Susan Sgorbati has been involved in the field of dance for over thirty years as a choreographer, artistic director, dancer, and teacher. Since 1983, she has been on the Dance Faculty at Bennington College in Vermont where she has co‐taught numerous interdisciplinary courses with biologists, musicians, visual artists, and anthropologists. Her focus on dance improvisation for performance coalesced into an on‐going research into the relationship between dance and music improvisation and the science of complex systems, which she named Emergent Improvisation (EI). Her initial meetings, a decade ago, with eminent scientists in the field of complexity, Dr. Bruce Weber, Dr. Gerald Edelman, and Dr. Stuart Kauffman, inspired the direction and naming of her work. She sustains dynamic on‐going dialogues with Stuart Kauffman, who appears in her recent film “Emergent Forms”, a collaboration with film-maker, Elliot Caplan, “Beach Birds for Camera”, “Cage and Cunningham”).
These interactions have taken many forms: co‐teaching and co‐authoring a paper with Dr. Weber; winter residencies (2004 to 2006) at The Neurosciences Institute in La Jolla, California under the tutelage of Dr. Edelman, where her Emergent Improvisation Project (EIP) performance was heralded by The San Diego Union‐ Tribune as one of the “Top 10 Performances of 2006;” presentation of collaborative research with Dr. Kauffman at a symposium sponsored by The National Endowment for the Arts and The National Science Foundation in Washington, D.C., 2010, and participation in Dr. Kauffman’s complexity‐focused interdisciplinary Crazy Salon at the University of Vermont.
Sgorbati has presented her EI research at the 6th International Conference on Complex Systems [hosted by the New England Complex Systems Institute] and the Conference on Emergence hosted by the Star Island Institute for Science in the Age of Religion.
Her writing has been published in Contact Quarterly dance journal, Nouvelles de Danse (Belgium), and the anthology Idea in Action (Berlin: Spector Books, 2012). Her book, “Emergent Improvisation: Where Dance Meets Science on Spontaneous Composition” published in 2013 by Contact Editions features conversations with Gerald Edelman, Stuart Kauffman and Bruce Weber.
Her dance work has been presented at many venues and festivals in New York City and New England. In 2006, Sgorbati received a National Performance Network Creation Fund Grant to develop and tour original performance work (Emergent Improvisation Project). In 2011, she was granted a Creative Research Residency at the Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute to explore her new research on “emergent structuring.”
Parallel to her dance career, Sgorbati is currently the Director of The Center for the Advancement of Public Action at Bennington College. This program oversees four initiatives: Human Rights and Peacebuilding, the Environment (Water, Food, Energy), Art in the Public Realm (CAPA Improvisation is a program in this initiative) and Activating Democracy. Sgorbati is a professional mediator with extensive training and expertise in both multi‐party and environmental dispute resolution for which she has received numerous honors and awards. Since 1999 she has mediated cases for the Vermont Human Rights Commission and holds The Barbara and Lewis Jones Chair for Social Activism at Bennington College. Sgorbati began implementing the communication structures of Emergent Improvisation in her conflict resolution practice on a recent trip to the Middle East and has recently written a new essay called, “Solving The Impossible” that is to be published in Urdu in Pakistan next year.
EIP (Emergent Improvisation Project) continues to forge new connections both nationally and internationally with organizations and institutions devoted to inter‐ disciplinary research, education, cultural development, and unique platforms for performance.