Ornamentalism by
Focusing on the cultural and philosophic conflation between the "oriental" and the "ornamental," Ornamentalism offers an original and sustained theory about Asiatic femininity in western culture. This study pushes our vocabulary about the woman of color past the usual platitudes about objectification and past the critique of Orientalism in order to formulate a fresher and sharper understanding of the representation, circulation, and ontology of Asiatic femininity. This book alters the foundational terms of racialized femininity by allowing us to conceptualize race and gender without being solely beholden to flesh or skin. Tracing a direct link between the making of Asiatic femininity and a technological history of synthetic personhood in the West from the nineteenth to the twenty-first century, Ornamentalism demonstrates how the construction of modern personhood in the multiple realms of law, culture, and art has been surprisingly indebted to this very marginal figure and places Asian femininity at the center of an entire epistemology of race. Drawing from and speaking to the multiple fields of feminism, critical race theory, visual culture, performance studies, legal studies, Modernism, Orientalism, Object Studies and New Materialism, Ornamentalism will leave reader with a greater understanding of what it is to exist as a "person-thing" within the contradictions of American culture.
The Nutmeg's Curse by
The Nutmeg's Curse: Parables for a Planet in Crisis frames climate change and the Anthropocene as the culmination of a history that begins with the discovery of the New World and of the sea route to the Indian Ocean. Ghosh makes the case that the political dynamics of climate change today are rooted in the centuries-old geopolitical order that was constructed by Western colonialism. This argument is set within a broader narrative about human entanglements with botanical matter-spices, tea, sugarcane, opium, and fossil fuels-and the continuities that bind human history with these earthly materials. Ghosh also writes explicitly against the backdrop of the COVID-19 pandemic, the Black Lives Matter protests, and international immigration debates, among other pressing issues, framing these ongoing crises in a new way by showing how the colonialist extractive mindset is directly connected to the deep inequality we see around us today
Unbound Voices by
Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents—letters, essays, poems, autobiographies, speeches, testimonials, and oral histories—detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II.
Samurai among Panthers by 
Woman, Native, Other by
Woman, Native, Other is located at the junction of a number of different fields and disciplines, and it genuinely succeeds in publishing the boundaries of these disciplines further ... In this first full-length study, Trinh Minh-ha examines post-colonial processes of displacement -- cultural hybridization and decentered realities, fragmented selves and multiple identities, marginal voices and languages of rupture. Working at the intersection of several fields -- women's studies, anthropology, critical cultural studies, literary criticism, and feminist theory, she juxtaposes numerous prevailing contemporary discourses in a form that questions the (male-is-norm) literary and theoretical establishment.
Sweat and Salt Water by
On 21 March 2017, associate professor Teresia Kieuea Teaiwa passed away at the age of forty-eight. News of Teaiwa's death precipitated an extraordinary outpouring of grief unmatched in the Pacific studies community since Epeli Hau'ofa's passing in 2009. Mourners referenced Teaiwa's nurturing interactions with numerous students and colleagues, her innovative program building at Victoria University of Wellington, her inspiring presence at numerous conferences around the globe, her feminist and political activism, her poetry, her Banaban/I-Kiribati/Fiji Islander and African American heritage, and her extraordinary ability to connect and communicate with people of all backgrounds. This volume features a selection of Teaiwa's scholarly and creative contributions captured in print over a professional career cut short at the height of her productivity. The collection honors her legacy in various scholarly fields, including Pacific studies, Indigenous studies, literary studies, security studies, and gender studies, and on topics ranging from militarism and tourism to politics and pedagogy. It also includes examples of Teaiwa's poems. Many of these contributions have had significant and lasting impacts. Teaiwa's "bikinis and other s/pacific notions," published in The Contemporary Pacific in 1995, could be regarded as her breakthrough piece, attracting considerable attention at the time and still cited regularly today. With its innovative two-column format and reflective commentary, "Lo(o)sing the Edge," part of a special issue of The Contemporary Pacific in 2001, had similar impact. Teaiwa's writings about what she dubbed "militourism," and more recent work on militarization and gender, continue to be very influential. Perhaps her most significant contribution was to Pacific studies itself, an emerging interdisciplinary field of study with distinctive goals and characteristics. In several important journal articles and book chapters reproduced here, Teaiwa helped define the essential elements of Pacific studies and proposed teaching and learning strategies appropriate for the field. Sweat and Salt Water includes fifteen of Teaiwa's most influential pieces and four poems organized into three categories: Pacific Studies, Militarism and Gender, and Native Reflections. A foreword by Sean Mallon, Teaiwa's spouse, is followed by a short introduction by the volume's editors. A comprehensive bibliography of Teaiwa's published work is also included
Afro Asia by 
Rise by
When the Hart-Celler Act passed in 1965, opening up U.S. immigration to non-Europeans, it ushered in a whole new era of Asian American socio-political shifts. Yang, Yo, and Wang have created a love letter to and for Asian Americans, providing a vivid scrapbook of voices, emotions, and memories from an era in which their culture was forged and transformed. They include interviews and contributions from major Asian American cultural icons and artists, creating a celebration of shared experiences highlighting the different ways in which we have chosen to come together. -- adapted from wrap-around
"RISE is a love letter to and for Asian Americans--a vivid scrapbook of voices, emotions, and memories from an era in which our culture was forged and transformed, and a way to preserve both the headlines and the intimate conversations that have shaped our community into who we are today. When the Hart-Celler Act passed in 1965, opening up US immigration to non-Europeans, it ushered in a whole new era. But even to the first generation of Asian Americans born in the US after that milestone, it would have been impossible to imagine that sushi and boba would one day be beloved by all, that a Korean boy band named BTS would be the biggest musical act in the world, that one of the most acclaimed and popular movies of 2018 would be Crazy Rich Asians, or that we would have an Asian American Vice President. And that's not even mentioning the creators, performers, entrepreneurs, execs and influencers who've been making all this happen, behind the scenes and on the screen; or the activists and representatives continuing to fight for equity, building coalitions and defiantly holding space for our voices and concerns. And still: Asian America is just getting started. The timing could not be better for this intimate, eye-opening, and frequently hilarious guided tour through the pop-cultural touchstones and sociopolitical shifts of the 1990s, 2000s, 2010s, and beyond. Jeff Yang, Phil Yu, and Philip Wang chronicle how we've arrived at today's unprecedented diversity of Asian American cultural representation through engaging, interactive infographics (including a step-by-step guide to a night out in K-Town, an atlas that unearths historic Asian American landmarks, a handy 'Appreciation or Appropriation?' flowchart, and visual celebrations of both our 'founding fathers and mothers' and the nostalgia-inducing personalities of each decade), plus illustrations and graphic essays from major AAPI artists, exclusive roundtables with Asian American cultural icons, and more, anchored by extended insider narratives of each decade by the three co-authors. Rise is an informative, lively, and inclusive celebration of both shared experiences and singular moments, and all the different ways in which we have chosen to come together.
Outside in the Teaching Machine by
Gayatri Chakravorty Spivak is one of the most pre-eminent postcolonial theorists writing today and a scholar of genuinely global reputation. This collection, first published in 1993, presents some of Spivak's most engaging essays on works of literature such as Salman Rushdie's controversial Satanic Verses, and twentieth-century thinkers such as Jacques Derrida and Karl Marx. Spivak relentlessly questions and deconstructs power structures wherever they operate. In doing so, she provides a voice for those who cannot speak, proving that the true work of resistance takes place in the margin--outside in the teaching machine.
Racial Ambiguity in Asian American Culture by
In Racial Ambiguity in Asian American Culture, Jennifer Ann Ho shines a light on the hybrid and indeterminate aspects of race, revealing ambiguity to be paramount to a more nuanced understanding both of race and of what it means to be Asian American. Exploring a variety of subjects and cultural artifacts, Ho reveals how Asian American subjects evince a deep racial ambiguity that unmoors the concept of race from any fixed or finite understanding. She argues that race is an abstraction that we treat as concrete, a construct that reflects only our desires, fears, and anxieties, and seeing race as ambiguous puts us one step closer to a potential antidote to racism.
Racial Melancholia, Racial Dissociation by
In Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y. Combining critical race theory with several strands of psychoanalytic thought, they develop the concepts of racial melancholia and racial dissociation to investigate changing processes of loss associated with immigration, displacement, diaspora, and assimilation. These case studies of first- and second-generation Asian Americans deal with a range of difficulties, from depression, suicide, and the politics of coming out to broader issues of the model minority stereotype, transnational adoption, parachute children, colorblind discourses in the United States, and the rise of Asia under globalization. Throughout, Eng and Han link psychoanalysis to larger structural and historical phenomena, illuminating how the study of psychic processes of individuals can inform investigations of race, sexuality, and immigration while creating a more sustained conversation about the social lives of Asian Americans and Asians in the diaspora.
Asian Settler Colonialism by
Asian Settler Colonialism is a groundbreaking collection that examines the roles of Asians as settlers in Hawai'i. Contributors from various fields and disciplines investigate aspects of Asian settler colonialism to illustrate its diverse operations and impact on Native Hawaiians. Essays range from analyses of Japanese, Korean, and Filipino settlement to accounts of Asian settler practices in the legislature, the prison industrial complex, and the U.S. military to critiques of Asian settlers' claims to Hawai'i in literature and the visual arts.
Disaffected by
In Disaffected Xine Yao explores the racial and sexual politics of unfeeling-affects that are not recognized as feeling-as a means of survival and refusal in nineteenth-century America. She positions unfeeling beyond sentimentalism's paradigm of universal feeling. Yao traces how works by Herman Melville, Martin Delany, Elizabeth Stuart Phelps, Frances Ellen Watkins Harper, and Sui Sin Far engaged major sociopolitical issues in ways that resisted the weaponization of white sentimentalism against the lives of people of color. Exploring variously pathologized, racialized, queer, and gendered affective modes like unsympathetic Blackness, queer female frigidity, and Oriental inscrutability, these authors departed from the values that undergird the politics of recognition and the liberal project of inclusion. By theorizing feeling otherwise as an antisocial affect, form of dissent, and mode of care, Yao suggests that unfeeling can serve as a contemporary political strategy for people of color to survive in the face of continuing racism and white fragility. Duke University Press Scholars of Color First Book Award recipient
Epidemic Empire by
Terrorism is a cancer, an infection, an epidemic, a plague. For more than a century, this metaphor has figured insurgent violence as contagion in order to contain its political energies. In this book, Anjuli Fatima Raza Kolb shows that this trope began in responses to the Indian Mutiny of 1857 and tracks its tenacious hold through to 9/11 and beyond. The result is the first book-length study to approach the global War on Terror from a postcolonial literary studies perspective
Terrifying Muslims by
Terrifying Muslims highlights how transnational working classes from Pakistan are produced, constructed, and represented in the context of American empire and the recent global War on Terror. Drawing on ethnographic research that compares Pakistan, the Middle East, and the United States before and after 9/11, Junaid Rana combines cultural and material analyses to chronicle the worldviews of Pakistani labor migrants as they become part of a larger global racial system. At the same time, he explains how these migrantsʹ mobility and opportunities are limited by colonial, postcolonial, and new imperial structures of control and domination. He argues that the contemporary South Asian labor diaspora builds on and replicates the global racial system consolidated during the period of colonial indenture. Rana maintains that a negative moral judgment attaches to migrants who enter the global labor pool through the informal economy. This taint of the illicit intensifies the post-9/11 Islamophobia that collapses varied religions, nationalities, and ethnicities into the threatening racial figure of "the Muslim." It is in this context that the racialized Muslim is controlled by a process that beckons workers to enter the global economy, and stipulates when, where, and how laborers can migrate. The demonization of Muslim migrants in times of crisis, such as the War on Terror, is then used to justify arbitrary policing, deportation, and criminalization.
Animacies by
In Animacies, Mel Y. Chen draws on recent debates about sexuality, race, and affect to examine how matter that is considered insensate, immobile, or deathly animates cultural lives. Toward that end, Chen investigates the blurry division between the living and the dead, or that which is beyond the human or animal. Within the field of linguistics, animacy has been described variously as a quality of agency, awareness, mobility, sentience, or liveness. Chen turns to cognitive linguistics to stress how language habitually differentiates the animate and the inanimate. Expanding this construct, Chen argues that animacy undergirds much that is pressing and indeed volatile in contemporary culture, from animal rights debates to biosecurity concerns.
Chen's book is the first to bring the concept of animacy together with queer of color scholarship, critical animal studies, and disability theory. Through analyses of dehumanizing insults, the meanings of queerness, animal protagonists in recent Asian/American art and film, the lead in toys panic in 2007, and the social lives of environmental illness, Animacies illuminates a hierarchical politics infused by race, sexuality, and ability. In this groundbreaking book, Chen rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness - and demonstrates how attention to the affective charge of matter challenges commonsense orderings of the world.
Revolution and Evolution by
This book provides a concise and instructive review of the revolutions of the twentieth century, with separate chapters on the Russian, Chinese, Guinea-Bissau, and Vietnamese revolutions, and examines the various currents of Marxism active in the revolutions of our times. A second section is devoted to the United States, and provides a survey of the class forces in American history as well as the authors' ideas on the objects and means of an American Revolution.
Cultures of Commemoration by
In 1941 the Japanese military attacked the US naval base Pearl Harbor on the Hawaiian island of O'ahu. Although much has been debated about this event and the wider American and Japanese involvement in the war, few scholars have explored the Pacific War's impact on Pacific Islanders. Cultures of Commemoration fills this crucial gap in the historiography by advancing scholarly understanding of Pacific Islander relations with and knowledge of American and Japanese colonialisms in the twentieth century. Drawing from an extensive archival base of government, military, and popular records, Chamorro scholar Keith L Camacho traces the formation of divergent colonial and indigenous histories in the Mariana Islands, an archipelago located in the western Pacific and home to the Chamorro people. He shows that US colonial governance of Guam, the southernmost island, and that of Japan in the Northern Mariana Islands created competing colonial histories that would later inform how Americans, Chamorros, and Japanese experienced and remembered the war and its aftermath. Central to this discussion is the American and Japanese administrative development of "loyalty" and "liberation" as concepts of social control, collective identity, and national belonging. Just how various Chamorros from Guam and the Northern Mariana Islands negotiated their multiple identities and subjectivities is explored with respect to the processes of history and memory-making among this "Americanized" and "Japanized" Pacific Islander population. In addition, Camacho emphasizes the rise of war commemorations as sites for the study of American national historic landmarks, Chamorro Liberation Day festivities, and Japanese bone-collecting missions and peace pilgrimages. Ultimately, Cultures of Commemoration demonstrates that the past is made meaningful and at times violent by competing cultures of American, Chamorro, and Japanese commemorative practices.
Techno-Orientalism by
What will the future look like? To judge from many speculative fiction films and books, from Blade Runner to Cloud Atlas, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots. Techno-Orientalism investigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising. The collection's fourteen original essays trace the discourse of techno-orientalism across a wide array of media, from radio serials to cyberpunk novels, from Sax Rohmer's Dr. Fu Manchu to Firefly. Applying a variety of theoretical, historical, and interpretive approaches, the contributors consider techno-orientalism a truly global phenomenon. In part, they tackle the key question of how these stereotypes serve to both express and assuage Western anxieties about Asia's growing cultural influence and economic dominance. Yet the book also examines artists who have appropriated techno-orientalist tropes in order to critique racist and imperialist attitudes.
Orientalism by
The theme is the way in which intellectual traditions are created and transmitted ... Orientalism is the example Mr. Said uses, and by it he means something precise. The scholar who studies the Orient (and specifically the Muslim Orient), the imaginitive writer who takes it as his subject, and the institutions which have been concerned with teaching it, settling it, ruling it, all have a certain representation or idea of the Orient defined as being other than the Occident, mysterious, unchanging and ultimately inferior.
The Location of Culture by
Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.
Terrorist Assemblages by
Puar argues that configurations of sexuality, race, gender, nation, class and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism, and examines how liberal politics serve to incorporate certain queer subjects into the fold of the nation-state.
The Right to Maim by
In The Right to Maim Jasbir K. Puar brings her pathbreaking work on the liberal state, sexuality, and biopolitics to bear on our understanding of disability. Drawing on a stunning array of theoretical and methodological frameworks, Puar uses the concept of "debility"--Bodily injury and social exclusion brought on by economic and political factors--to disrupt the category of disability. She shows how debility, disability, and capacity together constitute an assemblage that states use to control populations. Puar's analysis culminates in an interrogation of Israel's policies toward Palestine, in which she outlines how Israel brings Palestinians into biopolitical being by designating them available for injury. Supplementing its right to kill with what Puar calls the right to maim, the Israeli state relies on liberal frameworks of disability to obscure and enable the mass debilitation of Palestinian bodies. Tracing disability's interaction with debility and capacity, Puar offers a brilliant rethinking of Foucauldian biopolitics while showing how disability functions at the intersection of imperialism and racialized capital.
When the Moon Waxes Red by 
The Intimacies of Four Continents by
In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism.
The Mushroom at the End of the World by
Matsutake is the most valuable mushroom in the world - and a weed that grows in human-disturbed forests across the northern hemisphere. Anna Lowenhaupt Tsing's account of this sought-after fungi offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? [This book] is an original examination of the relationship between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.
Not Your China Doll by
Set against the glittering backdrop of Los Angeles during the gin-soaked Jazz Age and the rise of Hollywood, this debut book celebrates Anna May Wong, the first Asian American movie star, to bring an unsung heroine to light and reclaim her place in cinema history.
Model Machines by
A study of the stereotype and representation of Asians as robotic machines through history
Godzilla: Asian American Arts Network by
This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work. Edited by curator Howie Chen, the book gathers archival material from the group's wide-ranging activities, which included producing exhibitions and forums to social change advocacy surrounding institutional racism, the politics of representation, Western imperialism, the AIDS crisis and violence against Asian Americans. Godzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Lynne Yamamoto and Alice Yang, among others. Founded by artists Ken Chu, Bing Lee and Margo Machida in New York and eventually expanding into a national network, Godzilla's aim was to function as a support group interested in social change through art, bringing together art and advocacy, and to contribute to changing the limited ways Asian Pacific Americans participate and are represented in broad social context in the artworld and beyond. This comprehensive chronicle of Godzilla: Asian American Arts Network assembles art projects, critical writing, correspondences, exhibition and meeting documentation, media clippings and other archival ephemera to convey the political and cultural stakes of the time.
Picturing Chinatown by
In his graceful integration of insights and literature from the disparate fields of art history, history, and ethnic studies, and with his focus on a little known body of visual images and image-makers, Lee has written a book that promises to make a significant contribution in terms of both subject and methodology. The residents of his Chinatown are not merely subjects of an orientalizing gaze, they are themselves producers of images, shapers of the neighborhood's distinctive physical appearance, followers of both American and Chinese political and cultural developments. ... [This] book asserts the possibilities of images as sources of cultural meaning and reinserts art history into a central position in American cultural studies."--Martha A. Sandweiss, Professor of American Studies and History, Amherst College "The author invites the reader to understand the paintings and photographs he is examining. . . as sites of human enactment where Chinese and non-Chinese alike participate in acts ofcultural encounter.
Surface Relations by
In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian inscrutability-such as invisibility, silence, unreliability, flatness, and withholding-to express Asian American life. Through analyses of diverse works by performance artists (Tehching Hsieh, Baseera Khan, Emma Sulkowicz, Tseng Kwong Chi), writers (Kim Fu, Kai Cheng Thom, Monique Truong), and video, multimedia, and conceptual artists (Laurel Nakadate, Yoko Ono, Mika Tajima), Huang challenges neoliberal narratives of assimilation that erase Asianness. By using sound, touch, and affect, these artists and writers create new frameworks for affirming Asianness as a source of political and social critique and innovative forms of life and creativity.
Best! by
This collection of seventy-three letters written in 2020 captures an unprecedented moment in politics and society through the experiences of Asian American artists, curators, educators, art historians, editors, writers, and designers.
She Who Became the Sun by
Mulan meets The Song of Achilles in Shelley Parker-Chan's She Who Became the Sun, a bold, queer, and lyrical reimagining of the rise of the founding emperor of the Ming Dynasty from an amazing new voice in literary fantasy. To possess the Mandate of Heaven, the female monk Zhu will do anything. "I refuse to be nothing..." In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness... In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family's eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family's clever and capable second daughter, on the other hand, is only as expected. When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate. After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother's abandoned greatness
Disorientation by
A struggling PhD student makes a shocking discovery about a famous Chinese American poet that sets into motion a series of escalating events, both humorous and fraught, that culminates in an incendiary reckoning of her relationships, beliefs, and identity
The Inheritance of Loss by
In a crumbling house in the remote northeastern Himalayas, an embittered, elderly judge finds his peaceful retirement turned upside down by the arrival of his orphaned granddaughter, Sai.
Kiran Desai's tragicomic novel The Inheritance of Loss spans two continents and three generations. The story cuts between New York and India, contrasting the menial jobs and meager conditions of immigrant life in the city with the political unrest engulfing an isolated Himalayan hill town.
The Swimmers by
The swimmers are unknown to each other except through their private routines (slow lane, fast lane), and the solace each takes in their morning or afternoon laps. But when a crack appears at the bottom of the pool, they are cast out into an unforgiving world. One of these swimmers is Alice, who is slowly losing her memory. For Alice, the pool was a final stand against the darkness of her encroaching dementia. Without the fellowship of other swimmers and the routine of her daily laps she is plunged into dislocation and chaos, swept into memories of her childhood and the Japanese American incarceration camp in which she spent the war. Alice's estranged daughter, reentering her mother's life too late, witnesses her devastating decline
The Vegetarian: A Novel by 
Fierce Femmes and Notorious Liars by
Fierce Femmes and Notorious Liars : A Dangerous Trans Girl's Confabulous Memoir is a coming-of-age story about a young Asian trans girl, pathological liar, and kung-fu expert who runs away from her parents' abusive home in a rainy city called Gloom. Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who make their home in a mysterious pleasure district known only as the Street of Miracles. Under the wings of this fierce and fabulous flock, she blossoms into the woman she has always dreamed of being, with a little help from the unscrupulous Doctor Crocodile. When one of their number is brutally murdered, our protagonist joins her sisters in forming a vigilante gang to fight back against the transphobes, violent johns, and cops that stalk the Street of Miracles. But when things go terribly wrong, she must find the truth within herself in order to stop the violence and discover what it really means to grow up and find your family
The God of Small Things by
A story about the childhood experiences of fraternal twins whose lives are destroyed by the "Love Laws" prevalent in 1960s Kerala, India.
Cursed Bunny by 
Manto: selected short stories by 
A Case of Exploding Mangoes by
Intrigue and subterfuge combine with bad luck and good in this darkly comic debut about love, betrayal, tyranny, family, and a conspiracy trying its damnedest to happen. Ali Shigri, Pakistan Air Force pilot and Silent Drill Commander of the Fury Squadron, is on a mission to avenge his father's suspicious death, which the government calls a suicide. Ali's target is none other than General Zia ul-Haq, dictator of Pakistani. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.
The Grace of Kings by
The Grace of Kings, the first book in this epic series, tells the story of two men who become friends through rebelling against tyranny and then turn against each other in defense of irreconcilable ideals. Wily, charming Kuni Garu, a bandit, and stern, fearless Mata Zyndu, the son of a deposed duke, seem like polar opposites. Yet, in the uprising against the emperor, the two quickly become the best of friends after a series of adventures fighting against vast conscripted armies, silk-draped airships, soaring battle kites, underwater boats, magical books, shapeshifting gods, and scaled whales who seem to prophesy the future. Once the emperor has been overthrown, however, the two find themselves the leaders of two sides with very different ideas about how the world should be run and the meaning of justice
The Tensorate Series by
The Tensorate Series, which has been nominated for the Hugo, Nebula, World Fantasy, Locus, and Lambda Literary Awards, is an incomparable treasure of modern epic fantasy. Across four novellas, Neon Yang established themself as a fantasist in bold defiance of the limitations of their genre. Available now in a single volume, these four novellas trace the generational decline of an empire and unfurl a world that is rich and strange beyond anything you've dreamed. In the Tensorate Series you will find: rebellious nonbinary scions of empire, sky-spanning nagas with experimental souls, revolutionary engineers bent on bringing power to the people, pugilist monks, packs of loyal raptors, and more.
The Bone People by
This unusual novel, set in New Zealand, concentrates on three people: Kerewin Holmes, a part-Maori painter who has chosen to isolate herself in a tower she built from lottery winnings; Simon, a troubled and mysterious little boy; and Joe Gillayley, the Maori factory worker who is Simon's foster father. Elements of Maori myth and culture are woven into the novel's exploration of the passions and needs that bind these three people together, for good or ill. It's not easy reading, but the story is compelling despite its stylistic eccentricities and great length.
Hunger by
A novella and five stories on the Chinese immigrant experience. Subjects range from the difficulties of assimilation, to tension between immigrant parents and their American-born children.
A Place for Us by
A story of family identity and belonging follows an Indian family through the marriage of their daughter, from the parents' arrival in the United States to the return of their estranged son.
One Story, Thirty Stories by 
The Verifiers by
Claudia Lin is used to disregarding her fractious family's model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She's also used to keeping secrets from them, such as that she prefers girls--and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency. A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she's landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate--and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
Kaikeyi by
I was born on the full moon under an auspicious constellation, the holiest of positions-much good it did me." So begins Kaikeyi's tale. The only daughter of the kingdom of Kekaya, she is raised on grand stories about the might and benevolence of the gods: how they churned vast oceans to obtain the nectar of immortality, how they offer the devoted and the wise magnificent boons, how they vanquish evil and ensure the land prospers. Yet she watches as her father unceremoniously banishes her mother, her own worth measured by how great a marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear. Desperate for some measure of independence, she turns to the ancient texts she once read with her mother and discovers a magic that is hers alone. She uses it to transform herself from overlooked princess into warrior, diplomat, and most-favored queen, determined to forge a better world for herself than the one that gods and men have granted. But as the demons of stories Kaikeyi grew up hearing threaten the cosmic order, her will clashes with the path that the gods have chosen for her family-and especially that of her beloved son, Rama. And she must decide if her resistance is worth the destruction it will wreak...and what legacy she intends to leave behind
Pachinko by
A new tour de force from the bestselling author of Free Food for Millionaires, for readers of The Kite Runner and Cutting for Stone. PACHINKO follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan. So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity
Where We Once Belonged by
A novel on Samoa featuring Alofa, a girl who is coming of age in a society afraid of losing its soul. Through her eyes is seen the clash of traditional and Western cultures, the latter roundly criticized by her aunt.
Every Drop Is a Man's Nightmare by
Megan Kamalei Kakimoto's wrenching and sensational debut story collection follows a cast of mixed native Hawaiian and Japanese women through a contemporary landscape thick with inherited wisdom and the ghosts of colonization. This is a Hawai'i where unruly sexuality and generational memory overflow the postcard image of paradise and the boundaries of the real, where the superstitions born of the islands take on the weight of truth. A childhood encounter with a wild pua'a (pig) on the haunted Pali highway portends one young woman's fraught relationship with her pregnant body. An elderly widow begins seeing her deceased lover in a giant flower. A kanaka writer, mid-manuscript, feels her raw pages quaking and knocking in the briefcase
America Is Not the Heart by
How many lives fit in a lifetime? When Hero De Vera arrives in America--haunted by the political upheaval in the Philippines and disowned by her parents--she's already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn't ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter--the first American-born daughter in the family--can't resist asking Hero about her damaged hands. An increasingly relevant story told with startling lucidity, humor, and an uncanny ear for the intimacies and shorthand of family ritual, America Is Not the Heart is a sprawling, soulful debut about three generations of women in one family struggling to balance the promise of the American dream and the unshakeable grip of history. With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another
Never Let Me Go by
From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly reimagines our world and time in a haunting story of friendship and love. As a child, Kathy-now thirty-one years old-lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory. And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbed-even comforted-by their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham's nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood-and about their lives now. A tale of deceptive simplicity, Never Let Me Go slowly reveals an extraordinary emotional depth and resonance-and takes its place among Kazuo Ishiguro's finest work.
Interior Chinatown by
Every day Willis Wu leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He's a bit player here too, but he dreams of being Kung Fu Guy-- and he sees his life as a script. After stumbling into the spotlight, Willis finds himself launched into a wider world than he has ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family, and what that means for him in today's America.
Island of Shattered Dreams by
This book combines a family saga and a doomed love story, set against the background of French Polynesia in the period leading up to the first nuclear tests.
Severance by
Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she's had her fill of uncertainty. She's content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won't be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They're traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma's Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it's a heartfelt tribute to the connections that drive us to do more than survive.
The Great Reclamation by
Ah Boon is born into a fishing village amid the heat and beauty of twentieth-century coastal Singapore in the waning years of British rule. He is a gentle boy who is not much interested in fishing, preferring to spend his days playing with the neighbor girl, Siok Mei. But when he discovers he has the unique ability to locate bountiful, movable islands that no one else can find, he feels a new sense of obligation and possibility--something to offer the community and impress the spirited girl he has come to love. By the time they are teens, Ah Boon and Siok Mei are caught in the tragic sweep of history: the Japanese army invades, the resistance rises, grief intrudes, and the future of the fishing village is in jeopardy. As the nation hurtles toward rebirth, the two friends, newly empowered, must decide who they want to be, and what they are willing to give up.
All This Could Be Different by
Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She's moved to Milwaukee for an entry-level corporate job that, gruelling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women--soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.
But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It's then that Tig begins to draw up a radical solution to their problems, hoping to save them all.
This Is Paradise by
A visceral, poignant, and elegantly gritty work of debut fiction set in Hawaii, in the vein of Junot Diaz's Drown and Danielle Evans's Before You Suffocate Your Own Fool Self This is the real Hawai'i: life is not the paradisical adventure that honeymooners or movie-goers see. Danger lurks on beautiful beaches, violence bubbles under the smooth surf, and characters come face to face with the inevitability of change and the need to define who they are against the forces of tradition and expectation. In these stories, a young woman decides to take revenge on the man who had her father murdered - only to find that her father wasn't who she thought he was. Three different groups of Hawaiian women observe and comment on the progress of an American tourist through one day and one night in Honolulu. And a young couple have an encounter with a stray dog that shakes their relationship to the core. Intimately tied to the Hawaiian Islands, This is Paradise explores the relationships among native Hawaiians, local citizens, and emigrants from (and to) the contiguous forty-eight states. There is tension between locals and tourists, between locals and the military men that populate their communities, between local Hawaiian girls who never leave, and those who do so for higher education and then return. Kahakauwila is a careful observer of her protagonists' actions - and, sometimes, their inaction. Her portrayal of people whose lives have lost their centre of gravity is acute, often heartbreaking, and suffused with a deeply felt empathy. With a contemporary edginess, a mature style, and a sense of history reverberating into the present, This is Paradise is an incredible debut
The Stationery Shop by
A novel set in 1953 Tehran, against the backdrop of the Iranian Coup, about a young couple in love who are separated on the eve of their marriage, and who are reunited sixty years later, after having moved on to live independent lives in America, to discover the truth about what happened on that fateful day in the town square"-- Provided by publisher.
1953, Tehran. Amidst the political upheaval of the time, Roya finds an oasis in kindly Mr. Fakhri's book and stationery shop. When he introduces Roya to his other favorite customer-- handsome Bahman, who has a burning passion for justice and a love for Rumi's poetry-- she loses her heart at once. On the eve of their marriage, violence erupts. In the chaos of the coup d'etat, Bahman never shows, and Roya moves on to a life in the U.S. More than sixty years later, an accident of fate leads her back to Bahman and offers her a chance to ask him the questions that have haunted her for more than half a century: Why did he leave? Where did he go? How was he able to forget her?
On Earth We're Briefly Gorgeous by
On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born -- a history whose epicenter is rooted in Vietnam -- and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity
Meatless Days by 
Long Live the Tribe of Fatherless Girls by
Madden came of age as a queer, biracial teenager within the fierce contradictions of Boca Raton, Florida, a place where cult-like privilege, shocking social and racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hide in plain sight. As a child she had plenty to envy, but beneath the surface life in Boca Raton was dangerous: both parents battling drug addiction, tormentors at school, sexual predators at the mall, and the confused, often destructive, desperately loving friendship of fatherless girls. This is her story of families both lost and found, unmade and rebuilt, crooked and beautiful.
Without You, There Is No Us by
It is 2011, and all universities in North Korea have been shut down for an entire year, the students sent to construction fields-- except for the 270 students at the all-male Pyongyang University of Science and Technology (PUST), a walled compound where portraits of Kim Il-sung and Kim Jong-il look on impassively from the walls of every room. Suki Kim offers a moving and incalculably rare glimpse of life in the world's most unknowable country, and at the privileged young men she calls "soldiers and slaves."
Hawaii's Story by Hawaii's Queen by 
The Woman Warrior by 
Cambodian Rock Band by
In 1978, Chum fled Cambodia and narrowly escaped the murderous Khmer Rouge regime. Thirty years later he returns in search of his wayward daughter, Neary. Jumping back and forth in time, thrilling mystery meets rock concert as both father and daughter are forced to face the music of the past.
Portrait of a Suburbanite by
Translation from Korean of her anthology published in 1991 which included selections from four previous works: Love of this age (1981), Merry diary (1984), House of memory (1991). and My tomb, Green (1993).
Inside Out and Back Again by
Through a series of poems, a young girl chronicles the life-changing year of 1975, when she, her mother, and her brothers leave Vietnam and resettle in Alabama.
Under Flag by
In UNDER FLAG, winner of the 1991 Multicultural Publishers Book Award, Myung Mi Kim writes in a stark, unflinching voice that alternately drives to the core of painful subject matter and backs off to let beauty speak for itself: "Save the water from rinsing rice for sleek hair / This is what the young women are told, then they're told / Cut off this hair that cedar combs combed / Empty straw sacks and hide under them / Enemy soldiers are approaching..." The cumulative effect is, according to Ammiel Alcalay, a poetics which resists being neutralized or categorized.
Sweat and Salt Water by
On 21 March 2017, associate professor Teresia Kieuea Teaiwa passed away at the age of forty-eight. News of Teaiwa's death precipitated an extraordinary outpouring of grief unmatched in the Pacific studies community since Epeli Hau'ofa's passing in 2009. Mourners referenced Teaiwa's nurturing interactions with numerous students and colleagues, her innovative program building at Victoria University of Wellington, her inspiring presence at numerous conferences around the globe, her feminist and political activism, her poetry, her Banaban/I-Kiribati/Fiji Islander and African American heritage, and her extraordinary ability to connect and communicate with people of all backgrounds. This volume features a selection of Teaiwa's scholarly and creative contributions captured in print over a professional career cut short at the height of her productivity. The collection honors her legacy in various scholarly fields, including Pacific studies, Indigenous studies, literary studies, security studies, and gender studies, and on topics ranging from militarism and tourism to politics and pedagogy. It also includes examples of Teaiwa's poems. Many of these contributions have had significant and lasting impacts. Teaiwa's "bikinis and other s/pacific notions," published in The Contemporary Pacific in 1995, could be regarded as her breakthrough piece, attracting considerable attention at the time and still cited regularly today. With its innovative two-column format and reflective commentary, "Lo(o)sing the Edge," part of a special issue of The Contemporary Pacific in 2001, had similar impact. Teaiwa's writings about what she dubbed "militourism," and more recent work on militarization and gender, continue to be very influential. Perhaps her most significant contribution was to Pacific studies itself, an emerging interdisciplinary field of study with distinctive goals and characteristics. In several important journal articles and book chapters reproduced here, Teaiwa helped define the essential elements of Pacific studies and proposed teaching and learning strategies appropriate for the field. Sweat and Salt Water includes fifteen of Teaiwa's most influential pieces and four poems organized into three categories: Pacific Studies, Militarism and Gender, and Native Reflections. A foreword by Sean Mallon, Teaiwa's spouse, is followed by a short introduction by the volume's editors. A comprehensive bibliography of Teaiwa's published work is also included
My Urohs by 
Dictee by
Dictée is the best-known work of the versatile and important Korean American artist Theresa Hak Kyung Cha. A classic work of autobiography that transcends the self, Dictée is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha's mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The elements that unite these women are suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.
Microchips for Millions by 
Look by
Solmaz Sharif's astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable loss of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family's and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed in America's invasions of Afghanistan and Iraq, and in the discrimination endured at the checkpoints of daily encounter. At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. 'Let it matter what we call a thing, ' she writes. 'Let me look at you.
From Unincorporated Territory [åmot] by
This book is the fifth collection in Craig Santos Perez's ongoing from unincorporated territory series about the history of his homeland, the western Pacific island of Guåhan (Guam), and the culture of his indigenous Chamoru people. "Åmot" is the Chamoru word for "medicine," and commonly refers to medicinal plants. Traditional healers were known as yo'åmte, and they gathered åmot in the jungle, and recited chants and invocations of taotao'mona, or ancestral spirits, in the healing process. Through experimental and visual poetry, Perez explores how storytelling can become a symbolic form of åmot, offering healing from the traumas of colonialism, militarism, migration, environmental injustice, and the death of elders
The Poppy War by
A war orphan rises from her humble beginnings to become a powerful military commander, and perhaps her country's only hope for survival.
The Dragon Republic by
Rin's story continues in this acclaimed sequel to The Poppy War--an epic fantasy combining the history of twentieth-century China with a gripping world of gods and monsters. The war is over. The war has just begun. Three times throughout its history, Nikan has fought for its survival in the bloody Poppy Wars. Though the third battle has just ended, shaman and warrior Rin cannot forget the atrocity she committed to save her people. Now she is on the run from her guilt, the opium addiction that holds her like a vice, and the murderous commands of the fiery Phoenix--the vengeful god who has blessed Rin with her fearsome power. Though she does not want to live, she refuses to die until she avenges the traitorous Empress who betrayed Rin's homeland to its enemies. Her only hope is to join forces with the powerful Dragon Warlord, who plots to conquer Nikan, unseat the Empress, and create a new republic. But neither the Empress nor the Dragon Warlord are what they seem. The more Rin witnesses, the more she fears her love for Nikan will force her to use the Phoenix's deadly power once more. Because there is nothing Rin won't sacrifice to save her country ... and exact her vengeance.
The Burning God by
After saving her nation of Nikan from foreign invaders and battling the evil Empress Su Daji in a brutal civil war, Fang Runin was betrayed by allies and left for dead. Despite her losses, Rin hasn't given up on those for whom she has sacrificed so much - the people of the southern provinces and especially Tikany, the village that is her home. Returning to her roots, Rin meets difficult challenges - and unexpected opportunities. While her new allies in the Southern Coalition leadership are sly and untrustworthy, Rin quickly realises that the real power in Nikan lies with the millions of common people who thirst for vengeance and revere her as a goddess of salvation. Backed by the masses and her Southern Army, Rin will use every weapon to defeat the Dragon Republic, the colonising Hesperians, and all who threaten the shamanic arts and their practitioners. As her power and influence grow, though, will she be strong enough to resist the Phoenix's intoxicating voice urging her to burn the world and everything in it?
The Jasmine Throne by
Set in a world inspired by historical India, The Jasmine Throne begins a sweeping new epic fantasy trilogy in which a captive princess and a servant in possession of forbidden magic become unlikely allies--and eventually, much more than allies--on a dark journey to save their empire. Imprisoned by her tyrannical brother, Malini spends her days in isolation in the Hirana: an ancient temple that was once the source of the powerful, magical deathless waters -- but is now little more than a decaying ruin. Priya is a maidservant, one among several who make the treacherous journey to the top of the Hirana every night to clean Malini's chambers. She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides. But when Malini accidentally bears witness to Priya's true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to claim a throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire
The Sword of Kaigen by
On a mountainside at the edge of the Kaigenese Empire live the most powerful fighters in the world, warriors capable of raising the sea and wielding blades of ice. For centuries, the fighters of the Kusanagi Peninsula have held the Empire's enemies at bay, earning their treacherous spit of land the name "The sword of Kaigen.' Born into Kusanagi's legendary Matsuda family, fourteen-year-old Mamoru has always know his purpose: to master his family's fighting techniques and defend his homeland. But when an outsider arrives and pulls back the curtain on Kaigen's alleged age of peace, Mamoru ralizes that he might not have much time before he has to become the fighter he was bred to be. Even worse, the empire he was born to defend might stand on a fountain of lies. Misaki told herself that she left the passions of her youth behind when she married to the Matsuda house. Determined to be a good housewife and mother, she hid away her sword, along with everything from her days as a fighter in a faraway country. But with her son asking questions about the outside world, the threat of invasion looming on the horizon, and her frigid husband grating on her nerves, Misaki finds the fighter in her clawing its way back to the surface.
Arsenic and Adobo by
The first book in a new culinary cozy series full of sharp humor and delectable dishes--one that might just be killer.... When Lila Macapagal moves back home to recover from a horrible breakup, her life seems to be following all the typical rom-com tropes. She's tasked with saving her Tita Rosie's failing restaurant, and she has to deal with a group of matchmaking aunties who shower her with love and judgment. But when a notoriously nasty food critic (who happens to be her ex-boyfriend) drops dead moments after a confrontation with Lila, her life quickly swerves from a Nora Ephron romp to an Agatha Christie case. With the cops treating her like she's the one and only suspect, and the shady landlord looking to finally kick the Macapagal family out and resell the storefront, Lila's left with no choice but to conduct her own investigation. Armed with the nosy auntie network, her barista best bud, and her trusted Dachshund, Longanisa, Lila takes on this tasty, twisted case and soon finds her own neck on the chopping block...
The Magic Fish by
Real life isn't a fairytale. But Tíên still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tíên, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word for what he's going through? Is there a way to tell them he's gay
Blue Period 1 by
Yatora, a perfect high school student with good grades and lots of friends, wanders into the art room one day where a painting awakens him to a kind of beauty he never knew, soon consuming him and sending him deep into the savage world of art.
Roaming by
Spring Break, 2009: Five days, three friends, and one big city. Over the course of a much-anticipated trip to New York, an unexpected fling blossoms between casual acquaintances and throws a long-term friendship off-balance. Emotional tensions vibrate wildly against the resplendently illustrated backdrop of the city, capturing a spontaneous queer romance in all of its fledgling glory. Slick attention to the details of a bustling, intimidating metropolis are softened with a palette of muted pastels, as though seen through the eyes of first-time travelers. The awe, wonder, and occasional stumble along the way come to life with stunning accuracy.
The Naked Tree by
The year is 1951. Twenty-year-old wallflower Lee Kyung ekes out a living at the US Post Exchange, where goods and services of varying stripe are available for purchase. She peddles hand-painted portraits on silk handkerchiefs to soldiers passing through. When a handsome young northern escapee and erstwhile fine artist is hired despite waning demand, an unlikely friendship blossoms into a young woman's first brush with desire against the backdrop of the Korean War at its most devastating.
In Limbo by
Ever since Deborah (Jung-Jin) Lee emigrated from South Korea to the United States, she's felt her otherness. For a while, her English wasn't perfect. Her teachers can't pronounce her Korean name. Her face and her eyes--especially her eyes--feel wrong. In high school, everything gets harder. Friendships change and end, she falls behind in classes, and fights with her mom escalate. Caught in limbo, with nowhere safe to go, Deb finds her mental health plummeting, resulting in a suicide attempt. But Deb is resilient and slowly heals with the help of art and self-care, guiding her to a deeper understanding of her heritage and herself.
The Man in the Mcintosh Suit by
The year is 1929 and Bobot is just another migrant worker in rural California. Or rather, a migrant worker with a law degree from the Philippines reduced to manual labor in America. Bobot, like so many other young Filipinos, finds himself bunking in the fields picking fruit by day. When his cousin writes claiming to have spotted his estranged wife in nearby San Francisco, he swipes a co-worker's favorite nightclub suit and heads to the big city to find her. A gripping, romantic and psychological exploration of a fledgling community. The Man in the McIntosh Suit is a Filipino-American take on Depression-era noir featuring mistaken identities, speakeasies, and lost love.
Lunar New Year Love Story by
Graphic novel superstars Gene Luen Yang and LeUyen Pham join forces in this heartwarming rom-com about fate, family, and falling in love. Val is ready to give up on love. It's led to nothing but secrets and heartbreak, and she's pretty sure she's cursed--no one in her family, for generations, has ever had any luck with love. But then a chance encounter with a pair of cute lion dancers sparks something in Val. Is it real love? Could this be her chance to break the family curse? Or is she destined to live with a broken heart forever?
Zodiac by
As a child living in exile during the Cultural Revolution, Ai Weiwei often found himself with nothing to read but government-approved comic books. Although they were restricted by the confines of political propaganda, Ai Weiwei was struck by the artists' ability to express their thoughts on art and humanity through graphic storytelling. Now, decades later, Ai Weiwei and Italian comic artist Gianluca Costantini present Zodiac, Ai Weiwei's first graphic memoir. Inspired by the twelve signs of the Chinese zodiac and their associated human characteristics, Ai Weiwei masterfully interweaves ancient Chinese folklore with stories of his life, family, and career. The narrative shifts back and forth through the years--at once in the past, present, and future--mirroring memory and our relationship to time. As readers delve deeper into the beautifully illustrated pages of Zodiac, they will find not only a personal history of Ai Weiwei and an examination of the sociopolitical climate in which he makes his art, but a philosophical exploration of what it means to find oneself through art and freedom of expression.
Himawari House by
When Nao returns to Tokyo to reconnect with her Japanese heritage, she books a yearlong stay at the Himawari sharehouse. There she meets Hyejung and Tina, two other girls who came to Japan to freely forge their own paths. The trio live together, share meals, and even attend the same Japanese-language school, which results in them becoming fast friends. But will they be able to hold one another up as life tests them with new loves, old heart breaks, and the everyday challenges of being fish out of water?
Yolk by
Struggling with emotional problems and an eating disorder, Jayne, a Korean American college student living in New York City, is estranged from her accomplished older sister June, until June gets cancer.
Jayne and June are nothing alike. Their family moved from Seoul to San Antonio and finally New York. The sisters don't want anything to do with each other... until June gets cancer. And Jayne becomes the only one who can help her. Now, flung together by sickness, bound by family secrets, they learn more about themselves and each other than they may be willing to confront.
Once upon an Eid by
Once upon an Eid is a collection of short stories that showcases the most brilliant Muslim voices writing today, all about the most joyful holiday of the year: Eid! Eid: The short, single-syllable word conjures up a variety of feelings and memories for Muslims. Maybe it's waking up to the sound of frying samosas and simmering pistachio kheer, maybe it's the pleasure of putting on a new outfit for Eid prayers, or maybe it's the gift giving and holiday parties to come that day. Whatever it may be, for those who cherish this day of celebration, the emotional responses may be summed up in another short and sweet word: joy. The anthology will also include a poem, graphic-novel chapter, and spot illustrations
Patron Saints of Nothing by
When seventeen-year-old Jay Reguero learns his Filipino cousin and former best friend, Jun, was murdered as part of President Duterte's war on drugs, he flies to the Philippines to learn more.
Inside Out and Back Again by
Through a series of poems, a young girl chronicles the life-changing year of 1975, when she, her mother, and her brothers leave Vietnam and resettle in Alabama.
Revolution Is Not a Dinner Party by
Starting in 1972 when she is nine, Ling, the daughter of two doctors, struggles to make sense of the communists' Cultural Revolution, which empties stores of food, homes of appliances deemed "bourgeois," and people of laughter.
Loveboat, Taipei by
And just like that, Ever Wong's summer takes an unexpected turn. Gone is 'Chien Tan,' the strict educational program in Taiwan that Ever was expecting. In its place, she finds Loveboat: a summer-long free-for-all where hookups abound, adults turn a blind eye, and the nightlife runs nonstop.
Last Night at the Telegraph Club by
'That book. It was about two women, and they fell in love with each other.' And the Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: 'Have you ever heard of such a thing?' Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father--despite his hard-won citizenship--Lily and Kath risk everything to let their love see the light of day.
A Scatter of Light by
The summer of 2013 in the Bay is a momentous one for eighteen-year-old Aria Tang West, for the working-class queer community she finds herself in, and for her artist grandmother.
The Henna Wars by
When Nishat, an Irish girl of Bengali heritage, sees her old friend Flávia again, she feels attracted, but when they both enter a school contest as henna artists, their feelings for each other become more complicated.
As Long As the Lemon Trees Grow by
Salama Kassab was a pharmacy student when the cries for freedom broke out in Syria. She still had her parents and her big brother; she still had her home. She had a normal teenager's life. Now Salama volunteers at a hospital in Homs, helping the wounded who flood through the doors daily. Secretly, though, she is desperate to find a way out of her beloved country before her sister-in-law, Layla, gives birth. So desperate, that she has manifested a physical embodiment of her fear in the form of her imagined companion, Khawf, who haunts her every move in an effort to keep her safe. But even with Khawf pressing her to leave, Salama is torn between her loyalty to her country and her conviction to survive. Salama must contend with bullets and bombs, military assaults, and her shifting sense of morality before she might finally breathe free. And when she crosses paths with the boy she was supposed to meet one fateful day, she starts to doubt her resolve in leaving home at all. Soon, Salama must learn to see the events around her for what they truly are--not a war, but a revolution--and decide how she, too, will cry for Syria's freedom.