Making Caribbean Dance: Continuity and Creativity in Island Cultures by
Making Caribbean Dance connects the dance of the islands with their rich multicultural histories and complex identities. Delving deep into the many forms of ritual, social, carnival, staged, experimental, and performance dance, the book explores some of the most mysterious and beloved, as well as rare and little-known, dance traditions of the region.
Caribbean and Atlantic Diaspora Dance by
Yvonne Daniel provides a cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de maní.
Blacktino Queer Performance by
Staging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art.
The Sense of Brown by
Muñoz's treatise is on brownness and being as well as his most direct address to queer Latinx studies. In this book, Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons--a lifeworld, queer ecology, and form of collectivity.
Dance and the Hollywood Latina by
Introducing the concepts of 'inbetween-ness' and 'racial mobility' to further illuminate how racialized sexuality and the dancing female body operate in film, Priscilla Peña Ovalle focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez. Dance and the Hollywood Latina helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen.
Rumba : Dance and Social Change in Contemporary Cuba by 
Tango by
Overture : Gardel on Avenida Libertador -- Preface : moving with an arm around life -- Tango in Hollywood -- Tango as text -- The cultural preparation -- Habanera : the call of the blood -- Milonga : the great Buenos Aires conversation -- Dancing on the edge : the early tango called Canyengue -- Tango as music -- Tango as dance -- Envoi : El tango / by Robert Colescott.
Merengue by
The History of Merengue, 1854-1961. 2. Nineteenth-Century Caribbean Merengue. 3. Merengue Cibaeno, Cultural Nationalism, and Resistance. 4. Music and the State: Merengue during the Era of Trujillo, 1930-1961 -- pt. II. The Contemporary Era, 1961-1995. 5. Merengue in the Transnational Community. 6. Innovation and Social Issues in Pop Merengue. 7. Merengue on the Global Stage.
The Dance Claimed Me: A Biography of Pearl Primus by
Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic. In The Dance Claimed Me, Peggy and Murray Schwartz, friends and colleagues of Primus, offer an intimate perspective on her life and explore her influences on American culture, dance, and education.
José Limón: an Unfinished Memoir by
A captivating illustrated autobiography of the early years of a major American choreographer.
José Limón by