Poetry of the Taliban
by
While much has been written about the Taliban's military tactics, media strategy and harsh treatment of women, the cultural and sometimes less overtly political representation of their identity, the Taliban's other face, is often overlooked. Most Taliban fighters are Pashtuns, a people who cherish their vibrant poetic tradition, closely associated with that of song. The poems in this collection are meant to be recited and sung; and this is the manner in which they are enjoyed by the wider Pashtun public today. For the Taliban today, these poems, or ghazals, have a resonance back to the 1980s war against the Soviets, when similar rhetorical styles, poetic formulae and tricks with metre inspired mujahideen combatants and non-combatants alike. The poetry presented here includes 'classics' of the genre from the 1980s and 1990s as well as a selection from the odes and ghazals of today's conflict.
American Sonnets for My Past and Future Assassin
by
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. These poems are haunted by the country's past and future eras and errors, its dreams and nightmares
Baby, I Don't Care
by
Chelsey Minnis's new collection of poems follows the struggle of a flawed character in a cinematic world. Playing with old ideas of wealth and love from Hollywood's golden era, these poems flirt with nostalgia without ever succumbing to it, casting a new light on the present through the fantasies of the past.
You Darling Thing
by
Look
by
Solmaz Sharif's astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable loss of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family's and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed in America's invasions of Afghanistan and Iraq, and in the discrimination endured at the checkpoints of daily encounter. At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. 'Let it matter what we call a thing, ' she writes. 'Let me look at you.'
"A book of poems written with and against terms from the Department of Defense's official dictionary."
Lo Terciario / the Tertiary
by
Written in response to the PROMESA bill (Puerto Rico Oversight, Management, and Economic Stability Act) bill, The tericary/Lo terciario offers a decolonial queer critique and reconsideration of Marx. The book's titles come from Pedro Scaron's El Capital, the 1976 translation of Karl Marx's classic. Published by Siglo Veintiuno Editores, this translation was commonly used by the Puerto Rican left as part of political formation programs. The tericary/Lo terciario places this text in relation to the Puerto Rican debt crisis, forcing readers to reconsider old questions when facing colonialism's newest horrors.
