Waiting for Buddy Guy : Chicago Blues at the Crossroads by 
Blues legacies and Black feminism : Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday by 
Blues Unlimited : Essential Interviews From the Original Blues Magazine by 
Bessie by 
Ramblin' on My Mind : New Perspectives on the Blues by 
Escaping the delta : Robert Johnson and the invention of the blues by 
The Blues: A Very Short Introduction by 
The History of the Blues by 
Blues Empress in Black Chattanooga : Bessie Smith and the Emerging Urban South by 
Jim Crow's Counterculture : The Blues and Black Southerners, 1890-1945 by 
Deep Blues by 
Nobody knows where the blues come from : lyrics and history by 
Delta blues : the life and times of the Mississippi Masters who revolutionized American music by 
Blues music in the sixties : a story in Black and White by 
Give My Poor Heart Ease : Voices of the Mississippi Blues by 
Blues from the Delta by 
Encyclopedia of American Gospel Music by 
Woke me up this morning : Black gospel singers and the gospel life by 
A City Called Heaven : Chicago and the Birth of Gospel Music by 
Singing in My Soul : Black Gospel Music in a Secular Age by 
If You Don't Go, Don't Hinder Me by 
Downhome gospel : African American spiritual activism in wiregrass country by 
The School of Arizona Dranes : Gospel Music Pioneer by 
African American Heritage Hymnal by 
The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church by 
Nothing but Love in God’s Water : Volume 2: Black Sacred Music From Sit-Ins to Resurrection City by 
Flaming? the Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance by
Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance examines the rituals and social interactions of African American men who use gospel music making as a means of worshiping God and performing gendered identities. Prompted by the popular term "flaming(g)" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that these men wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletics, to position themselves along a spectrum of gender identities.
