donald Judd, Frederick Kiesler, Miwon Kwon, Maria Lind, M/M, N55, George Nelson, Lucy Orta, Jorge Pardo, Norman Potter, Rick Poynor, Paul Rand, Tobias Rehberger, Ed Ruscha, Joe Scanlan, Mary Anne Staniszewski, Superflex, Manfredo Tafuri, Rirkrit Tiravanija, Paul Virilio, Joep van Lieshout, Andy Warhol, Benjamin Weil, Mark Wigley, Andrea Zittel Copublished with Whitechapel Art Gallery, London
Art and Text by
Art and Text covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day. The use of written language has been one of the most defining developments in visual art of the twentieth century. Art and Text is a unique and timely survey of this most contemporary and relevant artistic tool. The use of text can be seen in some of the most avant-garde artwork of the twentieth century; Ren#65533; Magritte and dadaist artists used it to describe anti-art and anti-aesthetic sentiment. The work of some of the most famous conceptual artists of the 1960s began to use written language as an artwork in itself. Artists such as John Baldessari, Lawrence Weiner and Bruce Nauman, who are still today some of the world’s most respected artists, helped push the boundaries of what constitutes art at the time and it has continued to develop since that period. The expansive Art & Language group of artists and theorists, including Joseph Kosuth, also reconsidered the possibilities of 'linguistic art.’ Contemporary artists continue to use this medium and expand its possibilities, which range from being a most direct and immediate means of artistic expression (Tracey Emin, Cy Twombly), to an effective socio-political artistic mechanism (BANK, Jean-Michel Basquiat, Jenny Holzer).
It Is Almost That: A Collection of Image & Text Work by Women Artists & Writers by
A marvelously bold interdisciplinary anthology, It Is Almost That collects works by women artists and writers who have constructed hybrid environments that merge image and text. The works in this collection are supremely imaginative in both form and content: from the semi-autobiographical novel painted by a young artist who died in the Holocaust (Charlotte Salomon) to Alison Knowles' computer-generated chance operation for "imagining" houses and their inhabitants; from the pseudo-scientific examination of a conversation between a mother and a daughter (Eleanor Antin) to the dark, comic interrogation of violence against women (Sue Williams); from the transformations of newspaper headlines (Suzanne Treister) to the probing of animal consciousness (Cole Swensen & Shari De Graw); from the body maps drawn by South African women with AIDS (Bambanani Women's Group) to the alchemical transformation of the pregnant body into an evolving landscape and philosophical meditation (Susan Hiller). Other contributors to It Is Almost That include Fiona Banner, Louise Bourgeois, Theresa Hak Kyung Cha, Cozette de Charmoy, Ann Hamilton, Jane Hammond, Dorothy Iannone, Bhanu and Rohini Kapil, Helen Kim, Ketty La Rocca, Bernadette Mayer, Adrian Piper, Charlotte Salomon, Genevieve Seille, Molly Springfield, Erica Van Horn & Laurie Clark, Carrie Mae Weems, Hannah Weiner and Unica Zurn.
The Look of Reading: Book, Painting, Text by
We take for granted that words can describe pictures, but we don’t often consider that the reverse is also true: pictures can depict words, as well as the people reading them. In The Look of Reading, Garrett Stewart explores centuries of painted images of reading, arguing that they collectively constitute an overlooked genre in the history of art. A stunning array of artists—including Rembrandt, Picasso, Cassatt, and Caravaggio, among many others—have worked in this genre during the past five hundred years. With innovative interpretations of their work, ranging from Bellini’s open Bibles to Bacon’s mangled newsprint, Stewart examines the give-and-take between reading matter depicted in painting and the “look of reading” on the portrayed face. He then traces this kind of interaction from the sixteenth century, when pictured reading generally illustrated people reading holy scriptures, to later periods, when secular painting started to represent the inwardness and absorption associated especially with novel reading. Ultimately, Stewart shows how the subject fell out of such paintings altogether in the late twentieth century, replaced by words, scrawls, and blurs that put the viewer in the place of the reader. Lavishly illustrated with the paintings it discusses, The Look of Reading charts the life and death of an entire genre. Essential reading for art historians and literary theorists alike, it will become the definitive study of this overlooked aspect of the relationship between images and words.
Typewriter Art: A Modern Anthology by
The first piece of known typewriter art was a "drawing" of a butterfly by Flora F. F. Stacey in 1898; since then, artists, designers, poets, and writers have used this rigorous medium to produce an astounding range of creative work. This beautiful book brings together some of the best examples by typewriter artists around the world. As well as key historical work from the Bauhaus, H. N. Werkman, and the concrete poets, there is art by contemporary practitioners, both typewriter artists who use the keyboard as a "palette" to create artworks, and artists/typographers using the form as a compositional device. The book will appeal to graphic designers, typographers, artists, and illustrators, and anyone fascinated by predigital technology.
The Long March of Pop: art, music, and design, 1930-1995 by
An original and insightful new history of Pop Art from one of the most important art historians of our time Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book.
Love for Sale: the Words and Pictures of Barbara Kruger by
The artist Barbara Kruger was an important thinker on postmodern and feminist issues. This survey includes her most famous pieces and discusses the ways in which her art challenges social values and the nature of art-making, and uses images appropriated from various sources to capture attention.
Basquiat by
Accompanying a major traveling exhibition, this first-ever survey of the rarely seen notebooks of Basquiat features the artist's handwritten notes, poems, and drawings, along with related works on paper and large-scale paintings.
They Called Her Styrene by
Los Angeles-based artist Ed Ruscha, one of the seminal American artists of the past 30 years, is known for taking elements from the visual language of advertising and commercial art: he has made hundreds of 'word' prints, drawings and paintings that exhibit an interplay between bold letters and softly shaded, atmospheric backgrounds.
Ghada Amer: Rainbow Girls by
Ghada Amer blends feminine figures and embroidered texts, attaching together what before she had treated separately. In fact it is the first time the bodies and texts images and words are literally woven together...The current work of Ghada Amer marks another particularity: the creation of metal sculptures.
Christopher Wool by
Exploring Wool's work, this monograph covers the artist and his work, and analyzes his career from its roots in the early 1980s to the present day.
Someday Is Now: The Art of Corita Kent by
This full-scale survey of Corita Kent's work includes prints and ephemera from all phases of her life, revealing her importance as an activist printmaker and a sylistic innovator in graphic design.
Jenny Holzer by
Artwork by Jenny Holzer. Text by Robert Storr.
Mel Bochner by
A leading practitioner of conceptual art, Mel Bochner (b. 1940) was one of the first artists in the 1960s to introduce language into the visual field.
Lawrence Weiner by
One of the canonical Conceptual artists of the 1960s, Weiner was among the first to 'dematerialize' the object of art into the realm of language and ideas. He composes texts that describe process, material and structure while evoking a poetic drama that unfolds in the reader's mind. Using a utilitarian yet elegant typeface and stark monochrome or vivid colours, his works have a striking formal beauty.
Raymond Pettibon: To Wit by
In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high-ceilinged, garage-like white cube into his studio in order to prepare a show of drawings and collages within--and sometimes directly on--its walls.
Rodchenko and Popova by
Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film. For the first time, the issue of gender in the Constructivist movement is explored in-depth, with the artists’ extensive network of colleagues and collaborators considered in the discussion. Extensively illustrated with striking examples of the artists’ work, including previously unpublished works, Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of "art for art’s sake.” Published to accompany a major exhibition at Tate Modern, this is an indispensable guide to a fascinating period in art history.
MAPS by
In the early 1990s, graphic designer Paula Scher began painting maps of the world as she sees it. The larger her canvases grew, the more expressionistic her geographical visions became. Displaying a powerful command of image and type, Scher brilliantly transformed the surface area of our world. Paintings as tall as twelve feet depict continents, countries, and cities swirling in torrents of information and undulating with colorful layers of hand-painted boundary lines, place-names, and provocative cultural commentary.
This Is for You by
Artful, eye-catching, and full of heart, renowned screen printer and artist Rob Ryan's papercuts have graced book covers, album covers, and the fashion collections of Paul Smith. InThis Is for You, Ryan takes his unique vision and crafts a book-length valentine that will move the heart and engage the spirit with its charm and artistry. Hand cut and hand painted, each page of Ryan's book can stand alone as a striking art piece, or be read as part of a larger tale of a young man's love and his ultimate triumph over loneliness. Ripe with evocative imagery and a heartfelt text,This Is for You is a powerful combination of poetry, graphic novel, and museum-quality artbut at its heart, it's a simple yet timeless tale of love.
Sean Landers: [sic] by
"Say for instance that I thought my life was worth describing every ugly detail of and that I was deluded enough to think my jerking off in my studio was something higher than what it is..." So begins Sean Landers' sic], an artist's book that reproduces a single extended writing performance piece from the early 1990s, as it was written out by hand.
Bitches, Bimbos, and Ballbreakers by
Whatever life a woman leads, from biker chick to society girl, there's a stereotype she'll have to live down. The Guerrilla Girls, notorious for their outrageous take on women's issues, now tackle the maze of stereotypes that follow women from cradle to grave. With subversive use of information--and great visuals--they explore the history and significance of stereotypes like Old Maid, Trophy Wife, and Prostitute with a Heart of Gold. They tag the Top Types, examine sexual slurs, explain the evolution of butches and femmes, and delve into the lives of real and fictional women who have become stereotypes, from Aunt Jemima to Tokyo Rose to June Cleaver. The Guerrilla Girls' latest assault on injustice towards women will make people laugh, make them mad, and maybe even make them change their minds.
Shirin Neshat by
Internationally acclaimed photographer, videographer, and filmmaker Shirin Neshat first came to prominence in the mid-1990s when she exhibited her series the Women of Allah, an extraordinary body of work exploring women in Islamic culture. Since then, the Iranian-born artist has continued to explore difficult subjects: the boundaries between East and West, men and women, the sacred and the profane, exile and belonging. Her work is marked by its graphic boldness and stirring imagery: photographs of women cloaked in black veils with excerpts of Farsi poetry inscribed across the surface; videos of clans of men and women in barren landscapes chanting or groups of men and women listening to rousing moralistic sermons in a public hall; and, as in her most recent projects, magical realist works in which women fly or plant themselves in gardens to ensure their fertility. Renowned art critic and historian Arthur C. Danto explores the entirety of the artist's rich and varied oeuvre, from the earliest photographs to her latest work, the film Women Without Men. Her first feature film, for which she was awarded the prestigious Silver Lion for Best Director at the Venice Film Festival, is based on the novella of the same name that was banned in Iran; it has taken nearly seven years to complete. In addition to the important essay by Danto, the book includes a foreword in the form of a letter by artist Marina Abramović and commentaries for each series of work by Neshat herself, allowing a glimpse into the creative process of one of the most unique artists of her time.
Aleksandr Rodchenko by
This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998. The essays in Aleksandr Rodchenko explore both phases of his career, drawing out the formal ideas that he developed as well as the social and artistic context in which he moved. The book's plate section, reproducing over 300 works carefully selected from collections in Russia and throughout the West, for the first time presents a full and coherent overview of his diverse achievement. An illustrated chronology outlines the story of the artist's life.
Guide to all the Artists' Books in Crossett
Alphàbêt by
Letterpress with French sans serif extra wide wood type circa 1925 and printed on obsolete sea charts by Dikko Faust. Design by Esther K Smith. One folded continuous sheet of obsolete sea charts. Faust used extra-wide French wood type, circa 1925, to letterpress print the alphabet, printing both upper and lower case of each letter. 3" x 2 .5" closed, extends to 104.25"; 32 pages including self-wraps. Edition of 40. Signed.
Fortunato Depero; The Bolted Book (Depero Futurista) by
This is a facsimile edition of the Italian Futurist artist and designer Fortunato Depero's 1927 monograph. Called Depero Futurista, or “Depero the Futurist,” it is also known as The Bolted Book, because it is bound together by two large industrial aluminum bolts. Filled with bold typographic experimentation, daring layouts, it is a landmark avant-garde example of the “book as object.” Scholarly essays and material from the Fortunato Depero archives is included in a Reader’s Guide companion volume. 32 cm x 24.2 cm. Binding: Open on four sides, cover and all pages hole-drilled for bolt binding and fastened with aluminum bolt, nut, and cotter pin. Digitally printed. Textured, colored cardstock. 4 tissue (glassine) pages and 1 two-panel gatefold. Post binding.
Written Weed by
This book includes 111 paste-ups / collages by the artist composed of gathered dried leaves, grasses and seeds. The materials are selected and arranged in formations that appear as asemic writing reminiscent of handwriting, syllabaries, and the letterforms. In order to emphasize the graphic quality of these works, the book is published in black/white. Edition of 400 copies. Numbered and signed by the artist. 17" x 12.5" x 1.25". 232 pages.
Atlas of Punctuation by
The Atlas of Punctuation displays the distribution of all end-of-sentence punctuation for 14 books. The punctuation for each book is consolidated to a single sheet, as if everything about the book, except the punctuation was removed, and then flattened to a single plane. The books contained in the atlas are representative literary classics that convey a quality of space and scale in the imagination. Letter press printed on Mohawk superfine 80 lb. cover paper using Adobe Garamond and Avenir typefaces for informational text. Edition of 100. 25 x 22 cm. 29 p. Case Bound.
Intranquilo = On Edge by
The text is a short story by Jorge Accame, printed on rectos of most leaves; related full-page images by Thorsten Dennerline appear on facing versos. One image is larger than full-page, extending into the facing page with the letterpress. There are 10 sections of text, marked with even numbers 2-20, and 11 illustrations, marked with odd numbers 1-21. Story and other letterpress are printed in black (Spanish) and red (English). The images are mounted archival-pigment digital prints of photographs on Kitakata paper, overprinted with drawings made on lithographic stones and printed from the stones. "The collaborative aspect of the work began in the fall of 2006 and continued until 2008 when the last texts and images were finished. The digital printing was by Derek Cracco at Ink to Paper in Birmingham, Alabama, on Kitakata paper. The drawings were printed from lithographic stones at the Frans Masereel Center in Belgium (Thorsten Dennerline), at Corridor Press in Otego, New York (Tim Sheesley), and one image was printed at Bennington College, Vermont (Thorsten Dennerline). The original Spanish texts were translated into English by Jonathan Pitcher. Daniel Keleher at Wild Carrot Letterpress in Hadley, Massachusetts, printed the letters on Arches Velin papers. Mark Tomlinson bound the edition. Edition of 40. Issued in red cloth-covered slipcase with small blind-impressed image on front.
Fragment by Fragment : Signs of the Peat Bog Disperse into the Wind by
"In the hot summer of '76, a fire removed a large area of surface vegetation from a blanket bog high up in the Black Mountains of Wales. The plants have never grown back and the exposed peat is like a huge scar on the landscape. Without its protective covering, the peat is gradually being eroded away by the wind and the weather." Edition of 50. 10.5 x 6"; 28 pages. Hand stitched, digitally printed codex interleaved with tissue paper. Printed with archival pigment inks on Gerstaecker 125 gsm paper. Cover is Arches 250 gsm rag paper.
Mourning/Warning: An Abecedarian by
From the Alfa flag (in its muted version representing Marissa Alexander, sentenced for firing a warning shot at her husband when he attacked her) to the Zulu flag (representing Ousmane Zongo, unarmed but killed by a NYC officer during a 2003 warehouse raid), this list of mostly unremembered casualties represents part of the everyday reality for people of color. "Stripping the maritime alphabet of its primary colors and replacing them with muted browns and blacks, Mourning/Warning highlights the relationship of Americans of the African diaspora to water, maritime trade, and the need for an alternate means of communication in times of emergency and duress. How do you send a warning call that hatred comes constantly in waves? M/W serves as a method of honoring, mourning, and remembering the slain and wronged as well as teaching our children and ourselves to be vigilant and wary in hostile terrain, where your skin color makes you an easy target." Tia Blassingame. 8.5 x 11"; 32 pages including wrappers. Digitally printed in Josefin Sans typeface. Saddle stitch binding. Signed and numbered. Edition of 26. Crossett owns number 6.
The Art of American Book Covers, 1875-1930 by
At the turn of the nineteenth century, book covers were revered as works of art. Publishers commissioned distinguished artists such as Maxfield Parrish and Rockwell Kent to create exquisite covers appreciated by authors and readers alike. The Art of American Book Covers is an entertaining and educational retrospective, lavishly illustrated with more than one hundred full-color plates.
The Art of Hokusai in Book Illustration by
The 'Yellow-backs' -- Early poetry books -- 'The Story of the forty-seven Ronin' -- Poetic topography -- Portraits of poets -- Illustrations to novels -- Hokusai's album of pictures from nature -- The Manga -- 'Excellent Paintings at a Glance', 1818 -- The revamping of a book by Ryukosai -- Miscellaneous books, 1808-1819 -- Major drawing books of 1819 and 1820 -- Albums and books of erotic prints -- Craftsmen's books -- Miscellaneous books, 1820-1840 -- The 'One Hundred Views of Fuji' -- The 'Warrior' trilogy, the Toshisen and the final decade, 1840-1849 -- Chronological list of books with illustrations by Hokusai.
Book Covers in the Weimar Republic by
The Book Cover in the Weimar Republic assembles 1,000 of the most striking examples from this golden age of publishing activity and innovation. Based on the remarkable collection of Jürgen Holstein and his rare collectibleBlickfang, it combines an unparalleled catalog of dust jackets and bindings with Holstein’s introduction to the leading figures and particular energy of the Weimar publishing age. Expert essays discuss the aesthetic and cultural context of these precious fourteen years, in which a freewheeling spirit would flourish, only to be trampled, burned, or driven out of the country with the rise of National Socialism.
By Its Cover: Modern American Book Cover Design by
By Its Cover traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff & Geismar, Karen Goldberg, Chip Kidd, and John Gall.
Children's Book Covers by
This companion to the best-selling Front Cover is the first visual survey of over 200 years in children’s book jacket and cover design. It traces a history that goes from the hand-colored engravings of the 1800s to the digital art of today, and features the work of the most influential illustrators (including Beatrix Potter, Maurice Sendak, and Quentin Blake), plus all the popular series: Babar, Dr. Seuss, Harry Potter, and more. Classics, the latest designs, plus rare finds and first editions make this a must-have book for collectors, designers, and anyone who loves art.
Classic Book Jackets: The Design Legacy of George Salter by
It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the works of such revered authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability to reduce the illustrated dust jacket -- a new part of the book package -- to its essential elements. He could visually evoke -- with typography, calligraphy, and pictorial imagery -- the contents of any given book.
Front Cover: Great Book Jackets and Cover Design by
You can’t judge a book by its cover…but some covers simply speak for themselves. The most influential book jacket designs from throughout the 20th century are on display, and the fascinating images track their evolution from throwaway utilitarian “dust jackets” into a powerful modern art form. Three hundred hardcover and paperback book jackets appear in full color, including many from rare first editions seldom seen outside a serious collector’s library. Accompanying analysis commemorates the contributions of top European and American artists like Victor Gollancz, Paul Rand, and Barnett Freedman; explains how cover art styles helped launch such publishing brands as Penguin and Bloomsbury; and explores the impact of today’s digitally designed covers.
Jackets Required: An illustrated history of American book jacket design, 1920-1950 by
This fascinating and full-color volume presents a superb collection of 270 jackets promoting a wide range of books--from high-brow novels and biographies to mass-market romances and mysteries--while showcasing the talent of some of the era's most exciting illustrators and designers. Offers a unique resource for graphic artists, illustrators and book lovers.
Jeweler's Eye Islamic Arts of the Book from the Vever Collection by
The calligraphy, illustrations, and decorations that embellish the great books of the Islamic world comprise one of the finest artistic traditions of humankind. Elegance, expressive intimacy, and technical brilliance are basic characteristics of the works. For these reasons they appealed deeply to Henri Vever, well known to the artistic world of Paris in the early twentieth century as a jeweler, collector, and painter. Vever amassed some five hundred Persian, Arabic, Turkish, and Indian manuscripts, paintings, albums, bookbindings, and examples of calligraphy as well as small groups of lithographs, printed books, textiles, nineteenth-century Burmese and Indonesian works, and Armenian paintings.
Penguin by Design: A Cover Story 1935-2005 by
Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Anglo-American culture and design history. By looking back at seventy years of Penguin paperbacks, graphic designer Phil Baines charts the development of British publishing, the ever-changing currents of cover art and style, and the role of artists and designers in creating and designing the Penguin look—including Penguins, Pelicans, Penguin Classics, and more. Rich with stunning illustrations and filled with details about individual titles, designers, and even the changing size and shape of the Penguin logo itself, Penguin by Design shows how covers become design classics.
Philip Grushkin: A Designer's Archive by
A look at book jackets designed by Grushkin, also includes jackets designed by George Salter, Grushkin's teacher. Table of contents, introduction, a biography of Grushkin, book jackets and examples of graphic design by Grushkin. Glossary, biographical sketches of important figures, biographical sketch of the author.
Calligraphy and Illumination by
A practical guide that explores the history of calligraphy and illumination. The author provides step-by-step instructions and ideas for creating letter shapes, page layouts and illuminated designs.
Calligraphy and Lettering Design by
Whether you have a natural talent for lettering or have never picked up a calligraphy pen, you can learn the stylish art of making beautiful letters with the help of this book. You will find reference examples for many lettering styles, including sans serif, cursive, ornate, classic, script, and decorative hands. And step-by-step stroke sequences will have you creating beautiful letters in no time. If you?ve always wanted to learn the art of calligraphy, Calligraphy & Lettering Design will show you the way. It has all the instruction you need to learn a skill you?ll use for a lifetime!
Coloring and Lettering Comics by
Acclaimed artists Mark Chiarello and Todd Klein demystify traditional graphic storytelling in this practical guide. Chiarello explains the entire coloring process, from computer and software choice to creating color effects that give the action its maximum impact. Klein discusses whether to letter by hand or by computer--a hotly debated topic among working letterers--and demonstrates an array of techniques for creasting word balloons, fonts, logos, and much more. The animated step-by-step instructions are informative, stimulating, and clear enough for even beginners to follow. In addition, every technique shown in this guide conforms to up-to-date industry standards. The perfect how-to on everything coloring and lettering, this one-stop sourcebook is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring comic artist.
Creative Lettering and Beyond by
Creative Lettering and Beyond combines the artistic talents and inspirational tips and tutorials of several professional hand letterers and calligraphers for a dynamic and interactive learning experience. After a brief introduction to the various tools and materials, artists and lettering enthusiasts will learn how to master the art of hand lettering and typography through engaging, easy-to-follow step-by-step projects, prompts, and exercises. From the basic shape and form of letters, to cursive script, spacing, and alignment, artists will discover how to transform simple words, phrases, and quotes into beautiful works of hand-lettered art. The interactive format and step-by-step process offers inspirational instruction for a wide variety of fun projects and gift ideas, including hand-rendered phrases on paper and digitally enhanced notecards. Artists will also discover how to apply lettering to linen, coffee mugs, calendars, and more. Numerous practice pages and interactive prompts throughout the book invite readers to put their newfound lettering skills to use, as well as work out their artistic ideas. Covering a variety of styles and types of lettered art, including calligraphy, illustration, chalk lettering, and more, artists will find a plethora of exercises and tips to help them develop their own unique lettering style. With comprehensive instructions and fun, inspirational exercises and projects, Creative Lettering and Beyond is a must-have resource for anyone who wants to learn this beautiful and stylish art form.
Scripts: Elegant Lettering from Design's Golden Age by
Seen in everything from wedding invitations and birth announcements to IOUs, menus, and diplomas, script typefaces impart elegance and sophistication to a broad variety of texts. Scripts never go out of style, and the hundreds of inventive examples here are sure to inspire today's designers.Derived from handwriting, these are typefaces that are stylized to suggest, imply, or symbolize certain traits linked to writing.
Sho Japanese Calligraphy by
Master calligrapher Christopher Earnshaw illuminates the techniques, history and philosophy of calligraphy with over 300 illustrations inSho: Japanese Calligraphy. Calligraphy, along with poetry and painting, has been for centuries a discipline that all students of culture had to master. Brush writing reflected inner character, and many great masters of calligraphy were respected Zen priests, warriors and emperors. From practical lessons on brushwork to hints about exhibiting finished work, this beautiful volume is the fledgling calligrapher's best reference source. Its meditations on the philosophy of calligraphy will also offer new insights to students of Japanese culture and character.
Letterwork: Creative Letterforms in Graphic Design by
An inspirational guide to the creation and adaptation of letter forms, this book draws on examples from packaging, posters, television sequences and book design from around the world. The author - himself a highly successful lettering artist and graphic designer - demonstrates the principles of letter forms, the use of basic tools, and the many varied techniques and media that allow professionals to create unique lettering effects: including airbrush, collage, cutting, tearing, stamping, faxing, photocopying and computer manipulation. Building upon the current growth of interest in typographic excellence, this book will heighten any reader's awareness of lettering as a milestone of graphic design success.
13 Words by
From bestselling author Lemony Snicket and celebrated illustrator Maira Kalman comes an uproarious, whimsical word book like no other. Together, Snicket and Kalman present a strikingly beautiful journey woven from a practical introduction to thirteen wonderful words, featuring such marvels as Bird, Dog, Panache, and Haberdashery. Snicket, the notoriously clever and elusive New York Times bestselling author, pushes the boundaries of storytelling in the most fanciful of ways. Maira Kalman, renowned for her art and design, carries this madcap adventure to wondrous heights with her vision of a world populated with hats, song, and cake. This rollicking, surprising book is a true celebration of words.
ABC Bunny by
Every letter in the alphabet is represented in Bunny's journey, through what he eats (Greens), to whom he meets (Insects, Jay, Kitten, Lizard), and then a little sleep (Nap), to Tripping back to town, right side Up and Up-side-down.
Add-a-line Alphabet by 
Alphabeasties: and Other Amazing Types by
Werner Design Werks' award-winning bookturns letters into an artistic menagerie of animals--from Alligators to Zebra. It's a dazzling package of language arts, design smarts, humor, and fascinating nonfiction content. It's alpha-mazing!
Alphabet City by
The urban landscape will never look the same again. As Stephen T. Johnson demonstrates in a series of strikingly realistic pastels and watercolors, a simple sawhorse can contain the letter "A"--while lampposts alongside a highway can form a row of elegant, soaring Ys. A 1996 Caldecott Honor book.
The Alphabet from A to Y with Bonus Letter Z! by
A weird, wonderful excursion through the alphabet. The ABCs have never had it so good. In twenty-six alliterative couplets, Steve Martin conjures up much more than mere apples and zebras. Instead we meet Horace the hare, whose hairdo hides hunchbacks, and Ollie the owl, who owed Owen an oboe. Roz Chast contributes the perfect visual settings.
An Alphabet of Old Friends : and, The Absurd ABC by 
The Alphabet that was Good to Eat by 
Animals in the Zoo by 
Anno's Alphabet by
The apt subtitle doesn't do full justice to the ingenuity with which Anno has crafted his solid oak capital letters with their optical illusion effects; or to the richly original object representing a word beginning with the letter; or to the borders, delicately insinuated with plants, creatures, and other things beginning with the same letter. . . .--Booklist. ALA Notable Children's Book.
Baggage by
First published in Russia in 1926, Baggage dates from a golden age of the modern children's book as it was transformed by the avant-garde thought of the early twentieth century. "Baggage" tells the story of a lady who checks her baggage and her little dog at the train. After the dog becomes lost during the course of the voyage, the train employees substitute an enormous dog for her tiny one, and then respond to her outrage with the suggestion that her dog might have grown during the journey
Bembo's Zoo by
A stylish animal alphabet book with illustrations created from the letters in each animal's name. Bold color and simple yet striking graphics make a unique alphabet book that will appeal to readers of all ages. The Bembo typeface is one of the most elegant of the classic typefaces, and its clean, graceful lines inspired the artist to use the letters in a wholly new way. From antelope to zebra-with such exotic beasts as iguanas and narwhals in between-this menagerie of animals has been created with only the shapes of the letters in each animal's name. Children will have fun playing "I spy" with the letters in each picture, and adults will admire the sophisticated art and sleek design of this sumptuous book.
Bruno Munari's ABC by
In this imaginative ABC, acclaimed artist, designer and children's author, Bruno Munari shows how fun letters can be. From an Ant on an Apple to a Blue Butterfly to a Cat in a Cage, Munari pairs words in whimsical ways until Fly frees itself from its page, lands on the Hat, buzzes near the Ice Cream and provides the final sound for Zzzzz.
Charlie Parker Played Be Bop by
Ever hear of Charlie Parker? The great jazz saxophone player? If you have or if you haven't, it's okay. Look at this board book and you'll hear Charlie Parker; you'll hear music in your mind. "Be bop. Fisk, fisk. Lollipop. Boomba, boomba." Look. That's Charlie swinging and spinning all over the pages. And that's Charlie's cat, waiting, waiting for him to come home...
Chicka Chicka Boom Boom by
A told B and B told C, "I'll meet you at the top of the coconut tree." When all the letters of the alphabet race one another up the coconut tree, will there be enough room? Of course there is always enough room for this rollicking alphabet chant that has been a children's favorite for more than twenty years! Bill Martin Jr and John Archambault's rhythmic text keeps the beat with Caldecott Honor illustrator Lois Ehlert's bold, cheerful art.
The Fairy Tales of the Brothers Grimm
This new edition of The Fairy Tales of the Brothers Grimm brings to life 14 of the most beloved Grimm stories, including classics such as Cinderella, Snow White, Sleeping Beauty, and Hansel and Gretel. In a unique design format, each featured tale is paired with a different illustrator, bringing special pictorial splendor to each story. Featured artists include such masters of pictorial invention as Kay Nielsen, Walter Crane, and Viktor Paul Mohn, as well as many new discoveries. Historic and contemporary silhouettes - many commissioned especially for this anthology - further animate the tales, dancing across the page like delicate black lace.
A For Angel: Beni Montresor's A B C Picture-Stories by 
Henri's Walk to Paris by
Henri’s Walk to Paris is the story of a young boy who lives in Reboul, France, who dreams of going to Paris. One day, after reading a book about Paris, he decides to pack a lunch and head for the city. “Like many of us Henri wants to see Paris. In Paris, there are thousands of buses. In Reboul, where Henri lives, there is only one bus. In Paris there are many parks and rows and rows of trees. The park in Reboul has only five trees. In Paris there are many zoos full of animals for the people to see. So one fine day Henri packs up some lunch and starts off to see all the things he had read about.” Along the way, Henri gets tired and falls asleep under a tree. And this is when the story gets really charming. What Henri sees, we see, in a flowing panorama of pictures conceived by the eminent graphic designer Saul Bass.
Life Doesn't Frighten Me by
Maya Angelou's brave poem is illustrated by the paintings of Jean-Michel Basquiat. Angelou is well-known for her autobiography I Know Why the Caged Bird Sings. Biographies of the artists are included.
The New Alphabet of Animals by
Christopher Wormell's magnificent, color-drenched linoleum-block illustrations grace this alphabet book, so handsomely designed it's sure to appeal to discriminating adults as well as to children. The award-winning British artist, whose previous work An Alphabet of Animals took the top graphics prize at the 1990 Bologna Children's Book Fair, has created all new artwork for his latest interpretation of the alphabet, featuring glorious images of animals from armadillo to zorilla (a skunklike creature).
Sparkle and Spin by
Through harmony and rhythm, resonance and pitch, Ann Rand inspires readers to listen to the tuneful play of her text as it sings off each page. Illustrated with graphic designer Paul Rand's colorful, witty artwork,Sparkle and Spin is a children's classic.
The Wall: Growing Up Behind the Iron Curtain by
ANEW YORK TIMES BEST SELLER "I was born at the beginning of it all, on the Red side--the Communist side--of the Iron Curtain." Through annotated illustrations, journals, maps, and dreamscapes, Peter S#65533;s shows what life was like for a child who loved to draw, proudly wore the red scarf of a Young Pioneer, stood guard at the giant statue of Stalin, and believed whatever he was told to believe. But adolescence brought questions. Cracks began to appear in the Iron Curtain, and news from the West slowly filtered into thecountry. S#65533;s learned about beat poetry, rock 'n' roll, blue jeans, and Coca-Cola. He let his hair grow long, secretly read banned books, and joined a rock band. Then came the Prague Spring of 1968, and for a teenager who wanted to see the world and meet the Beatles, this was a magical time. It was short-lived, however, brought to a sudden and brutal end by the Soviet-led invasion. But this brief flowering had provided a glimpse of new possibilities--creativity could be discouraged but not easily killed. By joining memory and history, S#65533;s takes us on his extraordinary journey: from infant with paintbrush in hand to young man borne aloft by the wings of his art. This title has Common Core connections. The Wall is a 2007 New York Times Book Review Best Illustrated Book of the Year, a 2008 Caldecott Honor Book, a 2008 Bank Street - Best Children's Book of the Year, the winner of the 2008 Boston Globe - Horn Book Award for Nonfiction, and a nominee for the 2008 Eisner Award for Best Publication for Kids.
The Wonderland Alphabet: Alice's Adventures Through the ABCs & What She Found There by
undefined
Words by
More than 300 sight words are paired with striking and playful illustrations by designer and artist Christoph Niemann to deepen understanding, to enrich, and to enlighten those learning to read and write English.
The World Is Round by
Rose wonders who she is, asking herself if she would still be Rose if her name were not Rose, and goes on a journey in search of herself.
A Comics Studies Reader by
A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work
Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond by
Drawing Words and Writing Pictures centers on storytelling and concludes with making a finished comic. With chapters on lettering, story structure, and panel layout, the fifteen lessons offered - provide a solid introduction for people interested in making their own comics.
The French Comics Theory Reader by
The French Comics Theory Reader presents a collection of key theoretical texts on comics, spanning a period from the 1960s to the 2010s, written in French and never before translated into English. The publication brings a distinctive set of authors together, uniting theoretical scholars, artists, journalists, and comics critics. Readers will gain access to important debates that have taken place among major French-language comics scholars, including Thierry Groensteen, Benoit Peeters, Jan Baetens, and Pierre Fresnault-Deruelle, over the past fifty years. The collection covers a broad range of approaches to the medium, including historical, formal, sociological, philosophical, and psychoanalytic. A general introduction provides an overall context, and, in addition, each of the four thematic sections is prefaced by a brief summary of each text and an explanation of how they have influenced later work. The translations are faithful to the originals while reading clearly in English, and, where necessary, cultural references are clarified. Contributors Jan Baetens, Gerard Blanchard, Luc Boltanski, Sylvain Bouyer, Philippe Capart, Erwin Dejasse, Pierre Fresnault-Deruelle, Jean-Claude Glasser, Thierry Groensteen, Manuel Hirtz, Francis Lacassin, Bruno Lecigne, Pascal Lefevre, Jean-Christophe Menu, Harry Morgan, Pascal Ory, Benoit Peeters, Jacques Samson, Barthelemy Schwartz, Michel Serres, Thierry Smolderen, Pierre Sterckx, Jean-Pierre Tamine, Serge Tisseron
Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels by 
Pictures and Words: New Comic Art and Narrative Illustration by
Comics, graphic novels, and single panel cartoons have long flourished as an alternative medium. In recent years these forms of narrative illustration--artwork that tells its own story rather than supporting a text--have increasingly crossed over into mainstream popular culture. Pictorial storytelling now reaches the public through animated films (Spirited Away) and films with animated sequences (Kill Bill), while graphic novels win literary prizes and comic art hangs in art galleries. This delightful book explores the various uses of images with and without text in the work of over thirty artists from around the world.From the delicate illustrations of Marcel Dzama to the stylized strokes of Simone Lia, the politically charged works of Joe Sacco, and the psychological mystery of Andrejz Kilmowski’s The Secret, contemporary comic art spans a vast spectrum of styles and subjects. Pictures and Words examines the range of descriptive possibilities within narrative illustration and showcases outstanding works by artists from sixteen different countries--artists whose creations represent the best and most original current work in this increasingly popular genre. Featured artists include: * Barry Blitt, Canada * Mr. Clement, Hong Kong * Jordan Crane, United States * Martin tom Dieck, Germany * Marcel Dzama, Canada * Igort, Italy * James Jarvis, England * David Rees, United States * Joe Sacco, Malta * Marjane Satrapi, Iran
Amaranth Borsuk and Brad Bouse: Between Page and Screen by
Poetry. Art. Collaboration. An unlikely marriage of print and digital, BETWEEN PAGE AND SCREEN chronicles a love affair between two characters, P and S. The book has no words, only inscrutable black and white geometric patterns that, when coupled with a webcam, conjure the written word. Reflected on screen, the reader sees him or herself with open book in hand, language springing alive and shape- shifting with each turn of the page.
Complete Minimal Poems by
Poetry. Visual Poetry. Long-cherished in out-of-print editions, anthologies and text books, and more recently celebrated on the internet, Aram Saroyan's groundbreaking concrete and minimalist poems of the 1960s are gathered together here in a single, much-needed volume. COMPLETE MINIMAL POEMS includes the entire contents of Aram Saroyan (Random House, 1968), Pages (Random House, 1969), The Rest (Telegraph, 1971), as well as Saroyan's contribution, "Electric Poems," to the anthology All Stars (Goliard-Grossman, 1972), and a sequence, "Short Poems," which hasn't appeared previously. With ties to the work of such writers and artists as e.e. cummings, Andy Warhol, Gertrude Stein, Donald Judd, Ian Hamilton Finlay and Steve Reich, COMPLETE MINIMAL POEMS confirms Aram Saroyan's place among the most daring and engaging figures in modern poetry.
Pattern Poetry: A Guide to an Unknown Literature by
Pattern poetry--poetry from before 1900 that fuses literature and visual art--has existed since the times of ancient Crete and Egypt. Less well known than modern visual poetry, pattern poetry has been produced in most European and American literatures, and, as close analogues, in many oriental literatures. This book tells the history of pattern poetry, documenting and classifying more than 2,000 works. Illustrations of each major genre of pattern poem are included. The book also explores related forms, such as graphic music notations, shaped prose, sound poetry, and poetic labyrinths, to name a few. A glossary, essays by two world authorities on the oriental analogues to the pattern poem, and the first full bibliography on pattern poetry complete the work. With this book, Dick Higgins has provided an indispensable tool for opening up the area of pattern poetry to the scholar and the lay reader alike, bringing order to what has been an obscure and confusing area, and delighting the eye and mind by casting light on these forgotten treasures.
George Herbert's Pattern Poems: In Their Tradition by 
Another E. E. Cummings by
As a poet, Cummings was a pioneer not only in linguistic and typographic inventions, but also in sound and concrete poetry. But his prose is no less experimental; he wrote memoirs, essays, and fiction that are constantly provocative and often radically experimental. To read the avant-garde Cummings is to read a writer who consistently broke with established norms, "never to rest and never to have: only to grow." To not read the avant-garde Cummings is to not read Cummings.
Whereas by
The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don't worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Din#65533;, her father's language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. --from "WHEREAS Statements" WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation--and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live." This strident, plaintive book introduces a major new voice in contemporary literature.
Unoriginal Genius: Poetry by Other Means in the New Century by
What is the place of individual genius in a global world of hyper-information— a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets in such a climate, "originality" begins to take a back seat to what can be done with other people’s words—framing, citing, recycling, and otherwise mediating available words and sentences, and sometimes entire texts. Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing.
Concrete Poetry: A World View Hardcover by 
Speaking pictures : a gallery of pictorial poetry from the sixteenth century to the present by 
Radi Os by
Poetry. First published in 1977, Ronald Johnson's RADI OS revises the first four books of Paradise Lost by excising words, discovering a modern and visionary poem within the seventeenth-century text. As the author explains, "To etch is 'to cut away,' and each page, as in Blake's concept of a book, is a single picture." With God and Satan crossed out, RADI OS reduces Milton's Baroque poem to elemental forces. In this retelling of the Fall, song precipitates from chaos, sight from fire: "in the shape / as of / above the / rose / through / rose / rising / the radiant sun."
Humument by
In the mid-1960s, Tom Phillips took a forgotten nineteenth-century novel, W. H. Mallock's A Human Document, and began cutting and pasting the extant text to create something new. The artist writes, 'I plundered, mined and undermined its text to make it yield the ghosts of other possible stories, scenes, poems, erotic incidents and surrealist catastrophes which seemed to lurk within its wall of words. As I worked on it, I replaced the text I'd stripped away with visual images of all kinds. I began to tell and depict, among other memories, dreams and reflections, the sad story of Bill Toge, one of love's casualties.' After its first publication in book form in 1980, A Humument rapidly became a cult classic. This new fourth edition follows its predecessors by incorporating revisions and re-workings -- over half the pages in the 1980 edition are replaced by new versions -- and celebrates an artistic enterprise that is nearly forty years old and still actively a work in progress.
Ian Hamilton Finlay by
This volume surveys the life and work of the Scottish poet Ian Hamilton Finlay, who is best known for his extraordinary garden, Little Sparta, a unique "poem of place” in which poetry, sculpture, and horticulture intersect. This book directs sustained attention to Finlay the verbal artist, revealing the full breadth and richness of his poetics. It illuminates the evolution from his early years of composing plays, stories, and lyrical poems to his discovery of Concrete poetry and his emergence as a key figure in the international avant-garde of the 1960s.
Still Another Pelican in the Breadbox by 
Women in Concrete Poetry 1959-1979 by
This volume presents works by fifty women who may not have identified themselves as concrete poets, but whose work focused on multiplying the possibilities opened up by attending to language's materiality, and on challenging the very constructs that support the binaries divorcing a poem's physical properties from its more subjective ones.
Postcard by
In recent years, postcards have become so much more than a tacky holiday greeting. Graphic designers, illustrators, and advertisers are seizing the postcard and repurposing it with quirky new designs that give a new twist to a classic format. Postcard is a showcase of the most exciting postcard designs and postcard-related projects.
Art of the Japanese Postcard by
From the late nineteenth to the early twentieth century, Japan was a vital world center for postcard art. More than just casual mail pieces, these postcards were often designed by prominent artists and had a visual impact that belied their modest format. Remarkably beautiful examples of graphic design in their own right, they also recorded the shifting definitions of "East" and "West" at a time when such European currents as Art Nouveau began to show up in Japanese visual productions. Art of the Japanese Postcard presents 300 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. They are astonishing not only for their beauty and the quality of their printing, but also for the insight they provide into contemporary Japanese artistic practices--insights not relayed in standard histories that focus on painting and sculpture--as well as for the fluid interplay of European and Japanese modes. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius.
Atomic Postcards: Radioactive Messages from the Cold War by
Atomic postcards played an important role in creating and disseminating a public image of nuclear power. Presenting small-scale images of test explosions, power plants, fallout shelters, and long-range missiles, the cards were produced for mass audiences in China, the United States, the Soviet Union, and Japan and link the multilayered geographies of Atomic Age nationalism and tourism. From the unfailingly cheery slogans - 'Greetings from Los Alamos' - to blithe, handwritten notes and no-irony-intended 'Pray for Peace' postmarks.
1000 Greetings: Creative Correspondence Designed for All Occasions by
Greetings cards are an opportunity to show off design work in a totally unique and uninhibited light. The cards included in this volume represent innovative and cutting edge work providing an excellent resource and source of inspiration for all types of projects.
Artists' Postcards: A Compendium by
This work provides a detailed description of artists' creation and use of postcards, from 1900 to the present day. The book features 400 actual-size images of postcards by many well-known artists, including Rachel Whiteread, Ellsworth Kelly, and David Hockney.
Postcards of the Night: Views of American Cities by
Illustrated with eighty vintage city postcards made between the turn of the twentieth century and through the 1970's (with the emphasis on the first four decades), historical geographer, John A Jakle turns his attention to early-twentieth-century nocturnal views of America's cities and to the role of the picture postcard in popular culture.
Good Mail Day: A Primer for Making Eye-Popping Postal Art by
Mail art is a collaborative art form with a long and fascinating history populated by famous artists as well as everyday practitioners. The term “mail art” refers to pieces of art sent through the mail rather than displayed or sold in traditional venues. Mail artists often use inexpensive and recycled materials including postcards, collage, rubber stamps, and photocopied images.
Aerosol Kingdom: Subway Painters of New York City by
From a vast array of inherited traditions and gritty urban lifestyles talented and renegade young New Yorkers spawned a culture of their own, a balloon-lettered shout heralding the coming of hip-hop. Though helpless in checking its spreading appeal, city fathers immediately went on the attack and denounced it as vandalism. Many aficionados, however, recognized its trendy aesthetic immediately. By the 1980s spray-paint art hit the mainstream, and subway painters, mostly from marginal barrios of the city, became art world darlings. Their proliferating, ephemeral art was spotlighted in downtown galleries, in the media, and thereafter throughout the land.
Graffiti Brasil by
From the startlingly distinctive achievements of the internationally renowned twin-brother painters Os Gemeos to the visual powers of the ubiquitous daredevil Pichadores, Brazil's graffiti captivates with entirely fresh ideas, techniques, and messages. Whether one's taste is for the extraordinary creative extremes generated amid urban deprivation or for crafted murals at their most elaborate, Graffiti Brasil offers both stunning photography and in-depth history and insight.
Graffiti World: Street Art from Five Continents by
More than 2,000 illustrations by over 150 artists around the world. Graffiti has long been a ubiquitous aspect of the urban landscape, since anonymous, largely unsung spray-can art first hit city walls in New York and Philadelphia in the late 1960s. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere.
Sensacional: Mexican Street Graphics by
Sensacional: Mexican Street Graphics is the definitive collection of these images. In contrast to the corporate efficiency of so much American signage, the images collected here depict a vibrant and experimental visual culture. Advertising everything from wrestling arenas to dentist's offices, these images provide an inspiring monument to the craft of vernacular design, and are as much a part of the streetscape as the buildings they cover.
Street Art and the War on Terror by
Bringing together an array of antiwar, anti-Bush, and anti-Blair graffiti from the United States, Canada, Europe, Middle East, Japan, and Australia, this collection captures many unique images which have survived only a few hours between execution and clean-up. Including a chronology of opposition to the war organized by continent, and commentaries by the graffiti artists themselves.
Street Art San Francisco: Mission Muralismo by
With 600 stunning photographs, this comprehensive book showcases more than three decades of street art in San Francisco's legendary Mission District. Beginning in the early 1970s, a provocative street-art movement combining elements of Mexican mural painting, surrealism, pop art, urban punk, eco-warrior, cartoon, and graffiti has flourished in this dynamic, multicultural community.
Street Logos by
Graffiti art is constantly changing. From Los Angeles to Barcelona, Stockholm to Tokyo, Melbourne to Milan, wall spaces are a breeding ground for graphic and typographic forms as artists unleash their daily creations. Street Logos is a worldwide celebration of these new developments in twenty-first-century graffiti.
Walls of Freedom: Street Art of the Egyptian Revolution by
Walls of Freedom is a powerful portrayal of the Egyptian Revolution, telling the story with striking images of art that turned Egypt's walls into a visual testimony of bravery and resistance. This survey of Egyptian street art is also enriched by images of the revolution taken by acclaimed photographers and activists. Spanning major Egyptian cities like Cairo, Alexandria and Luxor, it is a day-to-day reflection of the volatile and fast-shifting political situation.
The World Atlas of Street Art and Graffiti by
Organized geographically by country and city, more than 100 of today’s most important street artists are profiled alongside key examples of their work. The evolution of street art and graffiti within each region is also chronicled, providing essential historical context. With contributions by the foremost authorities on street art and graffiti, this landmark publication provides a nuanced understanding of a widespread contemporary art practice.
Street Graphics Cuba by
Much of today's most exuberant, most creative, and most telling imagery can be found in the street. A public art gallery of visual icons, each city hosts permanent collections and temporary exhibits, each country reflects its own much-loved identity.Cuba has a unique place in the world's street galleries, where its colonial past and the revolution have created something vibrantly distinct. Che Guevara is a popular presence, but beyond the ideology the streets provide a venue to enjoy pre-Revolution enamel Coke signs, Crystal beer and Cohiba cigar billboards, the imagery of the Buena Vista Social Club, and a nostalgic look at the chromium trim and high tail fins of 1950s automobiles.
British Modern: Graphic Design Between the Wars by
Britain, though slow to adopt modern design, did embrace it passionately. Every aspect of British life in the '20s and '30s is displayed in this compendium of highly stylised British art deco graphic design concepts, including magazine covers, posters, advertisements, brochures, commercial packaging and other ephemera.
British Trademarks of the 1920s and 1930s by
The trademarks in this collection represent some of the finest graphic design to emanate from Britain between the wars. Author John Mendenhall has gathered over 280 trademarks and logos from the archives of the British Library and categorized them by subject. From the carefree exuberance of the twenties to the back-to-work ethic of the thirties, these trademarks reflect the moods and successes of industry prior to World War II and the advent of diversified, multi-national conglomerates.
Cuba Style: Graphics from the Golden Age of Design by
Cuban graphistos heightened the island's appeal by creating a unique visual style that combined elements of art nouveau, art deco, European modernism, and Vegas-style kitsch with a distinctly Cuban sensibility. The first book of its kind, Cuba Style reproduces a treasure trove of vintage graphics from the 1920s to the revolution. Culled from period posters, magazines, advertisements, tourist brochures, postcards, product designs, and packaging.
Dutch Moderne: Graphic Design from De Stijl to Deco by
Dutch Moderne examines a little-charted genre of Dutch graphic design during the 20's and 30's. The stylistic movements of the period - from De Stijl to art deco - played a vital role in bringing the concepts of the modern movement into the commercial world.
Early Modernism: Swiss & Austrian Trademarks 1920-1950 by
aking a cue from Gustav Klimt and his artistic movement, the graphic designers of Austria and Switzerland in the '20s, '30s, and 40's forged a new aesthetic to replace the fussy, old-fashioned Art Nouveau style popular at the turn of the century. What evolved was a dramatic, streamlined Modern style that achieved its full bloom in these two countries, then went on to influence the world.
French Trademarks: The Art Deco Era by
A remarkable collection of flamboyant commercial graphic images dating from the formal debut of Art Deco in the 1920s to the more austere and refined designs of the 1930s.
German Modern: Graphic Design from Wilhelm to Weimar by
The design team of Heller and Fili present over 200 images that helped to define the look of the modern through posters, packaging, magazine covers and other ephemera. Also contains a chapter on the provisional currency known as Notgeld which towns and companies were allowed to print in the years of dire inflation.
Japanese Modern: Graphic Design between the Wars by
From the late 1920s to the mid-1930s, Japan was a burgeoning industrial state with a growing consumer culture that relied increasingly on commercial art to promote and sell its products. While adhering to its own distinctive artistic traditions, Japanese graphic design was nevertheless heavily influenced by Western styles, trends, and fashions - the most influential being art moderne, or art deco. Japanese graphic designers and art directors drew inspiration from Europe's master poster artists and typographers - particularly those in France and Germany. They also imported and assimilated elements of Bauhaus, constructivism, and futurism, and applied them to a variety of media, including posters, packages, brochures, advertisements, and magazines.
The Modern Dutch Poster by
The 102 magnificently reproduced full-color posters in this book illustrate a little-known and individual body of graphic art, ranging from the richly decorative to the purely abstract, informed by art nouveau and symbolism, de Stijl and art deco, and expressing above all the vital connection between commerce and art. The book accompanies the first exhibition devoted exclusively to the modern Dutch poster, and Marcel Franciscono's text provides a detailed and fascinating history of these neglected works.
The Moderns: Midcentury American Graphic Design by
In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity.
Progressive German Graphics: 1900-1937 by
Progressive German Graphics explores the aesthetic, historical, and social influences of the period between the two world wars as manifested in the German, as well as Austrian, graphic design of the day. Highly conceptual and geometric, this style has had a significant impact on modern design.
This volume includes an array of posters, packaging, trademarks, letterheads, and advertising ephemera that exemplify this distinctive genre.
Russian Graphic Design, 1880-1917 by
Russia's rapid industrial growth in the late 19th-centuryresulted in a breathtaking proliferation of commercial art and design. Now, for the first time, this book acquaints the reader with the spectacular graphic art of this period.
Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965 by
Swiss graphic design and "the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef M#65533;ller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designers’ modernist elements remain an indispensable part of today’s graphic language.
Deco España: Graphic Design of the Twenties and Thirties by
Vibrant and emotional, Spanish Art Deco brings a unique twist to the style of this era. Neither classically refined like French Deco, nor streamlined like American, Spanish Deco shows the influences of its own distinctive culture. Here was a highly industrialized country on the cusp of the advertising age, bringing to commercial design its own sense of style and of the avant-garde. It was also a country in the throes of social strife, and Deco Espana reveals the power of graphic design used for political as well as commercial purposes - notably in the posters created in the tumultuous days of the Spanish Civil War, many of which are reproduced here for the first time.
Icons of Graphic Design by
This unique history of design, documenting over a century of creative brilliance, has now been brought into the twenty-first century. Showcasing the most influential designs and designers from 1900 to the present, this outstanding collection illustrates how the best ideas perpetuate themselves over time, one great concept inspiring the next.More than one hundred seminal images--one from each year--are shown alongside the works that influenced their creation and the designs that were inspired or evolved from them. Examples include work from both famous and anonymous graphic artists from Toulouse-Lautrec to Milton Glaser and Art Chantry, visually juxtaposing each example to illustrate a theme or artistic device.
Asian Graphics Now! by
Eastern aesthetics: A visual exploration of graphic design from Mumbai to Tokyo Asia is home to roughly 60% of the world's population--around 4 billion people in over 50 countries--yet the continent covers less than 9% of the world's surface. With China and India leading in growth and Japan being the most technological place on the planet, Asian graphic design has a lot to contribute to creativity around the world. The aesthetics that have developed in the region, blending tradition and a forward-looking approach to contemporary culture, cannot be seen anywhere else. In contrast to major players Japan and China, countries like Korea, Singapore, India, and Thailand also offer a very individual take on the use of graphics, typography, and many other in many related areas. Featuring the best and the most recent advertising campaigns, posters, brand-design projects, corporate identity, package design, and editorial design, Asian Graphics Now! is an inspirational and important book for any creative student or professional. Text in English, French, and German
I Heart Design: Remarkable Graphic Design Selected by Designers, Illustrators, and Critics by
I Heart Design is a collection of "favorite" designs as selected by 80 prominent graphic designers, typographers, teachers, scholars, writers and design impresarios. Designers have preferences, like modern over postmodern, serif over sans serif, decorative over minimal, but designers could not be engaged in design practice if they did not love design. The reasons for such a charged emotion varies from individual to individual, but there are certain commonalities regarding form, function, outcome, and more. Design triggers something in all of us that may be solely aesthetic or decidedly content-driven, but in the final analysis, we are drawn to it through the heart. Designs featured include the iconic CBS eye, the stark Kodak identity, the Coca-Cola bottle, and, of course, The Rolling Stones' Sticky Fingers album cover.
Graphic Design Now by
Packing a powerful visual punch: contemporary avant-garde graphic design This compendium showcases the extraordinary cutting-edge work of 100 of the world's most progressive graphic designers, from the hard-hitting political messages of Jonathan Barnbrook to the lyrical digital compositions of Peter Saville to the iconoclastic imagery of Stefan Sagmeister. Alongside the array of visually stunning and thought-provoking advertisements, CD covers, posters, packaging, websites, and corporate identities are texts by each designer expressing his or her individual approach to graphic design practice as well as personal insights into the motivations that lie behind the work. An accompanying introductory essay highlights the current issues surrounding graphic design practice, from the ascendancy of digital tools to the amorality of consumerism. By presenting a provocative survey of the latest, most experimental and forward-looking graphic design from around the globe, this exciting book provides a unique and totally unforgettable snapshot of where the discipline stands today and hopefully offers directions for its future. Contemporary Graphic Design is absolutely essential to anyone interested in the power of images. The list of entries includes: Jonathan Barnbrook, The Designers Republic, FUEL, Fernando Guti?rrez, Hideki Inaba, KesselsKramer, Scott King, Christian K?sters, J?rg Lehni, Karel Martens, ME Company, M/M (Paris), Martijn Oostra, Gabor Palotai, Stefan Sagmeister, Peter Saville, Studio Boot, Sweden Graphics, Omar Vulpinari, Martin Woodtli
Graphic Design: Now in Production by
With more than 250 artists and some 1,400 images, this ambitious catalogue and exhibition survey the vibrant landscape of graphic designers who have seized the means of production and are rewriting the nature of contemporary design practice.
Graphic Design History: A Critical Reader by
A Fresh Look at the History of Graphic Design Graphic Design History, 2nd edition is a critical approach to the history of graphic design. Organized chronologically, the book demonstrates the connection to the current practices of graphic arts, visual expression, and design with its engaging narrative and special features. With new images, chapter revisions, and features like Tools of the Trade, the authors stay true to connecting what designers do every day to a history of innovative graphic forms and effects. Instructor PowerPoints featuring nearly all of the images from the text make class preparation easier than ever with this new edition. A better teaching and learning experience This program will provide a better teaching and learning experience- for you and your students. Here's how: Improve Critical Thinking -- Chapters are framed by critical issues and historical themes so that students can fully grasp an understanding of the history of graphic design. Engage Students -- Timelines and images with detailed captions easily highlight relevant information for students. Support Instructors -- high resolution PowerPoint are available for this text.
A History of Graphic Design by
Critical acclaim for previous editions of A History of Graphic Design "I expect it to become a foundation and keystone of serious study . . . it is a fortress work." -Communication Arts "[It] traces the role of the designer as a messenger of culture." -STA Journal "Now . . . a hefty, yet concise, documentation of the entire field exists." -Print "It is a noble and formidable undertaking." -he Artist's Magazine "An excellent and invaluable work." -Library Journal "This is a reference work that reads like a novel. It's comprehensive, authoritative, graphic, and exciting." -U&lc: The Journal of Typographics "[This book] establishes graphic design as a profession. Bravo!" -Design Issues "A significant attempt at a comprehensive history of graphic design . . . it will be an eye-opener not only for general readers, but for designers who have been unaware of their legacy." -The New York Times "Mr. Meggs enthusiastically conveys these excitements to us, from the invention of photography and 'popular graphics of the Victorian era' through the Arts and Crafts movement, Art Nouveau, the Secession, the isms . . . to the Modern Movement. . . . More importantly, he shows us the joins as well as the parts."-rinting World After a decade of research by the author, the first edition of A History of Graphic Design was heralded as a publishing landmark by the Association of American Publishers, who awarded it a coveted award for publishing excellence. Now, after fifteen years of development in graphic design, this expanded and updated Third Edition includes hundreds of full-color images and new material in many areas, including alphabets, Japanese and Dutch graphics, and the computer revolution which has impacted all aspects of contemporary design and communications. With its approximately 1,200 illustrations, lucid text, and interpretive captions, the book reveals a saga of creative innovators, breakthrough technologies, and important design innovations. Graphic design is a vital component of each culture and period in human history, and in this account, an extraordinary panorama of people and events unfolds, including: * The Invention of Writing and Alphabets * Medieval Manuscript Books * The Origins of Printing and Typography * Renaissance Graphic Design * The Arts and Crafts Movement * Victorian and Art Nouveau Graphics * Modern Art and Its Impact on Design * Visual Identity and Conceptual Images * Postmodern Design * The Computer Graphics Revolution A History of Graphic Design is recognized as a seminal work; this Third Edition surpasses in detail and breadth the content, design, and color reproduction of previous editions. It is required reading for professionals, students, and everyone who works with or loves the world of graphic design. This comprehensive reference tool is an invaluable visual survey that you will turn to again and again.
The Phaidon Archive of Graphic Design by
The book features over 500 of the most iconic graphic designs from the beginnings of mechanical reproduction to the present day. Arranged in chronological order, the designs are accompanied by texts and illustrated with a range of imagery - including rarely seen historical, contextual and archival material - to shed light on their origin and development.
Graphic Design: A New History by
This exciting new history of graphic design explores its evolution from the late 19th century to the present day. Organized chronologically, the book illuminates the dynamic relationship between design and manufacturing as well as the roles of technology, social change, and commercial forces on the course of design history. The layout of each chapter reflects the unique style of the period it describes, and some 450 illustrations throughout the volume provide a visual record of more than one hundred years of creative achievement in the field. Under the influence of William Morris and the Arts and Crafts movement in the late 19th century, a new era began for design arts. Fueled by popular Art Nouveau advertising, the work of graphic designers became central in the growing consumer goods economy. This book traces the emergence of varied modernist design styles in the early 20th century and then examines the wartime politicization of regional styles through American government patronage and revolutionary Soviet ideas. Richly contextualized chapters chronicle the history of the Bauhaus and the rise of the International Style, followed by the postmodern movement of the 1970s and '80s. After highlighting recent developments in graphic design around the globe, the author discusses the impact of inexpensive, powerful design software and the challenges facing designers now.
Graphic Design Now by
Packing a powerful visual punch: contemporary avant-garde graphic design This compendium showcases the extraordinary cutting-edge work of 100 of the world's most progressive graphic designers, from the hard-hitting political messages of Jonathan Barnbrook to the lyrical digital compositions of Peter Saville to the iconoclastic imagery of Stefan Sagmeister. Alongside the array of visually stunning and thought-provoking advertisements, CD covers, posters, packaging, websites, and corporate identities are texts by each designer expressing his or her individual approach to graphic design practice as well as personal insights into the motivations that lie behind the work. An accompanying introductory essay highlights the current issues surrounding graphic design practice, from the ascendancy of digital tools to the amorality of consumerism. By presenting a provocative survey of the latest, most experimental and forward-looking graphic design from around the globe, this exciting book provides a unique and totally unforgettable snapshot of where the discipline stands today and hopefully offers directions for its future. Contemporary Graphic Design is absolutely essential to anyone interested in the power of images. The list of entries includes: Jonathan Barnbrook, The Designers Republic, FUEL, Fernando Guti?rrez, Hideki Inaba, KesselsKramer, Scott King, Christian K?sters, J?rg Lehni, Karel Martens, ME Company, M/M (Paris), Martijn Oostra, Gabor Palotai, Stefan Sagmeister, Peter Saville, Studio Boot, Sweden Graphics, Omar Vulpinari, Martin Woodtli
100 Ideas That Changed Graphic Design by
This book demonstrates how ideas influenced and defined graphic design, and how those ideas have manifested themselves in objects of design. The 100 entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and, methods (paper cut-outs, pixelation). Written by one of the world's leading authorities on graphic design and lavishly illustrated, the book is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years.
Emigre No. 70: the Look Back Issue: Selections from Emigre Magazine 1-69. Celebrating 25 Years of Graphic Design by
Emigre magazine was a critically acclaimed design magazine published between 1984 and 2005. It is in the permanent design collections of museums throughout the world. Founded by designer Rudy VanderLans and a group of friends, and coinciding with the birth of the Macintosh computer, Emigre magazine lived at the vanguard of computer generated design. Fueled by Emigre's succesful digital type foundry, the magazine became one of the most popular and controversial graphic design magazines published during the 1990s. Designed and edited by VanderLans, Emigre, the book, is a selection of reprints, using original digital files, tracing Emigre's development from its early bitmap design days through to the final twice-yearly book-sized issues co-published with Princeton Architectural Press. Also Includes: * 32-page booklet of Letters to the Editor, 'Dear Emigre' * CD-Rom with music and videos published by Emigre * Full-sized commemorative poster
Arts et Métiers Graphiques
French graphic arts magazine published from 1927 to 1939.
Push Pin Graphic no. 64-86
The Push Pin Graphic: A Quarter Century of Innovative Design and Illustration by
Part design and illustration studio, part pop culture think tank, Push Pin Studios made a phenomenal impact on visual culture from the 1950s to the 1980s, representing an important chapter in postwar graphic design. Founding member Seymour Chwast partners with key figures from the design community -- as well as co-founder Milton Glaser -- to provide a visual history of the studio by way of its signature publication, The Push Pin Graphic. Hundreds of memorable covers and spreads culled from each of the eighty-six inspired and imaginative issues confirms Push Pin's vital role in setting the design curve and influencing the direction of modern visual style. The Push Pin Graphic is the first comprehensive account of a design milestone that continues to influence designers to this day.
G: an avant-garde journal of art, architecture, design, and film 1923-1926 by
First published in 1923, the journal G: Material zur Elementaren Gestaltung (G: Materials for Elemental Form-Creation) helped shape a new phase in the history of the European avant-garde.
Fuse - 1-20 by
Ideas that change design: A complete retrospective of the influential, experimental typeface publication FUSE Launched by Neville Brody and Jon Wozencroft in 1991, FUSE was the ground-breaking publication that took design and typography into radically new and unforeseen spaces. The major influence of its revolutionary and experimental approach to typographic language reverberates still.
Designing Design by
Representing a new generation of designers in Japan, Kenya Hara (born 1958) pays tribute to his mentors, using long overlooked Japanese icons and images in much of his work. In Designing Design, he impresses upon the reader the importance of "emptiness" in both the visual and philosophical traditions of Japan, and its application to design, made visible by means of numerous examples from his own work: Hara for instance designed the opening and closing ceremony programs for the Nagano Winter Olympic games 1998. In 2001, he enrolled as a board member for the Japanese label MUJI and has considerably moulded the identity of this successful corporation as communication and design advisor ever since. Kenya Hara, among the leading design personalities in Japan, has also called attention to himself with exhibitions such as Re-Design: the Daily products of the 21st Century of 2000.
Edward Fella by
"Edward Fella, a former commercial artist, creates posters that break every known rule of typographic convention and designer good taste," says Rick Poynor. Ellen Lupton has written, "In Fella's work, the unfettered mind of a Dada/Fluxus hippie confronts the dextrous hand of a traditional commercial artist." Bruce Mau calls him "brilliant." Peter Hall says Ed Fella is "an agitator, an experimentalist, an educator, and an inspiration to a new generation of type designers" and says his "anti-slick, rule-breaking designs" are "eccentric to the point of being impossible to imitate." Clearly everyone agrees that Ed Fella is one of the most daring and extreme graphic designers in America today.Famous for his obsessive hand-drawn alphabets and glyphs, Fella creates work with the power and spontaneity of raw art that nonetheless is born from a great knowledge of the theory and technique of typography and graphics. As Rick Poynor says, "Fella doesn't so much take his line for a walk as force-feed it hallucinogens and release it babbling on to the page." This first book on Fella, designed by Lorraine Wild, contains numerous examples of the designer's work, including his radical typeface designs, which have been described as "spun, tilted, stretched, sliced, fractured, drawn as if with a broken nib, and set loose among fields of ink-blotter doodles and networks of rules." This title also features Fella's collection of Polaroid snapshots of the signs and symbols he sees on the streets. These photos, taken over a period of many years, serve as a record of vernacular architecture around the world as well as inspiration for Fella's own designs. The result is a book which will appeal to all designers and art directors, whether their love is photography or fonts, art direction or art.
The End of Print: The Graphic Design of David Carson by
The End of Print is the definitive statement of the work of the great iconoclast designer, David Carson. In print for the first time in several years, this classic book has itself become part of the history of graphic design. It features work from the magazines where Carson first made his mark includingTransworld Skateboarding,Surfer,Beach Culture andRay Gun--as well as his instantly recognizable advertisements for clients such as Nike, Pepsi, MTV and Sony. Lewis Blackwell's text includes an interview in which Carson examines the origins of his approach and discusses the extreme reactions to his work.
It Is Beautiful... Then Gone by
Available now in a paperback edition,It Is Beautiful...Then Gone presents the celebrated graphic design work of Martin Venezky. This unconventional monograph includes both influential commercial work for the Sundance Film Festival, Reebok, andSpeak andOpen magazines among others. It also features new graphic work created for the book by this champion of the handmade and the unexpected.
Paul Rand by
Paul Rand (1914-96) was a pioneering figure in American graphic design. Adopting what he called a 'problem-solving' approach, he drew on the ideas of European avant-garde art movements such as Cubism, Constructivism and De Stijl, and synthesized them to produce his own distinctive graphic language. As an art director, teacher, writer and design consultant to major companies including IBM, Oliveti and Ford, he was a major force and influence in the field of graphics and visual communication and enjoyed a committed following. Rand's career spanned almost seven decades and numerous chapters of design history. Rand's own books are solidly thematic, whereas this definitive collection of his key published and proposed works is medium-driven. It explores the full range of his advertising, publishing and corporate identity work. The distinguished Swiss graphic designer Armin Hofmann, who taught with Rand at Yale University, contributes a foreword; George Lois, one of the most eminent figures in advertising and a follower of Rand, writes an inspiring introduction; and Jessica Helfand, one of Rand's former Yale students and a highly respected design writer, has captured his educational achievements in a lively concluding essay.
Someday Is Now: The Art of Corita Kent by
This full-scale survey of Corita Kent's work includes prints and ephemera from all phases of her life, revealing her importance as an activist printmaker and a sylistic innovator in graphic design.
Things I Have Learned in My Life So Far by
In 2006, Stefan Sagmeister published Things I have learned in my life so far, a book born from a running list he keeps in his diary. With the support of his clients, Sagmeister began transforming these personal maxims into typographic artworks, which appeared on billboards, in magazines, and in public spaces all over the world. The result is an intriguing blend of personal revelation, visual audacity, and examination of the pursuit of happiness. This revised and updated edition includes all of the aphorisms from the first book along with an additional 48 pages of new ones, and incorporates recent material from Sagmeister's exhibitions at the Deitch Projects gallery in Soho and the Institute of Contemporary Art in Philadelphia, as well as his current project, The Happy Film. The book retains its unique packaging, now with 18 unbound signatures gathered into a laser-cut slipcase.
The Geometry of Seeing : the Art of Elaine Lustig Cohen, 1996-2007 by 
Graphic: Inside the Sketchbooks of the World's Great Graphic Designers by
We are constantly surrounded by design--in advertisements, in books and magazines, on the Internet, on television--and each graphic element we see was carefully constructed through a designer's very personal process. Yet only the finished article is presented. Rarely do we gain insight into how visual solutions have been reached or the exploration, experimentation, and ideas behind them. In this ambitious publication, some one hundred of the world's leading graphic designers and illustrators open up their private sketchbooks to offer a privileged glimpse into their creative processes. The result is a visual tour de force. Among the many artists featured are Milton Glaser, an icon of American graphic design and creator of the seminal I Love New York logo, who was the first designer to receive the National Medal of Arts, in 2009. Michael Bierut, a partner of Pentagram Design, is known as an advocate of the power and influence of design and co-founded the online journal Design Observer; he has clients ranging from the Walt Disney Company to Princeton and Yale to the New York Jets. Ed Fella, a prolific photographer as well as an iconoclastic typographer and designer, is known for fusing high- and low-culture sources and began mixing, changing, and matching fonts long before it was possible--and popular--with desktop publishing. Bruce Mau is the designer of the seminal S,M,L,XL and now has a client list including MTV, Coca Cola, and Frank Gehry. Samples range from small, discrete typographical explorations to full-fledged illustrations, from a few scrappy scribbles and eccentric handwriting to photographic collages and other offbeat forms of visual inspiration. Concise and informative texts by Steven Heller and Lita Talarico--leading authorities on graphic design--provide invaluable commentary on the artists' creative development, design philosophies, sketchbooking techniques, and visual influences. The combined effect of such high-level creativity is a treasure trove of design inspiration in a lively, engaging presentation that is a design object in itself.
Area 2: 100 graphic designers, 10 curators, 10 design classics by
Area_2i s the second volume in the graphics version of Phaidon's series of curated compendiums, Covering all manifestations of printed graphics created by the world's most visionary designers, Area_2 presents the posters, books, magazines, typography, packaging, and ephemera that has influenced visual culture over the past five years.
Tanaka Ikko: Graphic Master by
Tanaka Ikko is one of the established masters of graphic design. His work draws together influences from both East and West, acknowledging the vocabulary of European Modernism while remaining characteristically Japanese." "This book examines Tanaka's entire oeuvre, from the late 1950s to today, encompassing graphic design, art direction and interior design. Gian Carlo Calza's essay analyses the development of Tanaka's work over the last few decades, and sets his work in context of Japanese art and design.
Art of McSweeney's by
A novel with each cover hand-illustrated by the author. Literary journals bound by magnets, or designed to look like junk mail. The sharp wit, gorgeous design, and playful why not invention of independent literary publisher McSweeney's have earned it a large and loyal following and made its journals, books,The Believer magazine, andWholphin DVDs collectible favorites of readers and graphic designers alike. Created by theMcSweeney's staff to commemorate their 11th (or 12th) anniversary, this book showcases their award-winning art and design across all the company's activities. It features hundreds of images, interviews with collaborators such as Chris Ware and Michael Chabon, and dozens of insights intoMcSweeney's quirky creative process and the visual experience of reading.
Illustration: A Visual History by
This unique visual history of the art of illustration, by the foremost historian of graphic design and a well-known illustrator and designer, joins the authors’ previous Graphic Style as an indispensable resource for anyone interested in art, design, and popular culture. Illustration has long been a significant popular art--and is often more visible, recognizable, and memorable than "higher” arts. Editorial and advertising illustration in all its many forms is so integral to our understanding of news, views, literature, and commerce that it is easily taken for granted. Nonetheless, it has an impressive history and remains a vital influence on visual culture. This book is a rich chronicle, celebration, and survey of well over a century of illustration. It deftly reveals the visual mannerisms, quirks, and tics that characterize drawn, painted, and digitized illustrations in different styles, and places leading illustrators in historical context.
Illustration Now! Portraits by
Perfect likeness: Portraiture today, from caricature to realism The field of illustration has flourished over the last decade, with professionals working both by computer and by hand. In illustration, the single most challenging and captivating subject has been the portrait, frequently used in editorials, advertising, products, and most recently, being the subject of major exhibitions. This book gathers together the exclusive portrait work of over 80 illustrators from all over the world, many of whom were featured in our Illustration Now! series, including Aaron Jasinski, André Carrilho, Hanoch Piven, Anita Kunz, Jody Hewgill, and Dugald Stermer. The book also includes an index of subjects and an introduction by graphic design historian Steven Heller. About the Series: Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm's delight -- never bore, always excite! Text in English, French, and German
Illustrations in Roll and Codex: A Study of the Origin and Method of Text Illustration by
The Description for this book, Illustrations in Roll and Codex: A Study of the Origin and Method of Text Illustration,
Drawn In: A Peek into the Inspiring Sketchbooks of 44 Fine Artists, Illustrators, Graphic Designers, and Cartoonists by
Sketchbooks offer a fascinating glimpse into private pages where artists brainstorm, doodle, develop and work on ideas, and keep track of their musings. Artists use these journals to document their daily lives, produce their initial ideas for bigger projects, and practice their skills. Using a variety of media from paint to pencil to collage, these pages can become works of art themselves. They often feel fresh and alive because they are first thoughts and often not reworked. These pages capture the artist's personalities along with glimpses of their process of working and inspirations. In Drawn In, you can take a peek inside the sketchbooks of 44 high-profile, amazingly talented artists as they discuss their collections and how they use them. Featuring a spectrum of creators from illustrators and fine artists to graphic designers and cartoonists, this books offers an inside, full-color glimpse into pages filled with pencil and pen sketches, thumbnail drawings, unpublished comics, elaborate collages, loose clippings, and much more. Become inspired by these incredible artists and the pages they share in Drawn In!
A Map of the World: The World According to Illustrators and Storytellers by
Maps help us understand the world. This book features the most original and sought-after map illustrators whose work is in line with the zeitgeist. Drawing a map means understanding our world a bit better. For centuries, we have used the tools of cartography to represent both our immediate surroundings and the world at large--and to convey them to others.
Aubrey Beardsley by
Aubrey Beardsley (1872-1898) was probably the most extraordinary, the most celebrated, and the most notorious illustrator of his day. This book, which accompanies a major centenary exhibition on Beardsley, tells the story of his brief, hectic life and uncovers the roots of his genius in the racy artistic and literary culture of 1890s London.Beardsley's startling drawings, prints, bookbindings, and posters are reproduced here from original drawings and from rare early editions of his work. Portraits and photographs of his friends and contemporaries, among them Oscar Wilde, James McNeill Whistler, Edward Burne-Jones, Max Beerbohm, and W. B. Yeats, bring his story to life. The authoritative text is the first to fully explore Beardsley's diverse influences, which range from ancient Greek vase paintings to erotic Japanese ukiyo-e prints.The book concludes with a look at Beardsley's artistic legacy and the legend that has grown around him. It demonstrates why his drawings, with their subtle symbolism, highly charged eroticism, sensuous ornamentalism, and self-conscious decadence, have a renewed resonance in our own turn-of-the-century world.
Collect Raindrops by
Gather, Navigate, Welcome, Fortify, Surrender, Save, Listen, Make Mistakes. These are some of the messages renowned artist Nikki McClure affirms in this gorgeous monograph of her paper cuts.
Flowerhead by
Olaf Hajek is currently one of the world's most successful illustrators. His work can be seen in publications including The New York Times and The Guardian, in advertisements for companies such as Bacardi and Daimler Benz as well as on stamps for Great Britain's Royal Mail. Despite the diversity of his clientele, Hajek makes no aesthetic compromises. His characteristic style is what makes his work appealing to a broad audience and range of clients. Hajek's colorful illustrations and textured paintings are infused with a folkloristic naivety and freshness. Influenced by West African and Latin American art, he creates surreal juxtapositions of fairy tale fantasies and disordered realities.
The Knave of Hearts by
Louise Saunders, talented wife of legendary editor Max Perkins, teamed with one of the most popular illustrators of all time to create this unforgettable fable. Known for his beautiful coloring and humorous touch, Maxfield Parrish's work is iconic — and The Knave of Hearts is his ultimate achievement. Filled with 22 colorful images and lavishly finished with a full-color endpaper painting, this hardcover edition is a collector's classic to treasure.
The Principles of Uncertainty by 
A Sketchy Past: The Art of Peter de Seve by
In this exquisite monograph, world-renowned illustrator and character designer Peter de Sève shows his favorite published and unpublished works. Inventive, eccentric, and often irreverent, they represent a lifetime of drawing . . . a very sketchy past. The imagery that springs from his pen marries colorful personalities with expert storytelling, and wild flights of imagination with a masterly drawing technique that harkens back to a bygone era of impeccable draftsmanship and craft. Copiously illustrated with hundreds of paintings and drawings, including never-before-published New Yorker cover roughs, behind-the-scenes animation development artwork, and personal sketches, A Sketchy Past is the first comprehensive survey of de Sève's work. A career-spanning biographical essay written by historian Amid Amidi, along with comments from de Sève throughout the book, offer a unique insight into his approach to illustration and his artistic process.
They Draw and Cook: by
Endlessly entertaining and engaging, They Draw & Cook, with more than 100 hand-illustrated recipes, presents a unique and artful cooking adventure for all ages. After starting their blog in February of 2010, Nate and Salli received hundreds of illustrated recipes from artists all over the world, which they decided to turn into a book. This book contains a sample of 107 of those illustrations that range in style from cute to goofy to absolutely gorgeous. The illustration styles range from elegant to cheeky, the recipes from drinks to desserts and everyday to extraordinary. You'll find hilarious fare like Beetrooty-Yogurty-Thingummyji, Starving Artist Goo-lash, and Top Model Salad; international cuisine such as Moroccan Orange & Date Salad and Moules Frites; and tantalizing tastes like Marmalade Flapjacks and Chicken in Love. The perfect combination of flair and folly, this irresistible and colorful book will be a new favorite both in and out of the kitchen. Sample recipes: Toad in the Hole Marmalade Flapjacks Top Model Salad Starving Artist Goo-lash Chicken in Love Beetrooty-Yogurty-Thingummyjig Chocolate Haystacks Turn that Frown Upside Down Cake Coooooooookies
The World of Edward Gorey by
The humorous American artist and writer, Edward Gorey, is known for his opening credits for the television series Mystery and books such as Amphigorey, The Doubtful Guest and The Unstrung Harp. His illustrations are pen-and-ink drawings depicting the Edwardian world. He has also won a Tony Award for his costume designs for the Broadway production of Dracula.
The Book of Kells: Reproductions from the manuscript in Trinity College, Dublin
Codices Illustres: the world's most famous illuminated manuscripts, 400 to 1600 by 
Eighteen Songs of a Nomad Flute: The Story of Lady Wen-Chi, A Fourth Century Handscroll in the Metropolitan Museum of Art by 
The Göttingen Model Book: A Facsimile Edition and Translations of a Fifteenth-Century Illuminators Manual by 
A History of Illuminated Manuscripts by 
The Illuminated Manuscript by
The British Library houses one of the world's greatest collections of illuminated manuscripts, and Janet Backhouse has drawn on this rich resource to make a selection of outstanding examples that span over 800 years of medieval book production. She begins with the Lindisfarne Gospels and continues with a representative cross-section that reveals the remarkable variety and richness to be found in medieval manuscripts. With a concise introductory text and informative captions, this is the perfect introduction to an endlessly fascinating subject.
King's Book of Kings: The Shah-nameh of Shah Tahmasp by
Composed in the tenth century by the poet Firdowsi, the Shah nameh or Book of Kings is Iran central literary work, a historical epic peopled with monarchs, some of inspiring goodness, others of unmatched wickedness, handsome paladins, beautiful maidens, malevolent witches, and treacherous demons. The particular manuscript of the Shah nameh introduced here by Stuart Cary Welch, Curator of Indian and Islamic Painting at the Fogg Art Museum, Harvard University, is the most sumptuous one ever produced.
The Lindisfarne Gospels by
The Lindisfarne Gospels, a manuscript produced in the Northumbrian island monastery of Lindisfarne at the end of the seventh century in honour of Saint Cuthbert, is one of the world's foremost masterpieces of book painting. It is a precious relic of early Christianity in England, and one of the nation's greatest treasures. This is the first ever book to make the glories of the Lindisfarne Gospels accessible to a wide public. All the essential illuminated pages are reproduced impeccably in colour from an entirely new and accurate set of photographs.
The Book of Trees: : Visualizing Branches of Knowledge by
In The Book of Trees, data viz expert Manuel Lima examines the more than eight hundred year history of the tree diagram, from its roots in the illuminated manuscripts of medieval monasteries to its current resurgence as an elegant means of visualization. Lima presents two hundred intricately detailed tree diagram illustrations on a remarkable variety of subjects—from some of the earliest known examples from ancient Mesopotamia to the manuscripts of medieval monasteries to contributions by leading contemporary designers.
Look Inside: Cutaway Illustrations and Visual Storytelling by
The cutaway illustrations in this book allow our eyes to see what usually remains hidden. They open up houses, bodies, and objects, and allow the individual parts to comprehensively explain the whole. Look Inside features infographics that cut up or take apart their subjects and make them transparent. The resulting cross sections and interior views present precise detail in multiple layers.
The Art of Instruction: Vintage Educational Charts from the 19th and 20th Centuries by
Large-scale wall charts were fundamental tools of classroom instruction throughout Europe in the mid-nineteenth and twentieth centuries. Collected here for the first time in one deluxe volume are over 100 of these vintage educational posters now important relics in the history of science, art, and design. From the anatomy of a tulip or an apple tree to that of a hedgehog or starfish, the botanical and zoological images in this collection are captivating with their curious visuals and intricate details
100 Diagrams That Changed the World by
100 Diagrams That Changed the World is a fascinating collection of the most significant plans, sketches, drawings, and illustrations that have influenced and shaped the way we think about the world. From primitive cave paintings to Leonardo da Vinci’s Vitruvian Man to the complicated DNA helix drawn by Crick and Watson to the innovation of the iPod, they chart dramatic breakthroughs in our understanding of the world and its history. Arranged chronologically, each diagram is accompanied by informative text that makes even the most scientific breakthrough accessible to all.
The Visual Display of Quantitative Information by
This book deals with the theory and practice in the design of data graphics and makes the point that the most effective way to describe, explore, and summarize a set of numbers is to look at pictures of those numbers, through the use of statistical graphics, charts, and tables. It includes 250 illustrations of the best (and a few of the worst) statistical graphics, with detailed analysis of how to display data for precise, effective, quick analysis.
The Best American Infographics 2015 by
The rise of infographics across nearly all print and electronic media--from a graphic illuminating the tweets of the women of Isis to a memorable depiction of the national geography of beer--reveals patterns in our lives and the world in often startling ways.The Best American Infographics 2015 showcases visualizations from the worlds of politics, social issues, health, sports, arts and culture, and more. From an elegant graphic comparison of first sentences in classic novels to a startling illustration of the world's deadliest animals, "You'll come away with more than your share of mind-bending moments--and a wide-ranging view of what infographics can do
Diagrams: Innovative Solutions for Graphic Designers by
Commissioning bespoke diagrams is an expensive and time-consuming solution. This book offers a collection of exemplary, creative, and imaginative information design, shown in its original application and juxtaposed with the reference material used for each piece of work, along with a CD of images that designers can adopt and adapt to create their own diagrams. Every design included in the book is analyzed, and clip-art features, such as arrows, flows, and boxes are also included. Diagrams offers a unique approach to the organization of information and provides fresh thinking and imaginative solutions, making this an indispensable and inspirational reference book.
Information Graphics by
Our everyday lives are filled with a massive flow of information that we must interpret in order to understand the world we live in. Considering this complex variety of data floating around us, sometimes the best -- or even only -- way to communicate is visually. This unique book presents a fascinating perspective on the subject, highlighting the work of the masters of the profession who have created a number of breakthroughs that have changed the way we communicate.
Data Flow: Visualising Information in Graphic Design by
The application of diagrams extends beyond its classical field of use today. Data Flow charts this development, introduces the expansive scope of innovatively designed diagrams and presents an abundant range of possibilities in visualising data and information. These range from chart-like diagrams such as bar, plot, line diagrams, and spider charts, graph-based diagrams including line, matrix, process flow, and molecular diagrams to extremely complex three-dimensional diagrams.
Reinventing the Wheel by
Now available in paperback, this delightful book spins the history of the information wheel, as inventive and instructive as intriguing, that has been used since the fourteenth century to measure, record, predict, and calculate everything from time and space to military history to recipes. In this fascinating book, designer and critic Jessica Helfand offers and in-depth look at these unique artifacts, which are not only clever and amusing but, Helfand argues, relevant as a model for modern interactive design. From circular mathematical slide rules to Captain Marvel phonetic decoders,Reinventing the Wheel demonstrates the astonishing range and remarkable utility of these ingenious "interactive" tools.
The Botanical Wallchart: Art from the Golden Age of Scientific Discovery by
Botanical charts are experiencing a resurgence in interest, both as pieces of art and as objects of scientific and historical significance, and The Botanical Wall Chart documents this extraordinary convergence of disciplines that flourished in the late-nineteenth and early-twentieth centuries.
Open Here: the Art of Instructional Design by
Open Here: The Art of Instructional Design displays an entertaining array of the most ingenious, stupid, beautiful, and horrible visual solutions that instruction designers and illustrators have invented to help us handle modern technology and everyday products.
Strange Maps: An Atlas of Cartographic Curiosities by
Categories of cartographic curiosities include: Literary Creations, featuring a map of Thomas More's Utopia and the world of George Orwell's 1984, Cartographic Misconceptions, such as a lavish seventeenth-century map depicting California as an island, Political Parody, containing the Jesusland map, and other takes on voter profiles. Whatchamacallit, including a map of the area codes in the rapper Ludacris's songs, Obscure Proposals, capturing Thomas Jefferson's vision for dividing the Northwest Territory into ten states with names such as Polypotamia and Assenisipia
You Are Here: : Personal Geographies and Other Maps of the Imagination by
Mapmaking fulfills one of our most ancient and deepseated desires: understanding the world around us and our place in it. But maps need not just show continents and oceans: there are maps to heaven and hell; to happiness and despair; maps of moods, matrimony, and mythological places. There are maps to popular culture, from Gulliver's Island to Gilligan's Island. There are speculative maps of the world before it was known, and maps to secret places known only to the mapmaker. Artists' maps show another kind of uncharted realm: the imagination. What all these maps have in common is their creators' willingness to venture beyond the boundaries of geography or convention.
Everything Sings: Maps for a Narrative Atlas by
Denis Wood has created an atlas unlike any other. From mapping radio waves permeating the air to Halloween pumpkins on porches, Wood's joyful subversion of the traditional notions of mapmaking forge new ways of seeing not only the particular, but also the very nature of place itself. Surveying his century-old, half-square mile neighborhood Boylan Heights in Raleigh, North Carolina, Wood searches for the revelatory details in what has never been mapped or may not even be mappable. In each map, he attunes the eye to the invisible, the overlooked, and the seemingly insignificant. Together, these maps accumulate into a multi-layered story about one neighborhood as well as about the pursuit of understanding the places we call home.
100 Maps: The Science, Art and Politics of Cartography Throughout History by
Escape maps, military maps, cartographic breakthroughs, and follies and forgeries: these 100 maps, organized chronologically, are the most important, dramatic, and breathtakingly beautiful ever created. They show not only the art and science of the form, but also its power. Some had devastating consequences, such the 1885 map of Africa that carved up the continent to Europeans desires. But others are simply exquisite to look at or mysterious, like the Aborginal "Dreamtime" painting and the Siberian rock maps.
Another America: Native American Maps and the History of Our Land by
Opening a window for modern readers to see how the original inhabitants viewed the American continent more than three hundred years ago, this unique and valuable reference combines rare maps made by Native Americans with essays on their historical and cultural context.
American Cities: Historic Maps and Views by
A fascinating way to explore cities is through historic maps and views. It is while deciphering its creation and development that one uncovers the true spirit of a city. American Cities features nine of this country s greatest metropolises; cities that are thriving urban centers today with colorful histories rich in graphic representation: Boston, New York, Philadelphia, Washington, D.C., New Orleans, St Louis, Chicago, Denver, and San Francisco. Rare or previously unpublished, the maps and views reproduced for each city turn the book into a unique journey of both form and content.
Transit Maps of the World by
Transit Maps of the World is a comprehensive collection of historic and current maps of rapid-transit system. Using colorful graphics, Mark Ovenden traces the history of mass transit-including rare and historic maps, diagrams, and photographs, some available for the first time since their original publication. Transit Maps is the graphic designer's new bible, the transport enthusiast's dream collection, and a coffee-table essential for everyone who's ever traveled in a city.
From Here to There: A Curious Collection from the Hand Drawn Map Association by
It's a situation we are all acquainted with: planning to visit friends in an unfamiliar part of the city, you draw yourself arudimentary map with detailed directions. In March 2008, graphic designer Kris Harzinski founded the Hand Drawn Map Association in order to collect just such drawings of the everyday. Fascinated by these accidental records of a moment in time, he soon amassed a wide variety of maps, ranging from simple directions to fictional maps, to maps of unusual places, including examples drawn by well-known historical figures such as Abraham Lincoln, Ernest Shackleton, and Alexander Calder.
Musikraphics: Visualizing the Rhythm of Music by
Songwriters and musicians convey complex emotions through their music, and graphic designers and artists are then faced with the challenge to create complimentary graphics to go with them.
Fucked Up and Photocopied: Instant Art of the Punk Rock Movement by
Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new.
Alex Steinweiss: The Inventor of the Modern Album Cover by
Alex Steinweiss (1917-2011) invented the album cover as we know it. In 1940, as Columbia Records' young new art director, he pitched an idea: Why not replace the standard plain brown wrapper with an eye-catching illustration?
Classic Rock Covers by
A selection of the best 50s to 90s rock album covers from music archivist, disc jockey, journalist, and ex-record publicity executive Michael Ochs's enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an under-appreciated art form.
Flashback: The Psychedelic Experience: Rock Posters from the San Francisco Bay Area: 1965-71
Exhibition catalog from Denver Art Museum exhibition: The Psychedelic Experience: Rock Posters from the San Francisco Bay Area: 1965-71
The Art of Rock: Posters from Presley to Punk by 
Cover Story: Bizarre Album Art by
Cover Story Volume Two: Odd, Obscure, and Outrageous Album Art celebrates the products of music’s most eclectic and eccentric figures—those whose artistic visions were so absurd and grandiose, they often extended beyond the boundaries of the recording and onto the album covers themselves.
Fly by Night: The New Art of the Club Flyer by
Covered with inventive, unfurling doodles, hand-drawn lettering, and image of sexy figures and party animals, the flyers reproduced here are created from drawings, tracing, photocopies, photographs, cutouts, and collages. They look back to the flyers inspired by the cut-and-paste era of the late 1980s but are given inspirational new form in the current scene.By turns provocative, subversive, shocking, decorative, and witty, these flyers offer an intriguing alternative history of London's ever-changing club circuit. The book features work by Wolfgang Tillmans, Sophie Thunder, and Ray Cesar advertising a variety of venues, ranging from Heaven to Bistrotheque.
Logo by
The next time you are tempted to design a logo, take a look at this book. Chances are, it has already been done. By raising the bar, this wonderful resource will make better designers of all of us." Michael Bierut of Pentagram Design The logo bible, this book provides graphic designers with an indispensable reference source for contemporary logo design. More than 1300 logos are grouped according to their focal form, symbol and graphic associations into 75 categories such as crosses, stars, crowns, animals, people, handwritten, illustrative type, etc. To emphasize the visual form of the logos, they are shown predominantly in black and white. Highlight logos are shown in colour. By sorting a vast, international array of current logotypes - ranging from those of small, design-led businesses to global brands - in this way, the book offers design consultancies a ready resource to draw upon in the research phase of identity projects. Logos are also indexed alphabetically by name of company/designer and by industrial sector, making it easy to piece together a picture of the state of the identity art in any client's marketplace.
French Trademarks: The Art Deco Era by
A remarkable collection of flamboyant commercial graphic images dating from the formal debut of Art Deco in the 1920s to the more austere and refined designs of the 1930s.
British Trademarks of the 1920s and 1930s by
The trademarks in this collection represent some of the finest graphic design to emanate from Britain between the wars. Author John Mendenhall has gathered over 280 trademarks and logos from the archives of the British Library and categorized them by subject. From the carefree exuberance of the twenties to the back-to-work ethic of the thirties, these trademarks reflect the moods and successes of industry prior to World War II and the advent of diversified, multi-national conglomerates.
Logo Design by
Bringing together diverse logos from over 30 countries, organised into chapters by theme, such as socio-political, food and beverage, technology, and consumer products, this book provides a full index at the end, which lists each logo's company, designer, and designer's website.
Trademarks of the '40s and '50s by
Trademarks of the '40s and '50s is a portfolio of over 450 striking trademarks and logos. Some familiar, all innovative, these designs reflect the tastes and obsessions of growing sophistication in the science of marketing. New industries -- television, jet aircraft, and nuclear technology -- appear in the trademarks as well.
Logo Design Love by
Completely updated and expanded, the second edition of David Airey's Logo Design Love contains more of just about everything that made the first edition so great: more case studies, more sketches, more logos, more tips for working with clients, more insider stories, and more practical information for getting the job and getting it done right.
Trademarks of the '20s and '30s by
Examples of the glamour and wit of the 1920s and 1930s seen through the output of America's graphic designers and their legacy in the simplicity, the clean line work, the fun of these trademarks.
Today's Hieroglyphs: Imprints on Packaging for Transport by
Swiss typographer and graphic designer Hans-Rudolf Lutz found the passion behind this book in the trash literally. In 1975, he happened to notice the graphics on some cardboard shipping boxes put out for garbage collection. They soon became an obsession, which has resulted in this fascinating 5000-illustration compendium. Lutz was enchanted by the simplicity and clarity of these found graphics.
Early Modernism: Swiss & Austrian Trademarks 1920-1950 by
aking a cue from Gustav Klimt and his artistic movement, the graphic designers of Austria and Switzerland in the '20s, '30s, and 40's forged a new aesthetic to replace the fussy, old-fashioned Art Nouveau style popular at the turn of the century. What evolved was a dramatic, streamlined Modern style that achieved its full bloom in these two countries, then went on to influence the world.
Fruit Crate Art by
Offers a collection of fruit label art with a brief history of the industry and the lithographers who created the labels, and discusses the age, rarity, and quality of popular examples that are still available.
How to Wrap Five Eggs: Traditional Japanese Packaging by
Traditional Japanese packaging is an art form that applies sophisticated design and natural aesthetics to simple objects. In this elegant presentation of the baskets, boxes, wrappers, and containers that were used in ordinary, day-to-day life, we are offered a stunning example of a time before mass production.
Krazy Kids' Food! by
This work looks at amusing, eye-grabbing, and sometimes disturbing junk food packaging aimed at catching kids' attention.
Naoto Fukasawa by
Naoto Fukasawa (b.1956) is one of the best-known Japanese product designers working today, achieving widespread recognition with his groundbreaking wall-mounted CD player, designed for MUJI in 1999. Fukasawa has since won acclaim for his innovative designs of familiar objects, which are based on his close observations of how we use things in our everyday lives. The first monograph to be published on this imaginative designer, it charts Fukasawa's success from within the IDEO design firm in the US and in collaboration with MUJI, to his own company, Naoto Fukasawa Design
Nice to Meet You Too! Visual Greetings from Business Cards to Identity Packages by
Meet the front runners in 21st century design in this must have new book appropriately titled Nice to Meet You Too. Artists and studios featured range in their specialist fields from direction and design of moving image projects to product packaging, typography, event promotion, interior design, fashion, music photography, illustration, graphics, film, exhibitions and interior and product design. These talented individuals and agencies represent many different countries and cultures including Japan, Australia, Canada, UK, USA, Sweden, Ireland, and Hong Kong. With a focus on business cards, Nice to Meet Your Too offers inspiration and guidance for those seeking to use business cards as a tool to display one's personality, credibility, and confidence. Nice To Meet You Too is a vibrant mix of exciting new concepts and ideas by Sagmeister Inc, Antrepo Design Industry, CoDesign Ltd, There, StudioAad, Airside, Klein, 21_19 and more.
Shelf Life: Modern Package Design 1920-1945 by
An unprecendented survey of period packaging heralding the modern consumer era, this dramatic and colorful presentation takes a fun-loving approach to its subject matter with ten lively chapters examining the invention, development, and design of tins, boxes, bottles, bags, and labels used during the heyday of packaging design.
WA: the Essence of Japanese Design by
The 300 objects this book explores contemporary Japanese design: from everyday objects and packaging to interior design. Ultimately the book aims to explore the way in which Japanese design manages to harness its materials and at the same time combine respect for tradition with forward thinking and experimentation. The objects were chosen because of their strong Japanese character and categorized by material, highlighting the strong link between design and material in Japan.
Matchibako: Japanese matchbook art of the 1920s and 1930s by
Japanese matchbook art of the 1920s and 1930s.
The Games We Played: The Golden Age of Board & Table Games by
As families are rediscovering the joys and virtues of staying and entertaining at home, board games have surged in popularity indeed, sales doubled in the last year alone. this mirrors a trend in the late nineteenth century the heyday of American boards and table games when, fueled by the introduction of games coincided with a growing need for middle-class social entertainment. Then, like now, the games that best captured players imaginations mimicked, and sometimes poked fun at, the culture that produced them Organized around themes such as courtship, commerce, travel, sports, and city life, The Games We Played brings together over one hundred eye-catching examples of Americas rare and popular board games, such as The Game of Playing Department Store, which encourage players to accumulate the greatest quantity of goods while spending their money as economically as possible, and Bulls and Bears: The Great Wall St. Game, in which players try their hand as speculators, bankers, and brokers, yelling each other down as if in a trading pit. This playful visual survey of its thematic essays will cause board and table game aficionados to share in the revelry of togetherness.
The Circus, 1870-1950 by
The greatest show on earth: The history and legacy of the circus During its heyday, the American circus was the largest show-biz industry the world had ever seen. From the mid-1800s to mid-1900s, traveling American circuses performed for audiences of up to 14,000 per show and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils and strapping super-heroes gripped the American imagination, outshining theater, comedy, and minstrel shows of the day, and ultimately paving the way for film and television. The circus offered young Americans the dream of adventure and reinvention. This book brings to life the grit and glamour of the circus phenomenon. Images include photographic gems by early circus photographers Frederick Whitman Glasier and Edward Kelty, many of the earliest color photographs ever taken of the circus from the 1940s and 1950s, iconic circus photographs by Mathew Brady or Cornell Capa, and little-known circus images by Stanley Kubrick and Charles and Ray Eames. For the first time, contemporary readers can experience the legend of the American circus in all its glory. Text in English, French, and German
Design for Obama: Posters for Change by
Poster Art of the Obama '08 Electoral Campaign: Graphic innovation that helped make history Hundreds of artists and designers expressed support for the Obama candidacy by designing posters and submitting them to designforobama.org for free download. This selection of the very best--curated by Spike Lee and Aaron Perry-Zucker--is a visual document of the most inspirational U.S. presidential campaign in living history. From its inception, the Barack Obama campaign was destined to make history. Its message of inclusion and empowerment was spread by thousands of volunteers, a grassroots organization of unprecedented size and enthusiasm. Design for Obama built on this spirit with an online forum where artists, designers and supporters could upload their artworks and download others. Shepard Fairey's social realist "Hope" poster became 2008's enduring image, inspiring scores of designs that appeared on the streets, at rallies and registration drives, and in homes and offices around the country. Edited by designforobama.org founder Aaron Perry-Zucker and filmmaker Spike Lee, this collection showcases over 200 of the best pro-Obama posters. Contributors range from prominent graphic and street artists to young up-and-comers. With essays by Spike Lee, Perry-Zucker, and design historian Steven Heller, this outstanding collection serves as a matchless historical document of the widespread visual creativity that helped spur Obama to victory. Text in English, French, German, and Spanish
Graphis Poster Annual by
This volume features over 200 of this year's finest poster designs, created for filmmakers, retailers, record labels, and others. It includes detailed credit information of all creative personnel.
Hatch Show Print: the History of a Great American Poster Shop by
In this age of digital media, the handcrafted ethic and aesthetic of a Hatch Show Print poster is beyond compare. Country musicians and magicians, professional wrestlers and rock stars, all have turned to Nashville's historic Hatch Show Print to create showstopping posters. Established in 1879, Hatch preserves the art of traditional printing that has earned a loyal following to this day (including the likes of Beck, Emmylou Harris, and the Beastie Boys). Hatch Show Print: The History of a Great American Poster Shop is the first fully illustrated tour of this iconic print shop and also chronicles the long life and large cast of employees, entertainers, and American legends whose histories are intertwined with it. Complete with 190 illustrations--as well as a special book jacket that unfolds to reveal an original Hatch poster on the reverse--Hatch Show Print is a dazzling document of this legendary institution.
History of the Poster by
History of the Posteris a landmark account of one of the most prolific visual traditions of our culture. Originally published in 1971, this seminal study is clearly written and richly illustrated.
Magic, 1400s-1950s by
Illusion, enchantment, and wonder: The world's greatest magicians from the Middle Ages through the 1950s Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility--whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games and the internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible. This book celebrates more than 500 years of the stunning visual culture of the world's greatest magicians. Featuring more than 850 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Caravaggio among others, The Big Book of Magic traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magician's craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century's Golden Age of Magic to groundbreaking daredevils like Houdini and the early 20th century's vaudevillians. Text in English, French, and German
Modern Dog: 20 Years of Poster Art (Not Canine Related) by
Seattle-based design studio Modern Dog's heady mix of cheeky humor and punk rock aesthetics makes them unique among design firmsand a hell of a lot of fun. Gathered here for the first time is their groundbreaking work in poster design over the past two decades. Posters for theater, events, music, social issues, and self-promotion run the gamut of approaches and attitudes, but always reflects founders Mike Strassbuger and Robynne Raye's distinctive eye. What's moreand unusual in a designmonographtheir text is laugh-out-loud funny on nearly every page. Interviews with Mike and Robynne by design luminaries James Victore and Rick Valicenti and an essay by critic Steven Heller illuminate the working methods of these creators of iconic and irreverent fin-de-sicle design.
New Master's of Poster Design by
The poster has now become a postcard and e-mail blast, leaving many to long for the lost age when posters were not only major promotional vehicles, but also artwork worthy of framing. Some of the world's best designers just could not stand idle while the poster fell by the wayside.
North Korean Posters by
This rare glimpse into North Korean society is the first book of its kind: a riveting collection of state-sponsored propaganda posters that present the unique graphic sensibilities of this little-known country. Seldom seen by the outside world, North Korea s propaganda art colors the cities and countryside with vibrant images of brave soldiers, happy and well-fed peasants, and a heroic and compassionate leader. More than 250 of these posters are collected here for the first time, showing the wide range of North Korean propaganda art. Hand-painted, one-of-a-kind pieces of art, these posters display the latest political slogans that are repeated in newspaper editorials, government declarations, and compulsory study sessions throughout the country. A unique collection which would appeal to artists and graphic designers as well as those interested in this closed society, this book may not represent the reality of North Korea, but rather a vision of the country as promoted by its regime and depicted by its state sponsored artists.
The Poster Art of A. M. Cassandre by
A. M. Cassandre, a French artist generally considered to be the greatest in his field during the 1920s and 1930s. This handsome book for the first time publishes 60 of his posters in color together with an essay on Cassandre's life, career, and style and a virtually definitive listing of 117 posters.
The Poster in History by
Posters are found in public places all over the world. They are usually visually striking, designed to attract the attention of passers-by and entice them to purchase a particular product or service, make them aware of a political viewpoint, or attend a specific event.This remarkable study is an overview of posters throughout history, as well as a representative survey of mass culture from the time of the French Revolution to 2000. Over 450 posters are reproduced here, 250 in full color, selected for both their historical import and their beauty. Author Max Gallo's informative text recapitulates the social and political currents of the day and places each poster in its historical context. The book also includes an essay on the development of poster art by art critic Carlo Arturo Quintavelle.
Presenting Shakespeare:1,100 Posters from Around the World by
A skull held aloft, a lovesick donkey, a bloodied dagger--these familiar icons are instantly recognizable shorthand for the plays of William Shakespeare. In the four hundred years since his death, the Bard of Avon's exalted place in the pantheon of theater and poetry--indeed, all of Western culture--is unequaled. As Ben Jonson proclaimed, Shakespeare "is not of an age but for all time!" And just as centuries of theatrical artists have reimagined his works through the lens of their own time and culture, so too have illustrators and designers been inspired to create posters that reinvent Shakespeare's well-known themes for each new generation of theatergoers.Presenting Shakespeare collects 1,100 posters for Shakespeare's plays, designed by an international roster of artists representing 55 countries, from Japan to Colombia, India, Russia, Australia, and beyond. A fascinating trove of theatrical artifacts,Presenting Shakespeare is a necessary volume for theater and design lovers alike.
Revolucion! Cuban Poster Art by
The poster was the popular art form in Cuba following the Cuban Revolution, when the government sponsored some 10,000 public posters on a fascinating range of cultural, social, and political themes. Revolucin!, produced with unprecedented access to Cuban national archives, assembles nearly 150 of these powerful but little--seen works of popular art.
See Red Women's Workshop by
"Girls are powerful": the '70s feminist posters of See Red Women's Workshop A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women's Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humor and bold, colorful graphics, See Red expressed the personal experiences of women as well as their role in wider struggles for change. Written by See Red members, detailing the group's history up until the closure of the workshop in 1990, and with a foreword by celebrated feminist historian Sheila Rowbotham, See Red Women's Workshop features all of the collective's original screenprints and posters. Confronting negative stereotypes, questioning the role of women in society, and promoting women's self-determination, the power and energy of these images reflect an important and dynamic era of women's liberation--with continued relevance for today.
Starstruck: Vintage Movie Posters from Classic Hollywood by
For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published.Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick’s collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.
Visual Strategies Against AIDS: Prevention Posters by 
War Posters: Weapons of Mass Communication by
Beginning with the onset of the Great War in 1914, this title charts the poster's evolution as a tool of protest and counter-culture.
Political Graphics: Art As a Weapon by
From the early anticlerical leaflets and broadsides of the Renaissance and Reformation to the anti-nuclear and ecology wall posters of today, the production of political graphics has increased like a tidal wave. The printed image-by virtue of its innate power to convince-has replaced the word in mass communication and virtually become the language of the modern world.
Graphic Agitation 2: Social and Political Graphics in the Digital Age by
Graphic Agitation 2, a follow-up volume to the hugely successful Graphic Agitation, is a survey of social and political graphics since the early 1990s.
Graphic Agitation: Social and Political Graphics Since the Sixties by
From the revolutionary Sixties to the present day, this book explores the many ways graphic art and design have addressed social and political issues. The book covers a broad range of subject areas including war, peace, national politics, ecology, health, civil rights and sexual politics.
The Design of Dissent by
With the world's economy in a slump, the Middle East's never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice. Designers, however, have a voice.
The Art of Rebellion 2: World of Urban Art Activism by
The Art of Rebellion 2 features an up to the minute international survey of street art, spotlighting dozens of new and unknown protagonists alongside many well known and respected artists who have been at it for years. Since the publication of the first volume, there has been a surge in street art activity and a growing awareness of the art form in the public eye; this volume takes the reader on a lush visual journey through that artistic explosion and features tons of new work with original styles, techniques and intent. T
Power to the People: The Graphic Design of the Radical Press and the Rise of the Counter-Culture, 1964-1974 by
Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole--helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury's paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors' fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock 'n' roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the '60s and '70s--it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.
Realizing the Impossible: Art Against Authority by
MacPhee and Reuland have collected work from a wide range of contributors - artists, writers and activists - on the close relationship between aesthetics and politics in anti-authoritarian social movements. With topics ranging from turn of the century French cartoonists to modern day Indonesian printmaking, to the radical video collectives of the US and Mexico, Realizing the Impossible discusses a global phenomenon with a history. A lavishly illustrated history of art and anarchism.
Strike Art: Contemporary Art and the Post-Occupy Condition by
The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond What is the relation of art to the practice of radical politics today? Strike Art explores this question through the historical lens of Occupy, an event that had artists at its core. Precarious, indebted, and radicalized, artists redirected their creativity from servicing the artworld into an expanded field of organizing in order to construct of a new--if internally fraught--political imaginary set off against the common enemy of the 1%. In the process, they called the bluff of a contemporary art system torn between ideals of radical critique, on the one hand, and an increasing proximity to Wall Street on the other--oftentimes directly targeting major art institutions themselves as sites of action. Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how Occupy ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement. Art after Occupy, McKee suggests, contains great potentials of imagination and action for a renewed left project that are still only beginning to ripen, at once shaking up and taking flight from the art system as we know it.
At War with War: 5,000 Years of Conquests, Invasions, and Terrorist Attacks by
At War with War visualizes humanity's 5,000-year-long state of conflict, chaos, and violence on a continuous timeline. Seventy pages of stark black-and-white pen-and-ink drawings and woodcuts illustrate history's most notorious battles - from 3300 BCE to the present day. Seymour Chwast is a design legend who led a revolution in graphic design in the 60s and 70s, pushing the limits of nearly every visual medium.
Stories for Little Comrades: Revolutionary Artists and the Making of Early Soviet Children's Books by
In the Soviet Union of the 1920s, the most prominent avant-garde artists were eager children's book illustrators. Reaching a mass audience of unformed, malleable young people appealed to their commitment to an art manifesto based on the creation of a new kind of person for the revolutionary age. At the same time, the opportunity to work for good pay along with a low risk of censorship were practical attractions. The Constructivist artists drew considerable attention in the West for their brilliant creativity in using geometric designs, machine-age forms, and an architectural sense of space in their approach to the visual arts. Rejecting easel painting as a pass#65533; bourgeois preoccupation, they turned to designing and mythologizing objects of everyday use. In a major reassessment of their work, Evgeny Steiner forcefully demonstrates that the Constructivists were as committed to implementing Utopia'regardless of the human cost'as their establishment counterparts. Basing his work almost completely on primary sources?Russian picture books from the Russian State Library, private collections, and publishers? archives?Evgeny Steiner tells his story in deft prose with a wry sense of humor. The solidness of his sources, the range of his interests, and the depth of his understanding of Russian life combine to make this an unusually perceptive book on a fascinating cultural issue that combines the visual arts, literature, and politics.
Walls of Freedom: Street Art of the Egyptian Revolution by
Walls of Freedom is a powerful portrayal of the Egyptian Revolution, telling the story with striking images of art that turned Egypt's walls into a visual testimony of bravery and resistance. This survey of Egyptian street art is also enriched by images of the revolution taken by acclaimed photographers and activists. Spanning major Egyptian cities like Cairo, Alexandria and Luxor, it is a day-to-day reflection of the volatile and fast-shifting political situation.
Street Art and the War on Terror by
Bringing together an array of antiwar, anti-Bush, and anti-Blair graffiti from the United States, Canada, Europe, Middle East, Japan, and Australia, this collection captures many unique images which have survived only a few hours between execution and clean-up. Including a chronology of opposition to the war organized by continent, and commentaries by the graffiti artists themselves.
See Red: Women's Workshop by
Founded in 1974, See Red Women's Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. Written by See Red members, detailing the group's history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns.
Peace Signs: the Anti-War Movement Illustrated by
Peace Signs is the ultimate collection of posters and graphics from the war in Iraq—uncensored, political, and thought-provoking. It includes over 200 full color posters from artists and designers from over 22 countries worldwide, featuring artwork by the prominent American poster artists Seth Tobocman, Shepard Fairey, Winston Smith, Chuck Sperry, Sue Coe, Ward Sutton, Nicole Schuman, and Mike Flugennock.
AIDS Demo Graphics by
In what the authors call a "do-it-yourself manual, showing how to make propaganda work in the fight against AIDS," they depict a history of demonstrations, sit-ins and similar steps taken by ACT UP and other groups. The volume is illustrated with photos of the protests as well as graphics used in conjunction with them.
Art in Turmoil: the Chinese Cultural Revolution, 1966-76 by
Forty years after the Cultural Revolution, Art in Turmoil revisits the visual and performing arts of the period - the paintings, propaganda posters, political cartoons, sculpture, folk arts, private sketchbooks, opera, and ballet. Probing deeply, it examines what these vibrant, militant, often gaudy images meant to artists, their patrons, and their audiences at the time, and what they mean now, both in their original forms and as revolutionary icons reworked for a new market-oriented age.
Typography Sketchbooks by
Where do the best contemporary fonts come from, and who designed them? Fortunately for us, typography for most designers is an obsession, one of the purest forms of design, one that can always be improved and refined. This survey gets into the minds of designers who create typefaces, word-images and logos through their private sketchbooks.
Fieldnotes and Sketchbooks: Challenging the Boundaries Between Descriptions and Processes of Describing by
Researchers from the fields of anthropology, architecture and fine art reflect on the descriptive practices characteristic of their respective disciplines, and the potential of alternative modalities of description. Contributors focus on the interconnections between writing, imaging, drawing and reading, exploring the many ways in which different media and notational systems can be used to facilitate the movement of knowledge across the three disciplines.
Graphic: Inside the Sketchbooks of the World's Great Graphic Designers by
We are constantly surrounded by design and each graphic element we see was carefully constructed through a designer’s very personal process. Yet only the finished article is presented. Rarely do we gain insight into how visual solutions have been reached or the exploration, experimentation, and ideas behind them. In this publication, some one hundred graphic designers and illustrators open up their private sketchbooks to offer a privileged glimpse into their creative processes.
Explorers' Sketchbooks: The Art of Discovery & Adventure by
One piece of equipment has been a constant in explorers' kits for centuries of adventure--the sketchbook or journal. Here are carefully selected excerpts from 70 such sketchbooks from explorers through history to the present, records by men and women who journeyed into frozed wastelands, high mountains, barren deserts, and dense rainforests with their senses and curiosity about the world wide open. Here is the art of discovery.
Fashion Designers' Sketchbooks by
A revealing, comprehensive and colourful insight into the design process, 'Fashion designers' sketchbooks' explores many major names working in the fashion industry today.
Drawn In: A Peek into the Inspiring Sketchbooks of 44 Fine Artists, Illustrators, Graphic Designers, and Cartoonists by
his book shares large full-color images and profiles each of the high-profile, amazingly talented artists that discuss their sketchbooks and how they use them. People are fascinated by artist's sketchbooks. They offer a glimpse into private pages where artists brainstorm, doodle, develop and work on ideas, and keep track of their musings. Artists use these journals to document their daily lives, produce their initial ideas for bigger projects, and practice their skills.
Graphique de la Rue: The Signs of Paris by
Graphique de la Rue is Fili's photographic diary of hundreds of Paris's most inventive restaurant, shop, hotel, street, and advertising signs. Classic neon café signs are juxtaposed with the dramatic facades of the Moulin Rouge and the Folies Bergère. Colorful mosaics cheerfully announce hotel entrances, department stores, fishmongers, even public toilets. Hector Guimard's legendary entrances to the Paris Métro stations brush elbows with graceful gold-leaf and dimensional Art Deco, Futurist, or Art Nouveau architectural lettering, as well as whimsical pictorial signs
Kanban, Shop Signs of Japan by
The Japanese kanban, literally "signboard," is a folk art all its own. Its function-as a symbol and a service-maximizes the traditional arts of carpentry, calligraphy, and often of wood-carving and painting as well. The appeal of these signs is not only as bold and ingenious graphic design, but also as record of the commerce and tastes of the merchant classes in the Edo and Meiji Periods. This is the first collection of kanban assembled for exhibition in this country. It is a chance to study and delight in a singular-yet characteristic-art form of Japan.
Grafica Della Strada: The Signs of Italy by
For more than three decades, renowned graphic designer and self-described Italophile Louise Fili has traveled the cities and countryside of Italy cataloging the work of sign craftsmen in whose hands type takes on new life with a tantalizing menu of styles. Classical, eclectic, or Futurist; in gold leaf, marble, brass, wood, wrought iron, enamel, ceramic, or neon; painted, carved, inlaid, etched, tiled, or stenciled-- the creative possibilities are endless.
Street Jewellery: A History of Enamel Advertising Signs by
Acknowledged as the standard work on enamel street signs, this revised edition includes many new black and white illustrations and a further 151 additional signs illustrated in color.This hardcover edition features a real enamel sign on the cover.
More Street Jewellery by
Expanded volume from the experts on enamel street signs Christopher Baglee and Andrew Morley.
Designage: The Art of Decorative Signs by
Storefront signs have long been a charming and respected commercial art form. The first book to look at sign design in a popular format, Designage presents over 300 examples of vintage and contemporary signs from around the world. Graphically ingenious and imaginative, they proclaim a variety of services and products, often using a visual pun or wordplay. Designage covers a wide range of styles -- Roman, Victorian, Gothic, Art Nouveau, and Art Deco, to name a few -- and an even wider range of materials, including tile, wood, iron-work, neon, brass, and enamel. This is a valuable reference for graphic designers and architects, as well as a delightful visual trip down international lanes.
Signs: Lettering in the Environment by
Letterforms surround us: inscriptions or names on buildings, directional signs for road networks, and signs within and around buildings. This book focuses on the letterforms and typography found in public places that help us to navigate towns, cities, and countrysides and that contribute to a sense of place. Featuring 700 color images of examples from around the world, it discusses the function and execution of signage.
Church Signs Across America by
Photographs of church signs from churches of every denomination across America.
Signs: Lettering in the Environment by
his book focuses on the letterforms and typography in public places, from road signs to building names, that help us to navigate cities and countryside and contribute to a sense of place. Featuring examples from around the world, the book discusses the function and execution of signage. Visually led, Signs contains 700 color images grouped together thematically and described in extended captions, showing current examples alongside historical material.
Russian Criminal Tattoo - Encyclopaedia by
The photographs, drawings and texts published in this book are part of a collection of more than 3000 tattoos accumulated over a lifetime by prison attendant Danzig Baldaev. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society. The icons and tribal languages he documented are artful, distasteful, sexually explicit and sometimes just strange, reflecting as they do the lives and traditions of Russian convicts. Skulls, swastikas, harems of naked women, a smiling Al Capone, medieval knights in armour, daggers sheathed in blood, benign images of Christ, sweet-faced mothers and their babies, armies of tanks, and a horned Lenin - these are the signs by which the people of this hidden world mark and identify themselves.
The Mammoth Book of Tattoos by
This collection covers all styles of tattoos from bold tribal pieces, Chines characters, and hieroglyphs to delicate air-brushed designs. Included are striking images of tattoos ranging from all-over "body suits" to individual motifs.
Vintage Tattoos: the Book of Old-School Skin Art by
Tattoos have gone from badges of rebellion to fashion statements fully absorbed into mainstream culture. They are enjoying a renaissance, with graphic designers and artists creating specialty tattoos for a growing audience, unleashing a revival of interest in the bawdy vintage tattoo. Old school tattoos are being rediscovered (sometimes ironically, sometimes not) by a new generation. Originally embraced by rebels, sailors, and gangsters, these tattoos—broken hearts, naked girls, floral motifs, and maritime emblems—are now showing up on the fashion runway and in music videos. This book chronicles vintage motifs in thematic chapters interspersed with profiles of influential tattoo artists and their distinctive designs: Sailor Jerry Collins, Don Ed Hardy ("the Godfather of Tattoos"), Mike "Rollo Banks" Malone, Bert Grimm, Japan’s Horiyoshi III, and Shanghai’s Pinky Yun.
Science Ink: Tattoos of the Science Obsessed by
Body art meets popular science in this elegant, mind-blowing collection, written by renowned science writer Carl Zimmer. This fascinating book showcases hundreds of eye-catching tattoos that pay tribute to various scientific disciplines, from evolutionary biology and neuroscience to mathematics and astrophysics and reveals the stories of the individuals who chose to inscribe their obsessions in their skin.
The Tattooed Lady by
Living in a time when it was scandalous even to show a bit of ankle, a small number of courageous women covered their bodies in tattoos and traveled the country, performing nearly nude on carnival stages. These gutsy women spun amazing stories for captive audiences about abductions and forced tattooing at the hands of savages, but little has been shared of their real lives. Though they spawned a cultural movement—almost a quarter of Americans now have tattoos—these women have largely faded into history.
How to Use Your Eyes by
"... visually stunning and mentally stimulating."--Scientific American "...the author of What Painting Is (1998) has written a fascinating new book filled with gorgeous illustrations that would inspire us 'to learn to see anything.'
Image Music Text by
These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included.
The Futurist Movement: Avant-garde, Avant Guerre and the Language of Rupture by
Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century.
Picture Theory: Essays on Verbal and Visual Representation by
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture?
Reading Images and Seeing Words by
The simultaneously tautological and oxymoronic nature of word/image relations has become a subject of massive debate in the post-modern period. This is not only because of the increasing predominance of word / image messages within our modern media-saturated culture, but also because intellectual disciplines are becoming increasingly sensitized to the essentially hybrid nature of the way we construct meaning in the world. The essays in this volume offer an exemplary insight into both aspects of this phenomenon. Focussing on both traditional and modern media (theatre, fiction, poetry, graphic art, cinema), the essays of Reading Images and Seeing Words are deeply concerned to show how it is according to signifying codes (rhetoric, poetics, metaphor), that meaning and knowledge are produced. Not the least value of this collection is the insight it gives into the multiple models of word / image interaction and the rich ambiguity of the tautological and oxymoronic relations they embody.
I Wonder by
Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design, written and illuminated by world-renowned typographic illustrator Marian Bantjes. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning."
The Art of Looking Sideways by
The Art of Looking Sidewaysis a primer in visual intelligence, an exploration of the workings of the eye, the hand, the brain and the imagination. It is an inexhaustible mine of anecdotes, quotations, images, curious facts and useless information, oddities, serious science, jokes and memories, all concerned with the interplay between the verbal and the visual, and the limitless resources of the human mind. Loosely arranged in 72 chapters, all this material is presented in a wonderfully inventive series of pages that are themselves masterly demonstrations of the expressive use of type, space, colour and imagery. This book does not set out to teach lessons, but it is full of wisdom and insight collected from all over the world. Describing himself as a visual jackdaw, master designer Alan Fletcher has distilled a lifetime of experience and reflection into a brilliantly witty and inimitable exploration of such subjects as perception, colour, pattern, proportion, paradox, illusion, language, alphabets, words, letters, ideas, creativity, culture, style, aesthetics and value. The Art of Looking Sidewaysis the ultimate guide to visual awareness, a magical compilation that will entertain and inspire all those who enjoy the interplay between word and image, and who relish the odd and the unexpected.
Seventy-Nine Short Essays on Design by
Now in Paperback! A collection of essays by Michael Bierut, Pentagram partner, cofounder of the website Design Observer, and AIGA board member. Bierut is one of the best-respected and most-beloved writers within the graphic design field, a spokesman for the profession, and a man pretty much universally admired within the academy and among practitioners. This collection includes writings from the 1980s through today.
Uncreative Writing: Managing Language in the Digital Age by
Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language.
Against Expression: An Anthology of Conceptual Writing by
In much the same way that photography forced painting to move in new directions, the advent of the World Wide Web, with its proliferation of easily transferable and manipulated text, forces us to think about writing, creativity, and the materiality of language in new ways. In Against Expression, editors Craig Dworkin and Kenneth Goldsmith present the most innovative works responding to the challenges posed by these developments. Charles Bernstein has described conceptual poetry as "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Dworkin and Goldsmith, two of the leading spokespersons and practitioners of conceptual writing, chart the trajectory of the conceptual aesthetic from early precursors including Samuel Beckett and Marcel Duchamp to the most prominent of today’s writers. Nearly all of the major avant-garde groups of the past century are represented here, including Dada, OuLiPo, L=A=N=G=U=A=G=E, and Flarf to name just a few, but all the writers are united in their imaginative appropriation of found and generated texts and their exploration of nonexpressive language. Against Expression is a timely collection and an invaluable resource for readers and writers alike.
The Graphic Unconscious in Early Modern French Writing by
This 1992 book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate, revealing compositional patterns that do not appear to be under authorial control. Professor Conley shows that graphic forms are crucial for the development of complex interactions of verbal and visual materials in the early years of print culture. Marot and Rabelais articulate a religious programme through the letter; Ronsard conflates the arts in poetry of the French court in the middle years of the sixteenth century; Montaigne stages the birth of the self in print and inscribes political dimensions in the relationship between the letter and meaning. This unconscious, proto-Freudian writing has complex historical relations with verbal and visual practices in the media of the twentieth century.
Figuring the Word: Essays on Books, Writing and Visual Poetics by
Johanna Drucker is among the foremost authorities on the history of alphabets, writing, artists' books and visual poetry. This book is a compendium of Drucker's thought. Yet rather than anthologize from her numerous published books, "Figuring the Word" collects writings only previously found in academic and literary journals, as well as transcriptions of her lectures and interviews. The book is divided into sections, each with several chapters, which include "Writing as Artifact," "Visual Poetics," "Artists' Books Past and Future" and "The Future of Writing." None of the work in "Figuring the Word" has ever been published in book form before, and yet it extends and reveals the already broad range of Drucker's voracious and penetrating intellect.
Design As Art by
One of the last surviving members of the futurist generation, Bruno Munari's Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the 'Penguin on Design' series in Penguin Modern Classics. 'The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing' Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze. How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field. If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics. 'One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness' International Herald Tribune
Vintage Travel Posters: Going Places in Style by
1870-1909: The gilded age: Belle Epoque holiday frolics -1910s: Pack up your troubles: travelling further and faster afield -1920s: We're in the money: the rich at play -- 1930s: Tourism for the masses: a brave new world of leisure -1940s: Keep smiling through: restoring war-torn spirits - 1950s: Travel glamour: the era of boom and busts - 1960s: Small world: flying high with the in crowd.
World Tour: Vintage Hotel Labels from the Collection of Gaston-Louis Vuitton by
Throughout his life, the famous trunk maker and inveterate traveler Gaston-Louis Vuitton amassed a collection of over 3,000 hotel publicity stickers and labels, which globetrotters proudly affixed to their luggage. Spanning the 1920s to the 1950s, this book features more than 900 labels, a wealth of period photographs, and vintage postcards, all from around the globe.
Luggage Labels: Mementos from the Golden Age of Travel by
David Craig has collected the most striking and exotic luggage labels from around the world. These miniature works of art were used for decades by first-class hotels to identify their guests' suitcases and trunks and then by the guests themselves to display their itineraries to the world. Here, reproduced in full color and actual size, are over 100 beautiful labels representing a wide variety of graphic styles dating back to the last century
London Transport Posters by
London Transport Posters celebrates a century of outstanding graphic design commissioned by the Underground, London Transport, and its present-day successor, Transport for London. Drawing on newly researched sources in the archives of the London Transport Museum and Transport for London, the book discusses and illustrates the different styles and themes emerging from the posters over the last hundred years. It includes examples of over 250 posters from all periods and will be an invaluable reference book and visual resource for all those with an interest in 20th-century design.
En Route: Label Art from the Golden Age of Air Travel by
En Route offers an entertaining, glamorous, and evocative look at the early, international airline companies and the distinctive designs of their luggage labels, so coveted by intrepid travelers of the period. Complete with over 150 examples, from bold images of the Art Deco period to modern icons of the 40s and 50s.
Menu Design in America by
#65533; la carte Appetite for art: over one hundred years of menu graphics Until restaurants became commonplace in the late 1800s, printed menus for meals were rare commodities reserved for special occasions. As restaurants proliferated, the menu became more than just a culinary listing. The design of the menu became an integral part of eating out and as such menus became a marketing tool and a favored keepsake. Menu Design is an omnibus showcasing the best examples of this graphic art. With nearly 800 examples, illustrated in vibrant color, this deluxe volume not only showcases this extraordinary collection of paper ephemera but serves as a history of restaurants and dining out in America. In addition to the menu covers, many menu interiors are featured providing a epicurean tour and insight to more than a hundred years of dining out. An introduction on the history of menu design by graphic design writer Steven Heller and extended captions by culinary historian John Mariani accompany the menus throughout the book. Various photographs of restaurants round out this compendium that will appeal to anyone who enjoys dining out and its graphic and gastronomic history. Nearly 800 stunning examples of menu design Covers more than a century of exquisite vintage design Text in English, French, and German
Art of the Airways: by
Capture the glory of flight in this nostalgic look back at the colorful posters that lured yesterday's passengers to take to the air. Constellations, tri-motors, and DC-3s are featured decked-out in the liveries of their owners and presented in stunning color artworks created by such famed artists as Norman Rockwell, Calder, and other popular painters.
Art for the London Underground by
Brilliant color reproductions of over 200 posters by major British and American artists for the London subway. They promote "tube" travel and respectable cultural activities. Includes notes on the artists, among whom are Kauffer, Whistler, and Dupas.
What is Typography? by
What is Typography? is a compact guide to the discipline that lies at the epicentre of design and communication. With three sections exploring issues, anatomy, and an analysis of an eclectic group of portfolios, the book explores the structures and acceptable variations of type.
Pioneers of Modern Typography by
Since its first publication in 1969, Pioneers of Modern Typography has been the standard guide to the avant-garde origins of modern graphic design and typography. In this essential reference, Herbert Spencer shows how new concepts in graphic design in the early decades of the twentieth century had their roots in the artistic movements of the time in painting, poetry, and architecture. Spencer examines the "heroic" period of modern design and typography, the beginning of which he traces to the publication in Le Figaro of the Italian artist Manetti's Futurist manifesto. He discusses the work of such "pioneers" as El Lissitzky, Alexander Rodchenko, and Laszlo Moholy-Nagy. He examines the artistic background of the new concepts in graphic design, and traces the influences of futurism, Dadaism, de Stijl, suprematism, constructivism, and the Bauhaus. His text is profusely illustrated with examples of the new typography, shown in genres that range from posters and magazine covers to Apollinaire's "figurative poetry." This revised edition, which follows the revised and redesigned edition of 1983, includes a foreword by design critic Rick Poyner that discusses the important contributions to the history of graphic design made by Herbert Spencer.
The New Typography by
Since its initial publication in Berlin in 1928, Jan Tschichold's The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le Corbusier's Toward a New Architecture has long held among architects. The book's legendary renown is certain to increase with the long-overdue appearance of this first English translation, published in a form that reflects Tschichold's original typography and design. Ranging from theoretical discussions of typography in the age of photography and mechanical standardization to practical considerations in the design of business forms, The New Typography remains essential reading for designers, art historians, and all those concerned with the evolution of visual communication in the twentieth century.
Type in Motion 2 by
The most advanced typographic work from around the world, from one-person experimental studios to university-based research groups.It has been six years since the publication of the internationally successful Type in Motion, the first book to present an overview of animated digital typography. Six years is a long time in the digital world, and creative innovation in motion graphics continues unabated.Over eighty projects are presented here in detail and arranged into five chapters that address particular issues facing today's designers. "Identifying" looks at kinetic typography's role in branding through media such as television identities, program titles, and transition sequences. The delivery of information about a product, service, or event through a typographic message is considered in "Informing." Stitching together word, image, and sound to create stories and establish a context, "Storytelling" addresses issues of narrative, in which the designer establishes the framework but the user crates the story. "Traveling" focuses on the user, from Web site navigation to chat rooms. "Speculating" features a wide spectrum of experimental projects in type and letter design, exploring new ideas, functions, and methods of communication.
Letter Fountain by
Everything you could ever want to know about printing letters and numbers Looking back as far as man's first efforts to communicate with visual signs and drawings, Letter Fountain is a completely unique typeface handbook: in addition to examining the form and anatomy of every letter in the alphabet (as well as punctuation marks and special characters), the book cross-references type designs with important works of art and art movements.
Type: A Visual History of Typefaces and Graphic Styles by
This text offers a novel overview of typeface design, exploring the most beautiful and remarkable examples of font catalogs from the history of publishing, with a special emphasis on the period from the mid-19th century to the mid-20th century.
