Martita, I Remember You/Martita, Te Recuerdo by
An enchanting story about a writer remembering her short time in Paris and her reflections on friendships, relationships, and her younger self in a beautiful dual-language edition. Paris has long been romanticized as the city of light. A city with a vibrant literary and artistic expatriate community. Corina--nicknamed Puffina--is a young writer hoping to find that idealized community, but when her money runs out sooner than expected, she finds a network of artists simply trying to find work, make rent, and make Paris home. Years later, when a letter from her friend Martita resurfaces, Corina finds herself older and with enough distance to articulate her time in Paris. While Paris did not bring her the affirmation she was looking for as a writer, Corina finds an emotional connection to her friend that transcends space and time and demonstrates that we are most honest in our writing. Told with intimacy and tenderness, Martita, I Remember You is Sandra Cisneros at her best
You Dreamed of Empires by
From a visionary Mexican author, a hallucinatory, revelatory, colonial revenge story that reimagines the fall of Tenochtitlan. One morning in 1519, conquistador Hernán Cortés entered the city of Tenochtitlan - today's Mexico City. Later that day, he would meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures. Cortés was accompanied by his nine captains, his troops, and his two translators: Friar Aguilar, a taciturn, former slave, and Malinalli, a strategic, former princess. Greeted at a ceremonial welcome meal by the steely princess Atotoxli, sister and wife of Moctezuma, the Spanish nearly bungle their entrance to the city. As they await their meeting with Moctezuma - who is at a political, spiritual, and physical crossroads, and relies on hallucinogens to get himself through the day and in quest for any kind of answer from the gods - the Spanish are ensconced in the labyrinthine palace. Soon, one of Cortés's captains, Jazmín Caldera, overwhelmed by the grandeur of the city, begins to question the ease with which they were welcomed into the city, and wonders at the risks of getting out alive, much less conquering the empire. You Dreamed of Empires brings to life Tenochtitlan at its height, and reimagines its destiny. The incomparably original Alvaro Enrigue sets afire the moment of conquest and turns it into a moment of revolution, a restitutive, fantastical counter-attack, in a novel so electric and so unique that it feels like a dream
Blackouts by
Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book -- Sex Variants: A Study of Homosexual Patterns -- and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? A book about storytelling -- its legacies, dangers, delights, and potential for change -- and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made -- a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light
So Far from God by
Tome is a small, outwardly sleepy hamlet in central New Mexico. In Ana Castillo's hands, though, it stands wondrously revealed as a place of marvels, teeming with life and with all manner of collisions: the past with the present, the real with the supernatural, the comic with the horrific, the Native American with the Hispano with the Anglo, the women with the men.
The Lesbiana's Guide to Catholic School by
Sixteen-year-old Mexican American Yami Flores starts Catholic school, determined to keep her brother out of trouble and keep herself closeted, but her priorities shift when Yami discovers that her openly gay classmate Bo is also annoyingly cute.
Juliet Takes a Breath by
Juliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn't sure if her mom will ever speak to her again. But Juliet has a plan, sort of, one that's going to help her figure out this whole "Puerto Rican lesbian" thing. She's interning with the author of her favorite book: Harlowe Brisbane, the ultimate authority on feminism, women's bodies, and other gay-sounding stuff. Will Juliet be able to figure out her life over the course of one magical summer? Is that even possible? Or is she running away from all the problems that seem too big to handle?
The Words That Remain by
A letter has beckoned to Raimundo since he received it over fifty years ago from his youthful passion, handsome Cícero. But having grown up in an impoverished area of Brazil where the demands of manual labor thwarted his becoming literate, Raimundo has long been unable to read. As young men, he and Cícero fell in love, only to have Raimundo's father brutally beat his son when he discovered their affair. Even after Raimundo succeeds in making a life for himself in the big city, he continues to be haunted by this secret missive full of longing from the distant past. Now at age seventy-one, he at last acquires a true education and the ability to access the letter. Exploring Brazil's little-known hinterland as well its urban haunts, this is a sweeping novel of repression, violence, and shame, along with their flip side: survival, endurance, and the ultimate triumph of an unforgettable figure on society's margins. The Words That Remain explores the universal power of the written word and language, and how they affect all our relationships.
We Set the Dark on Fire by
At the Medio School for Girls, distinguished young women are trained for one of two roles in their polarized society. Depending on her specialization, a graduate will one day run a husband's household or raise his children, but both wives are promised a live of comfort and luxury, far from the frequent political uprisings of the lower class. Daniela Vargas is the school's top student, but her bright future depends upon no one discovering her darkest secret - that her pedigree is a lie. Her parents sacrificed everything to obtain forged identification papers so Dani could rise above her station. Now that her marriage to an important politico's son is fast approaching, she must keep the truth hidden or be sent back to the fringes of society, where famine and poverty rule supreme. On her graduation night, Dani seems to be in the clear, despite the suprises that unfold. But nothing prepares her for all the difficult choices she must make, especially when she is asked to spy for a resistance group desperately fighting to bring equality to Medio. Will Dani give up everything she's strived for in pursuit of a free Media - and a chance at a forbidden love? The first in a sizzling fantasy duology from debut author Tehlor Kay Mejia, We Set the Dark on Fire is a boldy feminist look at freedom, family, and fighting for power.
Mexican Gothic by
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemi Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find--her cousin's husband, a handsome Englishman, is a stranger, and Noemi knows little about the region. Noemi is also an unlikely rescuer: She's a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemi; and not even of the house itself, which begins to invade Noemi's dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help Noemi, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemi digs deeper she unearths stories of violence and madness.
Eat the Mouth That Feeds You by
This stunningly original collection of stories illuminates a spectrum of Latinx, Chicanx, and immigrant women's voices. In confrontations with fraught matrilineal lines, absent or abusive fathers, and the effects of historical violence, these women and girls navigate a male-dominated world where they rely on a resilient mujer network to get them through sometimes supernatural obstacles. In visceral, embodied prose, Fragoza's imperfect characters are drawn with an authentic, sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family's beloved lime tree. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border
Cubanisimo!: The Vintage Book of Contemporary Cuban Literature by
José Martí -- Fernando Ortiz -- Antonio Benítez-Rojo -- Lydia Cabrera -- Dulce María Loynaz -- Alejo Carpentier -- Miguel Barnet -- Guillermo Cabrera Infante -- Nancy Morejón -- Calvert Casey -- José Lezama Lima -- Herberto Padilla -- Lourdes Casal -- Lino Novás Calvo -- Nicolás Guillén -- Virgilio Piñera -- Gustavo Pérez-Firmat -- Severo Sarduy -- Reinaldo Arenas -- Zoé Valdés -- Ernesto Mestre -- María Elena Cruz Varela -- José Manuel Prieto -- Ana Menéndez -- Rafael Campo.
Daughter of Fortune by
Raised in the British colony of Valparaíso, Chile, English orphan Eliza Sommers meets and falls in love with the wildly inappropriate Joaquín Andieta, a lowly clerk with ambitious dreams. When gold is discovered in the hills of northern California, Chileans, including Joaquín, head north to seek their fortune. Eliza, pregnant with Joaquín's child, leaves behind everything she knows to follow her lover. In the rough-and-tumble world of San Francisco, Eliza must navigate a society dominated by greedy men. But with the help of her natural spirit and a good friend, Chinese doctor Tao Chi'en, Eliza soon comes to discover that her search for love has become a quest of personal freedom.
Note
Monstrilio by
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses--though curbed by his biological and chosen family's communal care--threaten to destroy this fragile second chance at life.
They Both Die at the End by
On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They're going to die today. Mateo and Rufus are total strangers, but, for different reasons, they're both looking to make a new friend on their End Day. The good news: There's an app for that. It's called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure--to live a lifetime in a single day.'
Coyote Songs by
In this mosaic horror/crime novel, ghosts and old gods guide the hands of those caught up in a violent struggle to save the soul of the American southwest. A man tasked with shuttling children over the border believes the Virgin Mary is guiding him towards final justice. A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father. These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling, pulpy portrait of revenge, family, and hope.
Our Share of Night by
In 1981, a young father and son set out on a road trip across Argentina, devastated by the mysterious death of the wife and mother they both loved. United in grief, the pair travels to her family home near Iguazú Falls, where they must confront the horrific legacy she has bequeathed. For the woman they are grieving came from a family like no other--a centuries-old secret society called the Order that pursues eternal life through ghastly rituals. For Gaspar, the son, this cult is his destiny. As Gaspar grows up he must learn to harness his developing supernatural powers, while struggling to understand what kind of man his mother wanted him to be. Meanwhile Gaspar's father tries to protect his son from his wife's violent family while still honoring the woman he loved so desperately
María Magdalena Campos-Pons by
María Magdalena Campos-Pons (b. 1959) makes powerful work that holds and beholds the stories of historically silenced peoples and urges societal change. Her journey as an artist, teacher, and activist has taken her from Cuba through the United States, and her autobiographical compositions honor her Nigerian and Chinese ancestors while also facing the future. With an artistic practice that crosses boundaries, intertwines media--from photography to sculpture, film to performance--and references traditions and beliefs ranging from feminism to Santería, Campos-Pons's work is deeply layered and complex. This volume, the first critical look at the artist's oeuvre in nearly two decades, surveys the concerns, materials, and places invoked throughout her forty-year career. Thoughtful essays explore her vibrant, arresting artwork, which confronts issues of agency and the construction of race and belonging and challenges us to reckon with these issues in our own lives
Latinas/os on the East Coast by 
¡Chicana Power! by 
Brown Enough by
At a time when disinformation, hate crimes, inequality, racial injustice, and white supremacy are on the rise, Brown Enough, part memoir and part social commentary, emerges, asking readers to proudly put their bodies, their identities, into the conversations of race. Brown Enough is a roller coaster of finding one's true self while simultaneously having a racial awakening amidst the struggle to be "perfectly" Latinx, woke, and as Brown as possible to make it in today's America.
Theories of the Flesh by
A theory in the flesh means one where the physical realities of our lives all fuse to create a politic born of necessity," writes activist Cher̕re L. Moraga. This volume of new essays stages an intergenerational dialogue among philosophers to introduce and deepen engagement with U.S Latinx and Latin American feminist philosophy, and to explore their "theories in the flesh." It explores specific intellectual contributions in various topics in U.S. Latinx and Latin American feminisms that stand alone and are unique and valuable; analyzes critical contributions that U.S. Latinx and Latin American interventions have made in feminist thought more generally over the last several decades; and shows the intellectual and transformative value of reading U.S Latinx and Latin American feminist theorizing.The collection features a series of essays analyzing decolonial approaches within U. S. Latinx and Latin American feminist philosophy, including studies of the functions of gender within feminist theory, everyday modes of resistance, and methodological questions regarding the scope and breadth of decolonization as a critical praxis. Additionally, essays examine theoretical contributions to feminist discussions of selfhood, narrativity, and genealogy, as well as novel epistemic and hermeneutical approaches within the field. A number of contributors in the book address themes of aesthetics and embodiment, including issues of visual representation, queer desire, and disability within U. S. Latinx and Latin American feminisms.Together, the essays in this volume are groundbreaking and powerful contributions in the fields of U.S Latinx and Latin American feminist philosophy.
The Avowal of Difference by
The Avowal of Difference explores the potentialities and limitations that queer theory offers in the context of Latino American texts and subjects
Our Migrant Souls by
"Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation.
Creep by
A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society, in our books, schools, and homes, as well as the systems that perpetuate them, from the acclaimed author of Mean, and one of our fiercest, foremost explorers of intersectional Latinx identity
Finding Latinx by
Young Latinos across the United States are redefining their identities, pushing boundaries, and awakening politically in powerful and surprising ways. Many of them--Afrolatino, Indigenous, Muslim, queer and undocumented, living in large cities and small towns--are voices who have been chronically overlooked in how the diverse population of almost sixty million Latinos in the U.S. has been represented. No longer. In this empowering cross-country travelogue, journalist and activist Paola Ramos embarks on a journey to find the communities of people defining the controversial term, 'Latinx.' She introduces us to the Indigenous Oaxacans who rebuilt the main street in a post-industrial town in upstate New York, the 'Las Poderosas' who fight for reproductive rights in Texas, the musicians in Milwaukee whose beats reassure others of their belonging, as well as drag queens, environmental activists, farmworkers, and the migrants detained at our border. Drawing on intensive field research as well as her own personal story, Ramos chronicles how 'Latinx' has given rise to a sense of collectivity and solidarity among Latinos unseen in this country for decades. A vital and inspiring work of reportage, Finding Latinx calls on all of us to expand our understanding of what it means to be Latino and what it means to be American. The first step towards change, writes Ramos, is for us to recognize who we are
Our America by
Maps the influence of America's Hispanic past, from the explorers and conquistadors who helped colonize Puerto Rico and Florida, to the missionaries and rancheros who settled in California and the 20th-century resurgence in major cities like Chicago and Miami. The United States is still typically conceived of as an offshoot of England, with our history unfolding east to west beginning with the first English settlers in Jamestown. This view overlooks the significance of America's Hispanic past. With the profile of the United States increasingly Hispanic, the importance of recovering the Hispanic dimension to our national story has never been greater. This narrative begins with the explorers and conquistadores who planted Spain's first colonies in Puerto Rico, Florida, and the Southwest. Missionaries and rancheros carry Spain's expansive impulse into the late eighteenth century, settling California, mapping the American interior to the Rockies, and charting the Pacific coast. During the nineteenth century Anglo-America expands west under the banner of "Manifest Destiny" and consolidates control through war with Mexico. In the Hispanic resurgence that follows, it is the peoples of Latin America who overspread the continent, from the Hispanic heartland in the West to major cities such as Chicago, Miami, New York, and Boston. The United States clearly has a Hispanic present and future, and here the author presents its Hispanic past.
Cuban Ballet by 
Cartographies of Youth Resistance by
In his exciting new book, based on a decade of ethnographic fieldwork, Maurice Magaña considers how urban and migrant youth in Oaxaca embrace subcultures, from hip-hop to punk, and adopt creative organizing practices to create meaningful channels of participation in local social and political life. In the process, young people remake urban space and construct new identities in ways that directly challenge elite visions of their city and essentialist notions of what it means to be indigenous in the contemporary era. Cartographies of Youth Resistance is essential reading for students and scholars interested in youth politics and culture in Mexico, social movements, urban studies, and migration
The Death of Aztec Tenochtitlan, the Life of Mexico City by
The unique style of Cuban ballet is galvanizing the world of dance in the United States, Europe, Latin America, and beyond. This beautifully illustrated book explores the history of Cuban ballet by focusing on the life and career of the indomitable Alicia Alonso. It also spotlights many of the young dancers who are changing the face of ballet with their superb technique, impeccable work ethic, and spectacular performances: Lorena Feijoo, Lorna Feijoo, Joan Boada, Taras Domitro, Jose Manuel Carreo, Rolando Sarabia, and Carlos Acosta to name but a few.
Tenochtitlan was the capital of the Aztec empire, built on an island, it was one of the largest cities in the world. In 1521, Hernando Cortes declared to the Spanish King, Charles V, that he had destroyed the city. Art historian Barbara Mundy’s research proves that was not the case, and highlights other aspects of this extraordinary city.
Sexographies by
Gabriela Wiener is a Peruvian writer with a husband, a girlfriend, a keen sense of humor, and an almost uncomfortable candor. In this series of crónicas and essays, she explores everything from kink and sex work to hallucinogens and egg donation, always with the fully-immersive approach of a gonzo journalist.
Latinx Photography in the United States by
Whether at UFW picket lines in California's Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States.0Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.
Harvest of Empire by
Presents a history of Latinos in America, from the first colonies in the New World through today, and offers portraits of distinguished Americans of Hispanic descent that have played a key role in the evolving face of American life.
A Taste of Latin America by
Real Latin American food is unpredictable, flavorful, and a celebration of fresh tropical fruits, vegetables, and meats. Cartin presents a broad menu that will take you on a tasting tour of ten countries. All of the ingredients can be sourced at your local grocery store, so why not follow you taste buds south?
Gran Cocina Latina by
The co-owner of two Latin restaurants in Hoboken, New Jersey, presents 500 recipes from the Latin world ranging from Mexico to Argentina and all the Spanish-speaking countries of the Caribbean including adobos, sofritos, empanadas, tamales, ceviches, moles and flan.
My Mother's Bolivian Kitchen by 
The Mexican Home Kitchen by
For Martínez, Mexican cooking has always been about family, community, and tradition. She started helping in the kitchen at a very young age, and spent summers at her grandmother's farm in the state of Veracruz, where part of the daily activities included helping grind the corn to make masa. Here Martínez shares traditional and family recipes with easy-to-follow instructions, so you can enjoy this delicious cooking right in your own home.
Planet Taco by
As late as the 1960s, tacos were virtually unknown outside Mexico and the American Southwest. Within fifty years the United States had shipped taco shells everywhere from Alaska to Australia, Morocco to Mongolia. But how did this tasty hand-held food, and Mexican food more broadly, become so ubiquitous? In this book the author traces the historical origins and evolution of Mexico's national cuisine, explores its incarnation as a Mexican American fast-food, shows how surfers became global pioneers of Mexican food, and how Corona beer conquered the world. The author is particularly enlightening on what the history of Mexican food reveals about the uneasy relationship between globalization and authenticity. The burritos and taco shells that many people think of as Mexican were actually created in the United States. But he argues that the contemporary struggle between globalization and national sovereignty to determine the authenticity of Mexican food goes back hundreds of years. During the nineteenth century, Mexicans searching for a national cuisine were torn between nostalgic "Creole" Hispanic dishes of the past and French haute cuisine, the global food of the day. Indigenous foods were scorned as unfit for civilized tables. Only when Mexican American dishes were appropriated by the fast food industry and carried around the world did Mexican elites rediscover the foods of the ancient Maya and Aztecs and embrace the indigenous roots of their national cuisine. From a taco cart in Hermosillo, Mexico to the "Chili Queens" of San Antonio and tamale vendors in Los Angeles., the author follows this highly adaptable cuisine, paying special attention to the people too often overlooked in the battle to define authentic Mexican food: indigenous Mexicans and Mexican Americans.
Yucatán by
An internationally recognized authority on Yucatecan cuisine, chef David Sterling takes you on a gastronomic tour of the peninsula in this unique cookbook, Yucatán: Recipes from a Culinary Expedition. Presenting the food in the places where it's savored, Sterling begins in jungle towns where Mayas concoct age-old recipes with a few simple ingredients they grow themselves. He travels over a thousand miles along the broad Yucatán coast to sample a bounty of seafood; shares "the people's food"at bakeries, chicharronerías, street vendors, home restaurants, and cantinas; and highlights the cooking of the peninsula's three largest cities--Campeche, Mérida, and Valladolid--as well as a variety of pueblos noted for signature dishes. Throughout the journey, Sterling serves up over 275 authentic, thoroughly tested recipes that will appeal to both novice and professional cooks. He also discusses pantry staples and basic cooking techniques and offers substitutions for local ingredients that may be hard to find elsewhere. Profusely illustrated and spiced with lively stories of the region's people and places, Yucatán: Recipes from a Culinary Expedition is the long-awaited definitive work on this distinctive cuisine.
Brown Neon by
Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez's debut essay collection Brown Neon gleans insight from the sediment of land and relationships. For Gutierrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the multi-generational lesbian social fabric, or recalling a failed romance, Gutǐrrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance.
Hola Papi by
The popular LGBTQ advice columnist and writer presents a memoir-in-essays chronicling his journey growing up as a queer, mixed-race kid in America's heartland to becoming the "Chicano Carrie Bradshaw" of his generation.
In the Dream House: A Memoir by
The author's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
Ordinary Girls by
In this searing memoir, Jaquira Díaz writes fiercely and eloquently of her challenging girlhood and triumphant coming of age. While growing up in housing projects in Puerto Rico and Miami Beach, Díaz found herself caught between extremes. As her family split apart and her mother battled schizophrenia, she was supported by the love of her friends. As she longed for a family and home, her life was upended by violence. As she celebrated her Puerto Rican culture, she couldn't find support for her burgeoning sexual identity. From her own struggles with depression and sexual assault to Puerto Rico's history of colonialism, every page of Ordinary Girls vibrates with music and lyricism. Díaz writes with raw and refreshing honesty, triumphantly mapping a way out of despair toward love and hope to become her version of the girl she always wanted to be.
My Broken Language by
Quiara Alegria Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the untold stories of the barrio -- even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories -- but first she'd have to get off the stairs and join the dance. She'd have to find her language. Weaving together Hudes's love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging -- narrated by an obsessed girl who fought to become an artist so she could capture the world she loves in all its wild and delicate beauty.
The Crusades of Cesar Chavez by 
My Beloved World by
An instant American icon--the first Hispanic on the U.S. Supreme Court--tells the story of her life before becoming a judge in an inspiring, surprisingly personal memoir. With startling candor and intimacy, Sonia Sotomayor recounts her life from a Bronx housing project to the federal bench, a progress that is testament to her extraordinary determination and the power of believing in oneself. She writes of her precarious childhood and the refuge she took with her passionately spirited paternal grandmother. She describes her resolve as a young girl to become a lawyer, and how she made this dream become reality: valedictorian of her high school class, summa cum laude at Princeton, Yale Law, prosecutor in the Manhattan D.A.'s office, private practice, federal district judge before the age of forty. She writes about her deeply valued mentors, about her failed marriage, about her cherished family of friends. Through her still-astonished eyes, America's infinite possibilities are envisioned a new in this book.
Native Country of the Heart by
Writer and activist Cherríe Moraga's love letter to her 'unlettered' mother is also an intimate understanding of the U.S.-Mexican diaspora by the celebrated coeditor of the groundbreaking anthology This bridge called my back. Moraga's memoir begins with her mother, Elvira Isabel Moraga, who as a child, along with her siblings, was hired out by her own father to pick cotton in California's Imperial Valley. The lives of Cherríe and her mother, and of their people, are woven together in a story of critical reflection and deep personal revelation as Moraga charts her own coming to consciousness alongside the heartbreaking story of her mother's decline. As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where an ambiguous relationship with a wealthy white man taught her life lessons about power, sex, and opportunity. As Moraga charts her mother's journey--from impressionable young girl to battle-tested matriarch to, later on, old woman suffering under the yoke of Alzheimer's--she traces her own self-discovery of her queer body and lesbian identity, as well as her passion for activism and the history of her pueblo. As her mother's memory fails, Moraga unearths shards of what it means to be Mexican in the United States, of her diaspora's Indigenous origins, and of an American story of cultural loss.
Undocumented by
Throughout his youth, Dan-el navigated ... two worlds: the rough streets of East Harlem, where he lived with his brother and his mother and tried to make friends, and the ultra-elite halls of a Manhattan private school, where he could immerse himself in a world of books and where he soon rose to the top of his class. From Collegiate, Dan-el went to Princeton, where he thrived, and where he made the momentous decision to come out as an undocumented student in a Wall Street Journal profile a few months before he gave the salutatorian's traditional address in Latin at his commencement.
The Soul of a Woman by
The author describes her lifelong commitment to feminism in a meditation on what it means to be a woman, discussing progress within the movement in her lifetime, what remains to be done, and how to move forward in the future
Liliana's Invincible Summer (Pulitzer Prize Winner) by
October 18, 2019. Christina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. "My name is Christina Rivera Garza," she writes in her request to the attorney general, "and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990." It's been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend. Inspired by feminist movements across the world and enraged by the global epidemic of femicide and intimate partner violence, Cristina embarks on a path toward justice. Liliana's Invincible Summer is the account -- and the outcome -- of that quest. In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: Liliana is a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. Rivera Garza traces her sister's history, depicting everything from Liliana's early romance with a handsome but possessive and short-tempered man to the exhilarating final summer of 1990 when she loved, thought, and traveled more widely and freely than she ever had before. The resulting work is "something almost miraculous: not a cold case file or true-crime story, but an attempt to recover Liliana's life, her spark, her youth, taken away with such cruelty" (Mariana Enriquez). In this remarkable and genre-defying memoir, Rivera Garza confronts the trauma of losing her sister and examines how this tragedy continues to shape who she is -- and what she fights for -- today.
The Undocumented Americans by
Traveling across the country, journalist Karla Cornejo Villavicencio risked arrest at every turn to report the extraordinary stories of her fellow undocumented Americans. Her subjects have every reason to be wary around reporters, but Cornejo Villavicencio has unmatched access to their stories. Her work culminates in a stunning, essential read for our times. Born in Ecuador and brought to the United States when she was five years old, Cornejo Villavicencio has lived the American Dream. Raised on her father's deliveryman income, she later became one of the first undocumented students admitted into Harvard. She is now a doctoral candidate at Yale University and has written for The New York Times. She weaves her own story among those of the eleven million undocumented who have been thrust into the national conversation today as never before. Looking well beyond the flashpoints of the border or the activism of the DREAMERS, Cornejo Villavicencio explores the lives of the undocumented as rarely seen in our daily headlines. In New York, we meet the undocumented workers who were recruited in the federally funded Ground Zero cleanup after 9/11. In Miami we enter the hidden botanicas, which offer witchcraft and homeopathy to those whose status blocks them from any other healthcare options. In Flint, Michigan, we witness how many live in fear as the government issues raids at grocery stores and demands identification before offering life-saving clean water. In her book, Undocumented America, Cornejo Villavicencio powerfully reveals the hidden corners of our nation of immigrants. She brings to light remarkable stories of hope and resilience, and through them we come to understand what it truly means to be American
Luz de Escombros by
Colección Valparaíso de poesía ; número 367 "Como si de un manto real del mundo extendido se tratara. Una mirada que se centra en un otro, ambiguo, falso, verdadero, entrevisto, fugaz. Un manto terso, casi un sudario, un mapa de coordenadas exactas, de silencios precisos, de los agujeros que, unicamente un vacio programado, es capaz de lograr. Un lenguaje tan concreto y exacto, que abarca, en su categoria de manto real, tiempos y espacios sucesivos, exilios y arraigos, atrapados en la propia nada, propia de alguien que no pertenece a ninguna instancia, salvo a la poetica. Lena Retamoso lo sabe, lo traza, lo ejecuta." Mario Bellatin
Gentefication by
In his debut poetry collection Gentefication, Antonio Lopez adorns novelty with innovation by rendering the reader-in addition to the objective world-in surprising new ways. As if they were exorcising our demons or, less ominously, assigning us roles that break from the typecast routines of our daily lives, these poems call to the surface aspects of ourselves that we are rarely asked to engage. Poems tender and ironic, earnest and outraged display a mind abundant with knowledge yet desperate for answers. While so much American poetry asks of the reader only their passive attention, these poems work like personal trainers. They call for the kind of mental and spiritual absorption that can make prayer feel productive. Gregory Pardlo, Winner of the Pulitzer Prize for Poetry
Floaters by
From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief, and love. In this collection, Martín Espada bears witness to confrontation with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents playing soccer in an internment camp founded on that same bigotry. He knows that times of hate also call for poems of love--even in the voice of a Galápagos tortoise. Whether celebrating the visions of fallen dreamers and poets or condemning the devastation of Hurricane Maria and official negligence in his father's Puerto Rico, Espada invokes ferocious, incandescent spirits
The Poet X by
Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours her frustration onto the pages of a leather notebook, reciting the words to herself like prayers - especially after she catches feelings for a boy in her bio class. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. When she is invited to join her school's slam poetry club, she knows that she could never get around Mami's rules to attend, much less speak her words out loud. But still, she can't stop thinking about performing her poems. Because in spite of a world that may not want to hear her, Xiomara refuses to be silent.
The Carrying by
Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance.
The Penguin Book of Caribbean Verse in English by 
Santa Tarantula by
The poems in Santa Tarantula grant an urgent and haunting voice to the voiceless, explore ancient narratives, delve into Cuban history and identity, and confront trauma and violence. Jordan Pérez explores the tension between fear and reprieve, between hopelessness and light, in her debut collection, Santa Tarantula, the tenth winner of the Andrés Montoya Poetry Prize. Pérez lends voices to the forgotten: to the political dissidents, gay men, and religious minorities imprisoned in the forced-labor camps of 1960s Cuba; to biblical women who were deemed unworthy to name; to survivors of sexual violence who grapple with paralyzing fear and isolation. With rich detail, these poems weave together the stories of those who go unheard with family memories, explore moments of unspeakable tragedy with glimpses of a life beyond the trauma, and draw out what it means to be vulnerable and the strength it takes to endure. Santa Tarantula pushes through the darkness, cataloging unspoken pain and multigenerational damage, and revealing that, sometimes, survival is in the telling
Tripas by
With 'Tripas,' Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of 'telephone' between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise--one attuned to the echo in the hecho, the oracle in the órale.